The truth is that there comes a time When we can mourn no more over music That is so much motionless sound. There comes a time when the waltz Is no longer a mode of desire, a mode Of revealing desire and is empty of shadows. Too many waltzes have ended. And then There's that mountain-minded Hoon, For whom desire was never that of the waltz, Who found all form and order in solitude, For whom the shapes were never the figures of men. Now, for him, his forms have vanished. There is order in neither sea nor sun. The shapes have lost their glistening. There are these sudden mobs of men, These sudden clouds of faces and arms, An immense suppression, freed, These voices crying without knowing for what, Except to be happy, without knowing how, Imposing forms they cannot describe, Requiring order beyond their speech. Too many waltzes have ended. Yet the shapes For which the voices cry, these, too, may be Modes of desire, modes of revealing desire. Too many waltzes—The epic of disbelief Blares oftener and soon, will soon be constant. Some harmonious skeptic soon in a skeptical music Will unite these figures of men and their shapes Will glisten again with motion, the music Will be motion and full of shadows.