Indiana-based Murder by d**h first caught the attention of Thursday's Geoff Rickly while playing a gig together one night in their hometown of Bloomington, IN. Rickly promptly brought the band, then called Little Joe Gould, to the attention of his friend Alex Saavedra (Eyeball Records owner), and the group was signed immediately. The band was comprised of vocalist/guitarist Adam Turla, drummer Alex Schrodt, ba**ist Matt Armstrong, cellist Sarah Balliet, and pianist Vincent Edwards. They issued a 2001 self-titled EP as Little Joe Gould before the band eventually decided to change its name to Murder by d**h, taken from the 1976 Robert Moore mystery of the same name. The bandmembers felt the new name better represented their ominous sound, which combined elements of artists like Nick Cave & the Bad Seeds, Johnny Cash, and the Decemberists. br /br /Their first full-length, Like the Exorcist But More Breakdancing, was released on Eyeball in August 2002. Touring early on with bands like Cursive, Interpol, and the American Analog Set, the band did a summer 2003 split with Volta Do Mar before following up that fall with the well-received Who Will Survive and What Will Be Left of Them? The record was something of a concept album based around the Devil waging war on a small Western town. A benefit 7" appeared at the year's end in memory of Ten Grand's Matt Davis, and the band continued to turn heads nationwide on tours with the likes of Lucero, the Weakerthans, William Elliott Whitmore, and Rasputina. br /br /Edwards amicably parted ways with the group in mid-2004 to go back to school, and when his touring replacement also left by the year's end, the remaining members of Murder by d**h decided to just carry on as a more rock-oriented quartet. Balliet, though, picked up keyboard parts along with her cello. After extensive touring, the bandmembers went back to college for a bit while writing their third album. Murder by d**h eventually issued In Bocca al Lupo on their East West imprint, Tent Show Records, in May 2006. Another concept album, this one was produced by J. Robbins (Against Me!, Dismemberment Plan), and explored themes of sin and redemption, somewhat inspired by Dante Alighieri's The Divine Comedy. Touring continued through the summer, including a headlining stint with Langhorne Slim opening. ~ Corey Apar, All Music Guide