Washington Irving - The Tower of Las Infantas lyrics

In an evening's stroll up a narrow glen, overshadowed by fig trees, pomegranates, and myrtles, which divides the lands of the fortress from those of the Generalife, I was struck with the romantic appearance of a Moorish tower in the outer wall of the Alhambra, rising high above the tree-tops, and catching the ruddy rays of the setting sun. A solitary window at a great height commanded a view of the glen; and as I was regarding it, a young female looked out, with her head adorned with flowers. She was evidently superior to the usual cla** of people inhabiting the old towers of the fortress; and this sudden and picturesque glimpse of her reminded me of the descriptions of captive beauties in fairy tales. These fanciful a**ociations were increased on being informed by my attendant Mateo, that this was the Tower of the Princesses (la Torre de las Infantas); so called, from having been, according to tradition, the residence of the daughters of the Moorish kings. I have since visited the tower. It is not generally shown to strangers, though well worthy attention, for the interior is equal, for beauty of architecture, and delicacy of ornament, to any part of the palace. The elegance of the central hall, with its marble fountain, its lofty arches, and richly fretted dome; the arabesques and stucco-work of the small but well-proportioned chambers, though injured by time and neglect, all accord with the story of its being anciently the abode of royal beauty. The little old fairy queen who lives under the staircase of the Alhambra, and frequents the evening tertulias of Dame Antonia, tells some fanciful traditions about three Moorish princesses, who were once shut up in this tower by their father, a tyrant king of Granada, and were only permitted to ride out at night about the hills, when no one was permitted to come in their way under pain of d**h. They still, according to her account, may be seen occasionally when the moon is in the full, riding in lonely places along the mountain side, on palfreys richly caparisoned and sparkling with j**els, but they vanish on being spoken to. But before I relate any thing further respecting these princesses, the reader may be anxious to know something about the fair inhabitant of the tower with her head dressed with flowers, who looked out from the lofty window. She proved to be the newly-married spouse of the worthy adjutant of invalids; who, though well stricken in years, had had the courage to take to his bosom a young and buxom Andalusian damsel. May the good old cavalier be happy in his choice, and find the Tower of the Princesses a more secure residence for female beauty than it seems to have proved in the time of the Moslems, if we may believe the following legend! Legend of the Three Beautiful Princesses IN OLD times there reigned a Moorish king in Granada, whose name was Mohamed, to which his subjects added the appellation of El Hayzari, or “The Left-handed.” Some say he was so called on account of his being really more expert with his sinister than his dexter hand; others, because he was prone to take every thing by the wrong end; or in other words, to mar wherever he meddled. Certain it is, either through misfortune or mismanagement, he was continually in trouble: thrice was he driven from his throne, and, on one occasion, barely escaped to Africa with his life, in the disguise of a fisherman.* Still he was as brave as he was blundering; and though left-handed, wielded his cimeter to such purpose, that he each time re-established himself upon his throne by dint of hard fighting. Instead, however, of learning wisdom from adversity, he hardened his neck, and stiffened his left arm in wilfulness. The evils of a public nature which he thus brought upon himself and his kingdom may be learned by those who will delve into the Arabian annals of Granada; the present legend deals but with his domestic policy. * The reader will recognize the sovereign connected with the fortunes of the Abencerrages. His story appears to be a little fictionized in the legend. As this Mohamed was one day riding forth with a train of his courtiers, by the foot of the mountain of Elvira, he met a band of horsemen returning from a foray into the land of the Christians. They were conducting a long string of mules laden with spoil, and many captives of both s**es, among whom the monarch was struck with the appearance of a beautiful damsel, richly attired, who sat weeping on a low palfrey, and heeded not the consoling words of a duenna who rode beside her. The monarch was struck with her beauty, and, on inquiring of the captain of the troop, found that she was the daughter of the alcayde of a frontier fortress, that had been surprised and sacked in the course of the foray. Mohamed claimed her as his royal share of the booty, and had her conveyed to his harem in the Alhambra. There every thing was devised to soothe her melancholy; and the monarch, more and more enamored, sought to make her his queen. The Spanish maid at first repulsed his addresses — he was an infidel — he was the open foe of her country — what was worse, he was stricken in years! The monarch, finding his a**iduities of no avail, determined to enlist in his favor the duenna, who had been captured with the lady. She was an Andalusian by birth, whose Christian name is forgotten, being mentioned in Moorish legends by no other appellation than that of the discreet Kadiga — and discreet in truth she was, as her whole history makes evident. No sooner had the Moorish king held a little private conversation with her, than she saw at once the cogency of his reasoning, and undertook his cause with her young mistress. “Go to, now!” cried she; “what is there in all this to weep and wail about? Is it not better to be mistress of this beautiful palace, with all its gardens and fountains, than to be shut up within your father's old frontier tower? As to this Mohamed being an infidel, what is that to the purpose? You marry him, not his religion: and if he is waxing a little old, the sooner will you be a widow, and mistress of yourself; at any rate, you are in his power, and must either be a queen or a slave. When in the hands of a robber, it is better to sell one's merchandise for a fair price, than to have it taken by main force.” The arguments of the discreet Kadiga prevailed. The Spanish lady dried her tears, and became the spouse of Mohamed the Left-handed; she even conformed, in appearance, to the faith of her royal husband; and her discreet duenna immediately became a zealous convert to the Moslem doctrines: it was then the latter received the Arabian name of Kadiga, and was permitted to remain in the confidential employ of her mistress. In due process of time the Moorish king was made the proud and happy father of three lovely daughters, all born at a birth: he could have wished they had been sons, but consoled himself with the idea that three daughters at a birth were pretty well for a man somewhat stricken in years, and left-handed! As usual with all Moslem monarchs, he summoned his astrologers on this happy event. They cast the nativities of the three princesses, and shook their heads. “Daughters, O king!” said they, “are always precarious property; but these will most need your watchfulness when they arrive at a marriageable age; at that time gather them under your wings, and trust them to no other guardianship.” Mohamed the Left-handed was acknowledged to be a wise king by his courtiers, and was certainly so considered by himself. The prediction of the astrologers caused him but little disquiet, trusting to his ingenuity to guard his daughters and outwit the Fates. The three-fold birth was the last matrimonial trophy of the monarch; his queen bore him no more children, and died within a few years, bequeathing her infant daughters to his love, and to the fidelity of the discreet Kadiga. Many years had yet to elapse before the princesses would arrive at that period of danger — the marriageable age: “It is good, however, to be cautious in time,” said the shrewd monarch; so he determined to have them reared in the royal castle of Salobrena. This was a sumptuous palace, incrusted, as it were, in a powerful Moorish fortress on the summit of a hill overlooking the Mediterranean sea. It was a royal retreat, in which the Moslem monarchs shut up such of their relatives, as might endanger their safety; allowing them all kinds of luxuries and amusements, in the midst of which they pa**ed their lives in voluptuous indolence. Here the princesses remained, immured from the world, but surrounded by enjoyment, and attended by female slaves who anticipated their wishes. They had delightful gardens for their recreation, filled with the rarest fruits and flowers, with aromatic groves and perfumed baths. On three sides the castle looked down upon a rich valley, enamelled with all kinds of culture, and bounded by the lofted Alpuxarra mountains; on the other side it overlooked the broad sunny sea. In this delicious abode, in a propitious climate, and under a cloudless sky, the three princesses grew up into wondrous beauty; but, though all reared alike, they gave early tokens of diversity of character. Their names were Zayda, Zorayda, and Zorahayda; and such was their order of seniority, for there had been precisely three minutes between their births. Zayda, the eldest, was of an intrepid spirit, and took the lead of her sisters in every thing, as she had done in entering into the world. She was curious and inquisitive, and fond of getting at the bottom of things. Zorayda had a great feeling for beauty, which was the reason, no doubt, of her delighting to regard her own image in a mirror or a fountain, and of her fondness for flowers, and j**els, and other tasteful ornaments. As to Zorahayda, the youngest, she was soft and timid, and extremely sensitive, with a vast deal of disposable tenderness, as was evident from her number of pet-flowers, and pet-birds, and pet-animals, all of which she cherished with the fondest care. Her amusements, too, were of a gentle nature, and mixed up with musing and reverie. She would sit for hours in a balcony, gazing on the sparkling stars of a summer's night, or on the sea when lit up by the moon; and at such times, the song of a fisherman, faintly heard from the beach, or the notes of a Moorish flute from some gliding bark, sufficed to elevate her feelings into ecstasy. The least uproar of the elements, however, filled her with dismay; and a clap of thunder was enough to throw her into a swoon. Years rolled on smoothly and serenely; the discreet Kadiga, to whom the princesses were confided, was faithful to her trust, and attended them with unremitting care. The castle of Salobrena, as has been said, was built upon a hill on the seacoast. One of the exterior walls straggled down the profile of the hill, until it reached a jutting rock overhanging the sea, with a narrow sandy beach at its foot, laved by the rippling billows. A small watchtower on this rock had been fitted up as a pavilion, with latticed windows to admit the sea-breeze. Here the princesses used to pa** the sultry hours of mid-day. The curious Zayda was one day seated at a window of the pavilion, as her sisters, reclining on ottomans, were taking the siesta or noontide slumber. Her attention was attracted to a galley which came coasting along, with measured strokes of the oar. As it drew near, she observed that it was filled with armed men. The galley anchored at the foot of the tower: a number of Moorish soldiers landed on the narrow beach, conducting several Christian prisoners. The curious Zayda awakened her sisters, and all three peeped cautiously through the close jalousies of the lattice which screened them from sight. Among the prisoners were three Spanish cavaliers, richly dressed. They were in the flower of youth, and of noble presence; and the lofty manner in which they carried themselves, though loaded with chains and surrounded with enemies, bespoke the grandeur of their souls. The princesses gazed with intense and breathless interest. Cooped up as they had been in this castle among female attendants, seeing nothing of the male s** but black slaves, or the rude fishermen of the sea-coast, it is not to be wondered at that the appearance of three gallant cavaliers, in the pride of youth and manly beauty, should produce some commotion in their bosom. “Did ever nobler being tread the earth than that cavalier in crimson?” cried Zayda, the eldest of the sisters. “See how proudly he bears himself, as though all around him were his slaves!” “But notice that one in green!” exclaimed Zorayda. “What grace! what elegance! what spirit!” The gentle Zorahayda said nothing, but she secretly gave preference to the cavalier in blue. The princesses remained gazing until the prisoners were out of sight; then heaving long-drawn sighs, they turned round, looked at each other for a moment, and sat down, musing and pensive, on their ottomans. The discreet Kadiga found them in this situation; they related what they had seen, and even the withered heart of the duenna was warmed. “Poor youths!” exclaimed she, “I'll warrant their captivity makes many a fair and high-born lady's heart ache in their native land! Ah my children, you have little idea of the life these cavaliers lead in their own country. Such prankling at tournaments! such devotion to the ladies! such courting and serenading!” The curiosity of Zayda was fully aroused; she was insatiable in her inquiries, and drew from the duenna the most animated pictures of the scenes of her youthful days and native land. The beautiful Zorayda bridled up, and slyly regarded herself in a mirror, when the theme turned upon the charms of the Spanish ladies; while Zorahayda suppressed a struggling sigh at the mention of moonlight serenades. Every day the curious Zayda renewed her inquiries, and every day the sage duenna repeated her stories, which were listened to with profound interest, though with frequent sighs, by her gentle auditors. The discreet old woman awoke at length to the mischief she might be doing. She had been accustomed to think of the princesses only as children; but they had imperceptibly ripened beneath her eye, and now bloomed before her three lovely damsels of the marriageable age. It is time, thought the duenna, to give notice to the king. Mohamed the Left-handed was seated one morning on a divan in a cool hall of the Alhambra, when a slave arrived from the fortress of Salobrena, with a message from the sage Kadiga, congratulating him on the anniversary of his daughters' birth-day. The slave at the same time presented a delicate little basket decorated with flowers, within which, on a couch of vine and fig-leaves, lay a peach, an apricot, and a nectarine, with their bloom and down and dewy sweetness upon them, and all in the early stage of tempting ripeness. The monarch was versed in the Oriental language of fruits and flowers, and rapidly divined the meaning of this emblematical offering. “So,” said he, “the critical period pointed out by the astrologers is arrived: my daughters are at a marriageable age. What is to be done? They are shut up from the eyes of men; they are under the eyes of the discreet Kadiga — all very good — but still they are not under my own eye, as was prescribed by the astrologers: I must gather them under my wing, and trust to no other guardianship.” So saying, he ordered that a tower of the Alhambra should be prepared for their reception, and departed at the head of his guards for the fortress of Salobrena, to conduct them home in person. About three years had elapsed since Mohamed had beheld his daughters, and he could scarcely credit his eyes at the wonderful change which that small space of time had made in their appearance. During the interval, they had pa**ed that wondrous boundary line in female life which separates the crude, unformed, and thoughtless girl from the blooming, blushing, meditative woman. It is like pa**ing from the flat, bleak, uninteresting plains of La Mancha to the voluptuous valleys and swelling hills of Andalusia. Zayda was tall and finely formed, with a lofty demeanor and a penetrating eye. She entered with a stately and decided step, and made a profound reverence to Mohamed, treating him more as her sovereign than her father. Zorayda was of the middle height, with an alluring look and swimming gait, and a sparkling beauty, heightened by the a**istance of the toilette. She approached her father with a smile, kissed his hand, and saluted him with several stanzas from a popular Arabian poet, with which the monarch was delighted. Zorahayda was shy and timid, smaller than her sisters, and with a beauty of that tender beseeching kind which looks for fondness and protection. She was little fitted to command, like her elder sister, or to dazzle like the second, but was rather formed to creep to the bosom of manly affection, to nestle within it, and be content. She drew near to her father, with a timid and almost faltering step, and would have taken his hand to kiss, but on looking up into his face, and seeing it beaming with a paternal smile, the tenderness of her nature broke forth, and she threw herself upon his neck. Mohamed the Left-handed surveyed his blooming daughters with mingled pride and perplexity; for while he exulted in their charms, he bethought himself of the prediction of the astrologers. “Three daughters! three daughters!” muttered he repeatedly to himself, “and all of a marriageable age! Here's tempting Hesperian fruit, that requires a dragon watch!” He prepared for his return to Granada, by sending heralds before him, commanding every one to keep out of the road by which he was to pa**, and that all doors and windows should be closed at the approach of the princesses. This done, he set forth, escorted by a troop of black horsemen of hideous aspect, and clad in shining armor. The princesses rode beside the king, closely veiled, on beautiful white palfreys, with velvet caparisons, embroidered with gold, and sweeping the ground; the bits and stirrups were of gold, and the silken bridles adorned with pearls and precious stones. The palfreys were covered with little silver bells, which made the most musical tinkling as they ambled gently along. Woe to the unlucky wight, however, who lingered in the way when he heard the tinkling of these bells!— the guards were ordered to cut him down without mercy. The cavalcade was drawing near to Granada, when it overtook on the banks of the river Xenil, a small body of Moorish soldiers with a convoy of prisoners. It was too late for the soldiers to get out of the way, so they threw themselves on their faces on the earth, ordering their captives to do the like. Among the prisoners were the three identical cavaliers whom the princesses had seen from the pavilion. They either did not understand, or were too haughty to obey the order, and remained standing and gazing upon the cavalcade as it approached. The ire of the monarch was kindled at this flagrant defiance of his orders. Drawing his cimeter, and pressing forward, he was about to deal a left-handed blow that might have been fatal to, at least, one of the gazers, when the princesses crowded round him, and implored mercy for the prisoners; even the timid Zorahayda forgot her shyness, and became eloquent in their behalf. Mohamed paused, with uplifted cimeter, when the captain of the guard threw himself at his feet. “Let not your highness,” said he, “do a deed that may cause great scandal throughout the kingdom. These are three brave and noble Spanish knights, who have been taken in battle, fighting like lions; they are of high birth, and may bring great ransoms.” “Enough!” said the king. “I will spare their lives, but punish their audacity — let them be taken to the Vermilion Towers, and put to hard labor.” Mohamed was making one of his usual left-handed blunders. In the tumult and agitation of this blustering scene, the veils of the three princesses had been thrown back, and the radiance of their beauty revealed; and in prolonging the parley, the king had given that beauty time to have its full effect. In those days people fell in love much more suddenly than at present, as all ancient stories make manifest: it is not a matter of wonder, therefore, that the hearts of the three cavaliers were completely captured; especially as gratitude was added to their admiration; it is a little singular, however, though no less certain, that each of them was enraptured with a several beauty. As to the princesses, they were more than ever struck with the noble demeanor of the captives, and cherished in their breasts all that they had heard of their valor and noble lineage. The cavalcade resumed its march; the three princesses rode pensively along on their tinkling palfreys, now and then stealing a glance behind in search of the Christian captives, and the latter were conducted to their allotted prison in the Vermilion Towers. The residence provided for the princesses was one of the most dainty that fancy could devise. It was in a tower somewhat apart from the main palace of the Alhambra, though connected with it by the wall which encircled the whole summit of the hill. On one side it looked into the interior of the fortress, and had, at its foot, a small garden filled with the rarest flowers. On the other side it overlooked a deep embowered ravine separating the grounds of the Alhambra from those of the Generalife. The interior of the tower was divided into small fairy apartments, beautifully ornamented in the light Arabian style, surrounding a lofty hall, the vaulted roof of which rose almost to the summit of the tower. The walls and the ceilings of the hall were adorned with arabesque and fretwork, sparkling with gold and with brilliant pencilling. In the centre of the marble pavement was an alabaster fountain, set round with aromatic shrubs and flowers, and throwing up a jet of water that cooled the whole edifice and had a lulling sound. Round the hall were suspended cages of gold and silver wire, containing singing-birds of the finest plumage or sweetest note. The princesses had been represented as always cheerful when in the castle of the Salobrena; the king had expected to see them enraptured with the Alhambra. To his surprise, however, they began to pine, and grow melancholy, and dissatisfied with every thing around them. The flowers yielded them no fragrance, the song of the nightingale disturbed their night's rest, and they were out of all patience with the alabaster fountain with its eternal drop-drop and splash-splash, from morning till night, and from night till morning. The king, who was somewhat of a testy, tyrannical disposition, took this at first in high dudgeon; but he reflected that his daughters had arrived at an age when the female mind expands and its desires augment. “They are no longer children,” said he to himself, “they are women grown, and require suitable objects to interest them.” He put in requisition, therefore, all the dressmakers, and the j**ellers, and the artificers in gold and silver throughout the Zacatin of Granada, and the princesses were overwhelmed with robes of silk, and tissue, and brocade, and cashmere shawls, and necklaces of pearls and diamonds, and rings, and bracelets, and anklets, and all manner of precious things. All, however, was of no avail; the princesses continued pale and languid in the midst of their finery, and looked like three blighted rose-buds, drooping from one stalk. The king was at his wits' end. He had in general a laudable confidence in his own judgment, and never took advice. “The whims and caprices of three marriageable damsels, however, are sufficient,” said he, “to puzzle the shrewdest head.” So for once in his life he called in the aid of counsel. The person to whom he applied was the experienced duenna. “Kadiga,” said the king, “I know you to be one of the most discreet women in the whole world, as well as one of the most trustworthy; for these reasons I have always continued you about the persons of my daughters. Fathers cannot be too wary in whom they repose such confidence; I now wish you to find out the secret malady that is preying upon the princesses, and to devise some means of restoring them to health and cheerfulness.” Kadiga promised implicit obedience. In fact she knew more of the malady of the princesses than they did themselves. Shutting herself up with them, however, she endeavored to insinuate herself into their confidence. “My dear children, what is the reason you are so dismal and downcast in so beautiful a place, where you have every thing that heart can wish?” The princesses looked vacantly round the apartment, and sighed. “What more, then, would you have? Shall I get you the wonderful parrot that talks all languages, and is the delight of Granada?” “Odious!” exclaimed the princess Zayda. “A horrid, screaming bird, that chatters words without ideas: one must be without brains to tolerate such a pest.” “Shall I send for a monkey from the rock of Gibraltar, to divert you with his antics?” “A monkey! faugh!” cried Zorayda; “the detestable mimic of man. I hate the nauseous animal.” “What say you to the famous black singer Casem, from the royal harem, in Morocco? They say he has a voice as fine as a woman's.” “I am terrified at the sight of these black slaves,” said the delicate Zorahayda; “besides, I have lost all relish for music.” “Ah! my child, you would not say so,” replied the old woman, slyly, “had you heard the music I heard last evening, from the three Spanish cavaliers, whom we met on our journey. But, bless me, children! what is the matter that you blush so, and are in such a flutter?” “Nothing, nothing, good mother; pray proceed.” “Well; as I was pa**ing by the Vermilion Towers last evening, I saw the three cavaliers resting after their day's labor. One was playing on the guitar, so gracefully, and the others sang by turns; and they did it in such style, that the very guards seemed like statues, or men enchanted. Allah forgive me! I could not help being moved at hearing the songs of my native country. And then to see three such noble and handsome youths in chains and slavery!” Here the kind-hearted old woman could not restrain her tears. “Perhaps, mother, you could manage to procure us a sight of these cavaliers,” said Zayda. “I think,” said Zorayda, “a little music would be quite reviving.” The timid Zorahayda said nothing, but threw her arms round the neck of Kadiga. “Mercy on me!” exclaimed the discreet old woman; “what are you talking of, my children? Your father would be the d**h of us all if he heard of such a thing. To be sure, these cavaliers are evidently well-bred, and high-minded youths; but what of that? they are the enemies of our faith, and you must not even think of them but with abhorrence.” There is an admirable intrepidity in the female will, particularly when about the marriageable age, which is not to be deterred by dangers and prohibitions. The princesses hung round their old duenna, and coaxed, and entreated, and declared that a refusal would break their hearts. What could she do? She was certainly the most discreet old woman in the whole world, and one of the most faithful servants to the king; but was she to see three beautiful princesses break their hearts for the mere tinkling of a guitar? Besides, though she had been so long among the Moors, and changed her faith in imitation of her mistress, like a trusty follower, yet she was a Spaniard born, and had the lingerings of Christianity in her heart. So she set about to contrive how the wish of the princesses might be gratified. The Christian captives, confined in the Vermilion Towers, were under the charge of a big-whiskered, broad-shouldered renegado, called Hussein Baba, who was reputed to have a most itching palm. She went to him privately, and slipping a broad piece of gold into his hand, “Hussein Baba,” said she; “My mistresses, the three princesses, who are shut up in the tower, and in sad want of amusement, have heard of the musical talents of the three Spanish cavaliers, and are desirous of hearing a specimen of their sk**. I am sure you are too kind-hearted to refuse them so innocent a gratification.” “What! and to have my head set grinning over the gate of my own tower! for that would be the reward, if the king should discover it.” “No danger of any thing of the kind; the affair may be managed so that the whim of the princesses may be gratified, and their father be never the wiser. You know the deep ravine outside of the walls which pa**es immediately below the tower. Put the three Christians to work there, and at the intervals of their labor, let them play and sing, as if for their own recreation. In this way the princesses will be able to hear them from the windows of the tower, and you may be sure of their paying well for your compliance.” As the good old woman concluded her harangue, she kindly pressed the rough hand of the renegado, and left within it another piece of gold. Her eloquence was irresistible. The very next day the three cavaliers were put to work in the ravine. During the noontide heat, when their fellow-laborers were sleeping in the shade, and the guard nodding drowsily at his post, they seated themselves among the herbage at the foot of the tower, and sang a Spanish roundelay to the accompaniment of the guitar. The glen was deep, the tower was high, but their voices rose distinctly in the stillness of the summer noon. The princesses listened from their balcony, they had been taught the Spanish language by their duenna, and were moved by the tenderness of the song. The discreet Kadiga, on the contrary, was terribly shocked. “Allah preserve us!” cried she, “they are singing a love-ditty, addressed to yourselves. Did ever mortal hear of such audacity? I will run to the slave-master, and have them soundly bastinadoed.” “What! bastinado such gallant cavaliers, and for singing so charmingly!” The three beautiful princesses were filled with horror at the idea. With all her virtuous indignation, the good old woman was of a placable nature, and easily appeased. Besides, the music seemed to have a beneficial effect upon her young mistresses. A rosy bloom had already come to their cheeks, and their eyes began to sparkle. She made no further objection, therefore, to the amorous ditty of the cavaliers. When it was finished, the princesses remained silent for a time; at length Zorayda took up a lute, and with a sweet, though faint and trembling voice, warbled a little Arabian air, the burden of which was, “The rose is concealed among her leaves, but she listens with delight to the song of the nightingale.” From this time forward the cavaliers worked almost daily in the ravine. The considerate Hussein Baba became more and more indulgent, and daily more prone to sleep at his post. For some time a vague intercourse was kept up by popular songs and romances, which, in some measure, responded to each other, and breathed the feelings of the parties. By degrees the princesses showed themselves at the balcony, when they could do so without being perceived by the guards. They conversed with the cavaliers also, by means of flowers, with the symbolical language of which they were mutually acquainted. The difficulties of their intercourse added to its charms, and strengthened the pa**ion they had so singularly conceived; for love delights to struggle with difficulties, and thrives the most hardily on the scantiest soil. The change effected in the looks and spirits of the princesses by this secret intercourse, surprised and gratified the left-handed king; but no one was more elated than the discreet Kadiga, who considered it all owing to her able management. At length there was an interruption in this telegraphic correspondence; for several days the cavaliers ceased to make their appearance in the glen. The princesses looked out from the tower in vain. In vain they stretched their swan-like necks from the balcony; in vain they sang like captive nightingales in their cage: nothing was to be seen of their Christian lovers; not a note responded from the groves. The discreet Kadiga sallied forth in quest of intelligence, and soon returned with a face full of trouble. “Ah, my children!” cried she, “I saw what all this would come to, but you would have your way; you may now hang up your lutes on the willows. The Spanish cavaliers are ransomed by their families; they are down in Granada, and preparing to return to their native country.” The three beautiful princesses were in despair at the tidings. Zayda was indignant at the slight put upon them, in thus being deserted without a parting word. Zorayda wrung her hands and cried, and looked in the gla**, and wiped away her tears, and cried afresh. The gentle Zorahayda leaned over the balcony and wept in silence, and her tears fell drop by drop among the flowers of the bank where the faithless cavaliers had so often been seated. The discreet Kadiga did all in her power to soothe their sorrow. “Take comfort, my children,” said she, “this is nothing when you are used to it. This is the way of the world. Ah! when you are as old as I am, you will know how to value these men. I'll warrant these cavaliers have their loves among the Spanish beauties of Cordova and Seville, and will soon be serenading under their balconies, and thinking no more of the Moorish beauties in the Alhambra. Take comfort, therefore, my children, and drive them from your hearts.” The comforting words of the discreet Kadiga only redoubled the distress of the three princesses, and for two days they continued inconsolable. On the morning of the third, the good old woman entered their apartment, all ruffling with indignation. “Who would have believed such insolence in mortal man!” exclaimed she, as soon as she could find words to express herself; “but I am rightly served for having connived at this deception of your worthy father. Never talk more to me of your Spanish cavaliers.” “Why, what has happened, good Kadiga?” exclaimed the princesses in breathless anxiety. “What has happened?— treason has happened! or what is almost as bad, treason has been proposed; and to me, the most faithful of subjects, the trustiest of duennas! Yes, my children, the Spanish cavaliers have dared to tamper with me, that I should persuade you to fly with them to Cordova, and become their wives!” Here the excellent old woman covered her face with her hands, and gave way to a violent burst of grief and indignation. The three beautiful princesses turned pale and red, pale and red, and trembled, and looked down, and cast shy looks at each other, but said nothing. Meantime, the old woman sat rocking backward and forward in violent agitation, and now and then breaking out into exclamations, “That ever I should live to be so insulted!— I, the most faithful of servants!” At length, the eldest princess, who had most spirit and always took the lead, approached her, and laying her hand upon her shoulder, “Well, mother,” said she, “supposing we were willing to fly with these Christian cavaliers — is such a thing possible?” The good old woman paused suddenly in her grief, and looking up, “Possible,” echoed she; “to be sure, it is possible. Have not the cavaliers already bribed Hussein Baba, the renegado captain of the guard, and arranged the whole plan? But, then, to think of deceiving your father! your father, who has placed such confidence in me!” Here the worthy woman gave way to a fresh burst of grief, and began to rock backward and forward, and to wring her hands. “But our father has never placed any confidence in us,” said the eldest princess, “but has trusted to bolts and bars, and treated us as captives.” “Why, that is true enough,” replied the old woman, again pausing in her grief; “he has indeed treated you most unreasonably, keeping you shut up here, to waste your bloom in a moping old tower, like roses left to wither in a flower-jar. But, then, to fly from your native land!” “And is not the land we fly to, the native land of our mother, where we shall live in freedom? And shall we not each have a youthful husband in exchange for a severe old father?” “Why, that again is all very true; and your father, I must confess, is rather tyrannical: but what then,” relapsing into her grief, “would you leave me behind to bear the brunt of his vengeance?” “By no means, my good Kadiga; cannot you fly with us?” “Very true, my child; and, to tell the truth, when I talked the matter over with Hussein Baba, he promised to take care of me, if I would accompany you in your flight: but then, bethink you, my children, are you willing to renounce the faith of your father?” “The Christian faith was the original faith of our mother,” said the eldest princess; “I am ready to embrace it, and so, I am sure, are my sisters.” “Right again,” exclaimed the old woman, brightening up; “it was the original faith of your mother, and bitterly did she lament, on her d**h-bed, that she had renounced it. I promised her then to take care of your souls, and I rejoice to see that they are now in a fair way to be saved. Yes, my children, I, too, was born a Christian, and have remained a Christian in my heart, and am resolved to return to the faith. I have talked on the subject with Hussein Baba, who is a Spaniard by birth, and comes from a place not far from my native town. He is equally anxious to see his own country, and to be reconciled to the church; and the cavaliers have promised, that, if we are disposed to become man and wife, on returning to our native land, they will provide for us handsomely.” In a word, it appeared that this extremely discreet and provident old woman had consulted with the cavaliers and the renegado, and had concerted the whole plan of escape. The eldest princess immediately a**ented to it; and her example, as usual, determined the conduct of her sisters. It is true, the youngest hesitated, for she was gentle and timid of soul, and there was a struggle in her bosom between filial feeling and youthful pa**ion: the latter, however, as usual, gained the victory, and with silent tears, and stifled sighs, she prepared herself for flight. The rugged hill on which the Alhambra is built was, in old times, perforated with subterranean pa**ages, cut through the rock, and leading from the fortress to various parts of the city, and to distant sally-ports on the banks of the Darro and the Xenil. They had been constructed at different times by the Moorish kings, as means of escape from sudden insurrections, or of secretly issuing forth on private enterprises. Many of them are now entirely lost, while others remain, partly choked with rubbish, and partly walled up; monuments of the jealous precautions and warlike stratagems of the Moorish government. By one of these pa**ages, Hussein Baba had undertaken to conduct the princesses to a sally-port beyond the walls of the city, where the cavaliers were to be ready with fleet steeds, to bear the whole party over the borders. The appointed night arrived: the tower of the princesses had been locked up as usual, and the Alhambra was buried in deep sleep. Towards midnight, the discreet Kadiga listened from the balcony of a window that looked into the garden. Hussein Baba, the renegado, was already below, and gave the appointed signal. The duenna fastened the end of a ladder of ropes to the balcony, lowered it into the garden and descended. The two eldest princesses followed her with beating hearts; but when it came to the turn of the youngest princess, Zorahayda, she hesitated, and trembled. Several times she ventured a delicate little foot upon the ladder, and as often drew it back, while her poor little heart fluttered more and more the longer she delayed. She cast a wistful look back into the silken chamber; she had lived in it, to be sure, like a bird in a cage; but within it she was secure; who could tell what dangers might beset her, should she flutter forth into the wide world! Now she bethought her of the gallant Christian lover, and her little foot was instantly upon the ladder; and anon she thought of her father, and shrank back. But fruitless is the attempt to describe the conflict in the bosom of one so young and tender and loving, but so timid, and so ignorant of the world. In vain her sisters implored, the duenna scolded, and the renegado blasphemed beneath the balcony; the gentle little Moorish maid stood doubting and wavering on the verge of elopement, tempted by the sweetness of the sin, but terrified at its perils. Every moment increased the danger of discovery. A distant tramp was heard. “The patrols are walking their rounds,” cried the renegado; “if we linger, we perish. Princess, descend instantly, or we leave you.” Zorahayda was for a moment in fearful agitation; then loosening the ladder of ropes, with desperate resolution, she flung it from the balcony. “It is decided!” cried she; “flight is now out of my power! Allah guide and bless ye, my dear sisters!” The two eldest princesses were shocked at the thoughts of leaving her behind, and would fain have lingered, but the patrol was advancing; the renegado was furious, and they were hurried away to the subterraneous pa**age. They groped their way through a fearful labyrinth, cut through the heart of the mountain, and succeeded in reaching, undiscovered, an iron gate that opened outside of the walls. The Spanish cavaliers were waiting to receive them, disguised as Moorish soldiers of the guard, commanded by the renegado. The lover of Zorahayda was frantic, when he learned that she had refused to leave the tower; but there was no time to waste in lamentations. The two princesses were placed behind their lovers, the discreet Kadiga mounted behind the renegado, and they all set off at a round pace in the direction of the Pa** of Lope, which leads through the mountains towards Cordova. They had not proceeded far when they heard the noise of drums and trumpets from the battlements of the Alhambra. “Our flight is discovered!” said the renegado. “We have fleet steeds, the night is dark, and we may distance all pursuit,” replied the cavaliers. They put spurs to their horses, and scoured across the Vega. They attained the foot of the mountain of Elvira, which stretches like a promontory into the plain. The renegado paused and listened. “As yet,” said he, “there is no one on our traces, we shall make good our escape to the mountains.” While he spoke, a light blaze sprang up on the top of the watchtower of the Alhambra. “Confusion!” cried the renegado, “that bale fire will put all the guards of the pa**es on the alert. Away! away! Spur like mad — there is no time to be lost.” Away they dashed — the clattering of their horses' hoofs echoed from rock to rock, as they swept along the road that skirts the rocky mountain of Elvira. As they galloped on, the bale fire of the Alhambra was answered in every direction; light after light blazed on the atalayas, or watchtowers of the mountains. “Forward! forward!” cried the renegado, with many an oath, “to the bridge — to the bridge, before the alarm has reached there!” They doubled the promontory of the mountains, and arrived in sight of the famous Bridge of Pinos, that crosses a rushing stream often dyed with Christian and Moslem blood. To their confusion, the tower on the bridge blazed with lights and glittered with armed men. The renegado pulled up his steed, rose in his stirrups and looked about him for a moment; then beckoning to the cavaliers, he struck off from the road, skirted the river for some distance, and dashed into its waters. The cavaliers called upon the princesses to cling to them, and did the same. They were borne for some distance down the rapid current, the surges roared round them, but the beautiful princesses clung to their Christian knights, and never uttered a complaint. The cavaliers attained the opposite bank in safety, and were conducted by the renegado, by rude and unfrequented paths, and wild barrancos, through the heart of the mountains, so as to avoid all the regular pa**es. In a word, they succeeded in reaching the ancient city of Cordova; where their restoration to their country and friends was celebrated with great rejoicings, for they were of the noblest families. The beautiful princesses were forthwith received into the bosom of the Church, and, after being in all due form made regular Christians, were rendered happy wives. In our hurry to make good the escape of the princesses across the river, and up the mountains, we forgot to mention the fate of the discreet Kadiga. She had clung like a cat to Hussein Baba in the scamper across the Vega, screaming at every bound, and drawing many an oath from the whiskered renegado; but when he prepared to plunge his steed into the river, her terror knew no bounds. “Grasp me not so tightly,” cried Hussein Baba; “hold on by my belt and fear nothing.” She held firmly with both hands by the leathern belt that girded the broad-backed renegado; but when he halted with the cavaliers to take breath on the mountain summit, the duenna was no longer to be seen. “What has become of Kadiga?” cried the princesses in alarm. “Allah alone knows!” replied the renegado; “my belt came loose when in the midst of the river, and Kadiga was swept with it down the stream. The will of Allah be done! but it was an embroidered belt, and of great price.” There was no time to waste in idle regrets; yet bitterly did the princesses bewail the loss of their discreet counsellor. That excellent old woman, however, did not lose more than half of her nine lives in the water: a fisherman, who was drawing his nets some distance down the stream, brought her to land, and was not a little astonished at his miraculous draught. What further became of the discreet Kadiga, the legend does not mention; certain it is that she evinced her discretion in never venturing within the reach of Mohamed the Left-handed. Almost as little is known of the conduct of that sagacious monarch when he discovered the escape of his daughters, and the deceit practised upon him by the most faithful of servants. It was the only instance in which he had called in the aid of counsel, and he was never afterwards known to be guilty of a similar weakness. He took good care, however, to guard his remaining daughter, who had no disposition to elope: it is thought, indeed, that she secretly repented having remained behind: now and then she was seen leaning on the battlements of the tower, and looking mournfully towards the mountains in the direction of Cordova, and sometimes the notes of her lute were heard accompanying plaintive ditties, in which she was said to lament the loss of her sisters and her lover, and to bewail her solitary life. She died young, and, according to popular rumor, was buried in a vault beneath the tower, and her untimely fate has given rise to more than one traditionary fable. The following legend, which seems in some measure to spring out of the foregoing story, is too closely connected with high historic names to be entirely doubted. The Count's daughter, and some of her young companions, to whom it was read in one of the evening tertulias, thought certain parts of it had much appearance of reality; and Dolores, who was much more versed than they in the improbable truths of the Alhambra, believed every word of it. Legend of the Rose of the Alhambra FOR SOME time after the surrender of Granada by the Moors, that delightful city was a frequent and favorite residence of the Spanish sovereigns, until they were frightened away by successive shocks of earthquakes, which toppled down various houses, and made the old Moslem towers rock to their foundation. Many, many years then rolled away, during which Granada was rarely honored by a royal guest. The palaces of the nobility remained silent and shut up; and the Alhambra, like a slighted beauty, sat in mournful desolation, among her neglected gardens. The tower of the Infantas, once the residence of the three beautiful Moorish princesses, partook of the general desolation; the spider spun her web athwart the gilded vault, and bats and owls nestled in those chambers that had been graced by the presence of Zayda, Zorayda, and Zorahayda. The neglect of this tower may partly have been owing to some superstitious notions of the neighbors. It was rumored that the spirit of the youthful Zorahayda, who had perished in that tower, was often seen by moonlight seated beside the fountain in the hall, or moaning about the battlements, and that the notes of her silver lute would be heard at midnight by wayfarers pa**ing along the glen. At length the city of Granada was once more welcomed by the royal presence. All the world knows that Philip V was the first Bourbon that swayed the Spanish sceptre. All the world knows that he married, in second nuptials, Elizabetta or Isabella (for they are the same), the beautiful princess of Parma; and all the world knows that by this chain of contingencies a French prince and an Italian princess were seated together on the Spanish throne. For a visit of this illustrious pair, the Alhambra was repaired and fitted up with all possible expedition. The arrival of the court changed the whole aspect of the lately deserted palace. The clangor of drum and trumpet, the tramp of steed about the avenues and outer court, the glitter of arms and display of banners about barbican and battlement, recalled the ancient and warlike glories of the fortress. A softer spirit, however, reigned within the royal palace. There was the rustling of robes and the cautious tread and murmuring voice of reverential courtiers about the antechambers; a loitering of pages and maids of honor about the gardens, and the sound of music stealing from open casements. Among those who attended in the train of the monarchs was a favorite page of the queen, named Ruyz de Alarcon. To say that he was a favorite page of the queen was at once to speak his eulogium, for every one in the suite of the stately Elizabetta was chosen for grace, and beauty, and accomplishments. He was just turned of eighteen, light and lithe of form, and graceful as a young Antinous. To the queen he was all deference and respect, yet he was at heart a roguish stripling, petted and spoiled by the ladies about the court, and experienced in the ways of women far beyond his years. This loitering page was one morning rambling about the groves of the Generalife, which overlook the grounds of the Alhambra. He had taken with him for his amusement a favorite gerfalcon of the queen. In the course of his rambles, seeing a bird rising from a thicket, he unhooded the hawk and let him fly. The falcon towered high in the air, made a swoop at his quarry, but missing it, soared away, regardless of the calls of the page. The latter followed the truant bird with his eye, in its capricious flight, until he saw it alight upon the battlements of a remote and lonely tower, in the outer wall of the Alhambra, built on the edge of a ravine that separated the royal fortress from the grounds of the Generalife. It was in fact the “Tower of the Princesses.” The page descended into the ravine and approached the tower, but it had no entrance from the glen, and its lofty height rendered any attempt to scale it fruitless. Seeking one of the gates of the fortress, therefore, he made a wide circuit to that side of the tower facing within the walls. A small garden, inclosed by a trellis-work of reeds overhung with myrtle, lay before the tower. Opening a wicket, the page pa**ed between beds of flowers and thickets of roses to the door. It was closed and bolted. A crevice in the door gave him a peep into the interior. There was a small Moorish hall with fretted walls, light marble columns, and an alabaster fountain surrounded with flowers. In the centre hung a gilt cage containing a singing bird, beneath it, on a chair, lay a tortoise-shell cat among reels of silk and other articles of female labor, and a guitar decorated with ribbons leaned against the fountain. Ruyz de Alarcon was struck with these traces of female taste and elegance in a lonely, and, as he had supposed, deserted tower. They reminded him of the tales of enchanted halls current in the Alhambra; and the tortoise-shell cat might be some spell-bound princess. He knocked gently at the door. A beautiful face peeped out from a little window above, but was instantly withdrawn. He waited, expecting that the door would be opened, but he waited in vain; no footstep was to be heard within — all was silent. Had his senses deceived him, or was this beautiful apparition the fairy of the tower? He knocked again, and more loudly. After a little while the beaming face once more peeped forth; it was that of a blooming damsel of fifteen. The page immediately doffed his plumed bonnet, and entreated in the most courteous accents to be permitted to ascend the tower in pursuit of his falcon. “I dare not open the door, senor,” replied the little damsel, blushing, “my aunt has forbidden it.” “I do beseech you, fair maid — it is the favorite falcon of the queen. I dare not return to the palace without it.” “Are you then one of the cavaliers of the court?” “I am, fair maid; but I shall lose the queen's favor and my place, if I lose this hawk.” “Santa Maria! It is against you cavaliers of the court my aunt has charged me especially to bar the door.” “Against wicked cavaliers doubtless, but I am none of these, but a simple harmless page, who will be ruined and undone if you deny me this small request.” The heart of the little damsel was touched by the distress of the page. It was a thousand pities he should be ruined for the want of so trifling a boon. Surely too he could not be one of those dangerous beings whom her aunt had described as a species of cannibal, ever on the prowl to make prey of thoughtless damsels; he was gentle and modest, and stood so entreatingly with cap in hand, and looked so charming. The sly page saw that the garrison began to waver, and redoubled his entreaties in such moving terms that it was not in the nature of mortal maiden to deny him; so the blushing little warden of the tower descended, and opened the door with a trembling hand, and if the page had been charmed by a mere glimpse of her countenance from the window, he was ravished by the full length portrait now revealed to him. Her Andalusian bodice and trim basquina set off the round but delicate symmetry of her form, which was as yet scarce verging into womanhood. Her glossy hair was parted on her forehead with scrupulous exactness, and decorated with a fresh-plucked rose, according to the universal custom of the country. It is true her complexion was tinged by the ardor of a southern sun, but it served to give richness to the mantling bloom of her cheek, and to heighten the lustre of her melting eyes. Ruyz de Alarcon beheld all this with a single glance, for it became him not to tarry; he merely murmured his acknowledgments, and then bounded lightly up the spiral staircase in quest of his falcon. He soon returned with the truant bird upon his fist. The damsel, in the mean time, had seated herself by the fountain in the hall, and was winding silk; but in her agitation she let fall the reel upon the pavement. The page sprang and picked it up, then dropping gracefully on one knee, presented it to her; but, seizing the hand extended to receive it, imprinted on it a kiss more fervent and devout than he had ever imprinted on the fair hand of his sovereign. “Ave Maria, senor!” exclaimed the damsel, blushing still deeper with confusion and surprise, for never before had she received such a salutation. The modest page made a thousand apologies, a**uring her it was the way, at court, of expressing the most profound homage and respect. Her anger, if anger she felt, was easily pacified, but her agitation and embarra**ment continued, and she sat blushing deeper and deeper, with her eyes cast down upon her work, entangling the silk which she attempted to wind. The cunning page saw the confusion in the opposite camp, and would fain have profited by it, but the fine speeches he would have uttered died upon his lips; his attempts at gallantry were awkward and ineffectual; and to his surprise, the adroit page, who had figured with such grace and effrontery among the most knowing and experienced ladies of the court, found himself awed and abashed in the presence of a simple damsel of fifteen. In fact, the artless maiden, in her own modesty and innocence, had guardians more effectual than the bolts and bars prescribed by her vigilant aunt. Still, where is the female bosom proof against the first whisperings of love? The little damsel, with all her artlessness, instinctively comprehended all that the faltering tongue of the page failed to express, and her heart was fluttered at beholding, for the first time, a lover at her feet — and such a lover! The diffidence of the page, though genuine, was short-lived, and he was recovering his usual ease and confidence, when a shrill voice was heard at a distance. “My aunt is returning from ma**!” cried the damsel in affright; “I pray you, senor, depart.” “Not until you grant me that rose from your hair as a remembrance.” She hastily untwisted the rose from her raven locks. “Take it,” cried she, agitated and blushing, “but pray begone.” The page took the rose, and at the same time covered with kisses the fair hand that gave it. Then, placing the flower in his bonnet, and taking the falcon upon his fist, he bounded off through the garden, bearing away with him the heart of the gentle Jacinta. When the vigilant aunt arrived at the tower, she remarked the agitation of her niece, and an air of confusion in the hall; but a word of explanation sufficed. “A gerfalcon had pursued his prey into the hall.” “Mercy on us! to think of a falcon flying into the tower. Did ever one hear of so saucy a hawk? Why, the very bird in the cage is not safe!” The vigilant Fredegonda was one of the most wary of ancient spinsters. She had a becoming terror and distrust of what she denominated “the opposite s**,” which had gradually increased through a long life of celibacy. Not that the good lady had ever suffered from their wiles, nature having set up a safeguard in her face that forbade all trespa** upon her premises; but ladies who have least cause to fear for themselves are most ready to keep a watch over their more tempting neighbors. The niece was the orphan of an officer who had fallen in the wars. She had been educated in a convent, and had recently been transferred from her sacred asylum to the immediate guardianship of her aunt, under whose overshadowing care she vegetated in obscurity, like an opening rose blooming beneath a brier. Nor indeed is this comparison entirely accidental; for, to tell the truth, her fresh and dawning beauty had caught the public eye, even in her seclusion, and, with that poetical turn common to the people of Andalusia, the peasantry of the neighborhood had given her the appellation of “the Rose of the Alhambra.” The wary aunt continued to keep a faithful watch over her tempting little niece as long as the court continued at Granada, and flattered herself that her vigilance had been successful. It is true, the good lady was now and then discomposed by the tinkling of guitars and chanting of love ditties from the moonlit groves beneath the tower; but she would exhort her niece to shut her ears against such idle minstrelsy, a**uring her that it was one of the arts of the opposite s**, by which simple maids were often lured to their undoing. Alas! what chance with a simple maid has a dry lecture against a moonlight serenade? At length King Philip cut short his sojourn at Granada, and suddenly departed with all his train. The vigilant Fredegonda watched the royal pageant as it issued forth from the Gate of Justice, and descended the great avenue leading to the city. When the last banner disappeared from her sight, she returned exulting to her tower, for all her cares were over. To her surprise, a light Arabian steed pawed the ground at the wicket-gate of the garden — to her horror, she saw through the thickets of roses a youth, in gayly-embroidered dress, at the feet of her niece. At the sound of her footsteps he gave a tender adieu, bounded lightly over the barrier of reeds and myrtles, sprang upon his horse, and was out of sight in an instant. The tender Jacinta, in the agony of her grief, lost all thought of her aunt's displeasure. Throwing herself into her arms, she broke forth into sobs and tears. “Ay de mi!” cried she; “he's gone!— he's gone!— he's gone! and I shall never see him more!” “Gone!— who is gone?— what youth is that I saw at your feet?” “A queen's page, aunt, who came to bid me farewell.” “A queen's page, child!” echoed the vigilant Fredegonda, faintly; “and when did you become acquainted with the queen's page?” “The morning that the gerfalcon came into the tower. It was the queen's gerfalcon, and he came in pursuit of it.” “Ah silly, silly girl! know that there are no gerfalcons half so dangerous as these young prankling pages, and it is precisely such simple birds as thee that they pounce upon.” The aunt was at first indignant at learning that in despite of her boasted vigilance, a tender intercourse had been carried on by the youthful lovers, almost beneath her eye; but when she found that her simple-hearted niece, though thus exposed, without the protection of bolt or bar, to all the machinations of the opposite s**, had come forth unsinged from the fiery ordeal, she consoled herself with the persuasion that it was owing to the chaste and cautious maxims in which she had, as it were, steeped her to the very lips. While the aunt laid this soothing unction to her pride, the niece treasured up the oft-repeated vows of fidelity of the page. But what is the love of restless, roving man? A vagrant stream that dallies for a time with each flower upon its bank, then pa**es on, and leaves them all in tears. Days, weeks, months elapsed, and nothing more was heard of the page. The pomegranate ripened, the vine yielded up its fruit, the autumnal rains descended in torrents from the mountains; the Sierra Nevada became covered with a snowy mantle, and wintry blasts howled through the halls of the Alhambra — still he came not. The winter pa**ed away. Again the genial spring burst forth with song and blossom and balmy zephyr; the snows melted from the mountains, until none remained but on the lofty summit of Nevada, glistening through the sultry summer air. Still nothing was heard of the forgetful page. In the mean time, the poor little Jacinta grew pale and thoughtful. Her former occupations and amusements were abandoned, her silk lay entangled, her guitar unstrung, her flowers were neglected, the notes of her bird unheeded, and her eyes, once so bright, were dimmed with secret weeping. If any solitude could be devised to foster the pa**ion of a love-lorn damsel, it would be such a place as the Alhambra, where every thing seems disposed to produce tender and romantic reveries. It is a very paradise for lovers: how hard then to be alone in such a paradise — and not merely alone, but forsaken! “Alas, silly child!” would the staid and immaculate Fredegonda say, when she found her niece in one of her desponding moods —“did I not warn thee against the wiles and deceptions of these men? What couldst thou expect, too, from one of a haughty and aspiring family — thou an orphan, the descendant of a fallen and impoverished line? Be a**ured, if the youth were true, his father, who is one of the proudest nobles about the court, would prohibit his union with one so humble and portionless as thou. Pluck up thy resolution, therefore, and drive these idle notions from thy mind.” The words of the immaculate Fredegonda only served to increase the melancholy of her niece, but she sought to indulge it in private. At a late hour one midsummer night, after her aunt had retired to rest, she remained alone in the hall of the tower, seated beside the alabaster fountain. It was here that the faithless page had first knelt and kissed her hand; it was here that he had often vowed eternal fidelity. The poor little damsel's heart was overladen with sad and tender recollections, her tears began to flow, and slowly fell drop by drop into the fountain. By degrees the crystal water became agitated, and — bubble — bubble — bubble — boiled up and was tossed about, until a female figure, richly clad in Moorish robes, slowly rose to view. Jacinta was so frightened that she fled from the hall, and did not venture to return. The next morning she related what she had seen to her aunt, but the good lady treated it as a phantasy of her troubled mind, or supposed she had fallen asleep and dreamt beside the fountain. “Thou hast been thinking of the story of the three Moorish princesses that once inhabited this tower,” continued she, “and it has entered into thy dreams.” “What story, aunt? I know nothing of it.” “Thou hast certainly heard of the three princesses, Zayda, Zorayda, and Zorahayda, who were confined in this tower by the king their father, and agreed to fly with three Christian cavaliers. The two first accomplished their escape, but the third failed in her resolution, and, it is said, died in this tower.” “I now recollect to have heard of it,” said Jacinta, “and to have wept over the fate of the gentle Zorahayda.” “Thou mayest well weep over her fate,” continued the aunt, “for the lover of Zorahayda was thy ancestor. He long bemoaned his Moorish love; but time cured him of his grief, and he married a Spanish lady, from whom thou art descended.” Jacinta ruminated upon these words. “That what I have seen is no phantasy of the brain,” said she to herself, “I am confident. If indeed it be the spirit of the gentle Zorahayda, which I have heard lingers about this tower, of what should I be afraid? I'll watch by the fountain to-night — perhaps the visit will be repeated.” Towards midnight, when every thing was quiet, she again took her seat in the hall. As the bell in the distant watchtower of the Alhambra struck the midnight hour, the fountain was again agitated; and bubble — bubble — bubble — it tossed about the waters until the Moorish female again rose to view. She was young and beautiful; her dress was rich with j**els, and in her hand she held a silver lute. Jacinta trembled and was faint, but was rea**ured by the soft and plaintive voice of the apparition, and the sweet expression of her pale, melancholy countenance. “Daughter of mortality,” said she, “what aileth thee? Why do thy tears trouble my fountain, and thy sighs and plaints disturb the quiet watches of the night?” “I weep because of the faithlessness of man, and I bemoan my solitary and forsaken state.” “Take comfort; thy sorrows may yet have an end. Thou beholdest a Moorish princess, who, like thee, was unhappy in her love. A Christian knight, thy ancestor, won my heart, and would have borne me to his native land and to the bosom of his church. I was a convert in my heart, but I lacked courage equal to my faith, and lingered till too late. For this the evil genii are permitted to have power over me, and I remain enchanted in this tower until some pure Christian will deign to break the magic spell. Wilt thou undertake the task?” “I will,” replied the damsel, trembling. “Come hither then, and fear not; dip thy hand in the fountain, sprinkle the water over me, and baptize me after the manner of thy faith; so shall the enchantment be dispelled, and my troubled spirit have repose.” The damsel advanced with faltering steps, dipped her hand in the fountain, collected water in the palm, and sprinkled it over the pale face of the phantom. The latter smiled with ineffable benignity. She dropped her silver lute at the feet of Jacinta, crossed her white arms upon her bosom, and melted from sight, so that it seemed merely as if a shower of dew-drops had fallen into the fountain. Jacinta retired from the hall filled with awe and wonder. She scarcely closed her eyes that night; but when she awoke at daybreak out of a troubled slumber, the whole appeared to her like a distempered dream. On descending into the hall, however, the truth of the vision was established, for, beside the fountain, she beheld the silver lute glittering in the morning sunshine. She hastened to her aunt, to relate all that had befallen her, and called her to behold the lute as a testimonial of the reality of her story. If the good lady had any lingering doubts, they were removed when Jacinta touched the instrument, for she drew forth such ravishing tones as to thaw even the frigid bosom of the immaculate Fredegonda, that region of eternal winter, into a genial flow. Nothing but supernatural melody could have produced such an effect. The extraordinary power of the lute became every day more and more apparent. The wayfarer pa**ing by the tower was detained, and, as it were, spell-bound, in breathless ecstasy. The very birds gathered in the neighboring trees, and hushing their own strains, listened in charmed silence. Rumor soon spread the news abroad. The inhabitants of Granada thronged to the Alhambra to catch a few notes of the transcendent music that floated about the Tower of Las Infantas. The lovely little minstrel was at length drawn forth from her retreat. The rich and powerful of the land contended who should entertain and do honor to her; or rather, who should secure the charms of her lute to draw fashionable throngs to their saloons. Wherever she went her vigilant aunt kept a dragon watch at her elbow, awing the throngs of impa**ioned admirers, who hung in raptures on her strains. The report of her wonderful powers spread from city to city. Malaga, Seville, Cordova, all became successively mad on the theme; nothing was talked of throughout Andalusia but the beautiful minstrel of the Alhambra. How could it be otherwise among a people so musical and gallant as the Andalusians, when the lute was magical in its powers, and the minstrel inspired by love! While all Andalusia was thus music mad, a different mood prevailed at the court of Spain. Philip V, as is well known, was a miserable hypochondriac, and subject to all kinds of fancies. Sometimes he would keep to his bed for weeks together, groaning under imaginary complaints. At other times he would insist upon abdicating his throne, to the great annoyance of his royal spouse, who had a strong relish for the splendors of a court and the glories of a crown, and guided the sceptre of her imbecile lord with an expert and steady hand. Nothing was found to be so efficacious in dispelling the royal megrims as the power of music; the queen took care, therefore, to have the best performers, both vocal and instrumental, at hand, and retained the famous Italian singer Farinelli about the court as a kind of royal physician. At the moment we treat of, however, a freak had come over the mind of this sapient and illustrious Bourbon that surpa**ed all former vagaries. After a long spell of imaginary illness, which set all the strains of Farinelli and the consultations of a whole orchestra of court fiddlers at defiance, the monarch fairly, in idea, gave up the ghost, and considered himself absolutely dead. This would have been harmless enough, and even convenient both to his queen and courtiers, had he been content to remain in the quietude befitting a dead man; but to their annoyance he insisted upon having the funeral ceremonies performed over him, and, to their inexpressible perplexity, began to grow impatient, and to revile bitterly at them for negligence and disrespect, in leaving him unburied. What was to be done? To disobey the king's positive commands was monstrous in the eyes of the obsequious courtiers of a punctilious court — but to obey him, and bury him alive would be downright regicide! In the midst of this fearful dilemma a rumor reached the court, of the female minstrel who was turning the brains of all Andalusia. The queen dispatched missions in all haste to summon her to St. Ildefonso, where the court at that time resided. Within a few days, as the queen with her maids of honor was walking in those stately gardens, intended, with their avenues and terraces and fountains, to eclipse the glories of Versailles, the far-famed minstrel was conducted into her presence. The imperial Elizabetta gazed with surprise at the youthful and unpretending appearance of the little being that had set the world madding. She was in her picturesque Andalusian dress, her silver lute in hand, and stood with modest and downcast eyes, but with a simplicity and freshness of beauty that still bespoke her “the Rose of the Alhambra.” As usual she was accompanied by the ever-vigilant Fredegonda, who gave the whole history of her parentage and descent to the inquiring queen. If the stately Elizabetta had been interested by the appearance of Jacinta, she was still more pleased when she learnt that she was of a meritorious though impoverished line, and that her father had bravely fallen in the service of the crown. “If thy powers equal their renown,” said she, “and thou canst cast forth this evil spirit that possesses thy sovereign, thy fortunes shall henceforth be my care, and honors and wealth attend thee.” Impatient to make trial of her sk**, she led the way at once to the apartment of the moody monarch. Jacinta followed with downcast eyes through files of guards and crowds of courtiers. They arrived at length at a great chamber hung with black. The windows were closed to exclude the light of day: a number of yellow wax tapers in silver sconces diffused a lugubrious light, and dimly revealed the figures of mutes in mourning dresses, and courtiers who glided about with noiseless step and woebegone visage. In the midst of a funeral bed or bier, his hands folded on his breast, and the tip of his nose just visible, lay extended this would-be-buried monarch. The queen entered the chamber in silence, and pointing to a footstool in an obscure corner, beckoned to Jacinta to sit down and commence. At first she touched her lute with a faltering hand, but gathering confidence and animation as she proceeded, drew forth such soft aerial harmony, that all present could scarce believe it mortal. As to the monarch, who had already considered himself in the world of spirits, he set it down for some angelic melody or the music of the spheres. By degrees the theme was varied, and the voice of the minstrel accompanied the instrument. She poured forth one of the legendary ballads treating of the ancient glories of the Alhambra and the achievements of the Moors. Her whole soul entered into the theme, for with the recollections of the Alhambra was a**ociated the story of her love. The funeral chamber resounded with the animating strain. It entered into the gloomy heart of the monarch. He raised his head and gazed around: he sat up on his couch, his eye began to kindle — at length, leaping upon the floor, he called for sword and buckler. The triumph of music, or rather of the enchanted lute, was complete; the demon of melancholy was cast forth; and, as it were, a dead man brought to life. The windows of the apartment were thrown open; the glorious effulgence of Spanish sunshine burst into the late lugubrious chamber; all eyes sought the lovely enchantress, but the lute had fallen from her hand, she had sunk upon the earth, and the next moment was clasped to the bosom of Ruyz de Alarcon. The nuptials of the happy couple were celebrated soon afterwards with great splendor, and the Rose of the Alhambra became the ornament and delight of the court. “But hold — not so fast”— I hear the reader exclaim, “this is jumping to the end of a story at a furious rate! First let us know how Ruyz de Alarcon managed to account to Jacinta for his long neglect?” Nothing more easy; the venerable, time-honored excuse, the opposition to his wishes by a proud, pragmatical old father: besides, young people, who really like one another, soon come to an amicable understanding, and bury all past grievances when once they meet. But how was the proud pragmatical old father reconciled to the match? Oh! as to that, his scruples were easily overcome by a word or two from the queen; especially as dignities and rewards were showered upon the blooming favorite of royalty. Besides, the lute of Jacinta, you know, possessed a magic power, and could control the most stubborn head and hardest breast. And what came of the enchanted lute? Oh, that is the most curious matter of all, and plainly proves the truth of the whole story. That lute remained for some time in the family, but was purloined and carried off, as was supposed, by the great singer Farinelli, in pure jealousy. At his d**h it pa**ed into other hands in Italy, who were ignorant of its mystic powers, and melting down the silver, transferred the strings to an old Cremona fiddle. The strings still retain something of their magic virtues. A word in the reader's ear, but let it go no further — that fiddle is now bewitching the whole world — it is the fiddle of Paganini!