Mirah (pronounced mear-rah) -- full name Mirah Yom Tov Zeitlyn -- was born on her mother's kitchen table. The daughter of artistic parents, the singer/songwriter had a pa**ion for music from early childhood. While fronting the jazz band the Hot Set in Olympia, WA, playing wedding parties and bar mitzvahs to earn extra cash, Mirah began writing her own brand of lo-fi, slice-of-life indie pop, a style later compared to that of grrrl-rocker Liz Phair. Powered only by her guitar and stand-out singing voice -- known around small-town Olympia as the s**iest voice in rock -- Mirah performed her own songs under her own name and people took notice. Phil Elvrum of the psych-pop group the Microphones invited Mirah to lend her lilting voice and guitar playing to the Microphones' albums Don't Wake Me Up and Window. She later toured with the band across North America and Canada. Mirah's first full-length solo album, You Think It's Like This but Really It's Like This, was released in June 2000, under K. Elvrum produced the freshman record, a**isting with much of the instrumentation. Yo Yo Recordings released her single-sided album Storageland in 2001. In 2002, Mirah returned to K with the breathtaking Advisory Committee and, with collaborator Ginger Brooks Takahashi, released Songs from the Black Mountain Music Project in summer 2003. 2004 was also busy for Mirah: To All We Stretch the Open Arm (which also featured the Black Cat Orchestra) and C'Mon Miracle both arrived that year. ~ Betsy Boyd, All Music Guide