Virginia Woolf - Mrs. Dalloway (Part 9) lyrics

Lucy came running full tilt downstairs, having just nipped in to the drawing-room to smooth a cover, to straighten a chair, to pause a moment and feel whoever came in must think how clean, how bright, how beautifully cared for, when they saw the beautiful silver, the bra** fire-irons, the new chair-covers, and the curtains of yellow chintz: she appraised each; heard a roar of voices; people already coming up from dinner; she must fly! The Prime Minister was coming, Agnes said: so she had heard them say in the dining-room, she said, coming in with a tray of gla**es. Did it matter, did it matter in the least, one Prime Minister more or less? It made no difference at this hour of the night to Mrs. Walker among the plates, saucepans, cullenders, frying-pans, chicken in aspic, ice-cream freezers, pared crusts of bread, lemons, soup tureens, and pudding basins which, however hard they washed up in the scullery seemed to be all on top of her, on the kitchen table, on chairs, while the fire blared and roared, the electric lights glared, and still supper had to be laid. All she felt was, one Prime Minister more or less made not a scrap of difference to Mrs. Walker. The ladies were going upstairs already, said Lucy; the ladies were going up, one by one, Mrs. Dalloway walking last and almost always sending back some message to the kitchen, “My love to Mrs. Walker,” that was it one night. Next morning they would go over the dishes — the soup, the salmon; the salmon, Mrs. Walker knew, as usual underdone, for she always got nervous about the pudding and left it to Jenny; so it happened, the salmon was always underdone. But some lady with fair hair and silver ornaments had said, Lucy said, about the entrée, was it really made at home? But it was the salmon that bothered Mrs. Walker, as she spun the plates round and round, and pulled in dampers and pulled out dampers; and there came a burst of laughter from the dining-room; a voice speaking; then another burst of laughter — the gentlemen enjoying themselves when the ladies had gone. The tokay, said Lucy running in. Mr. Dalloway had sent for the tokay, from the Emperor's cellars, the Imperial Tokay. It was borne through the kitchen. Over her shoulder Lucy reported how Miss Elizabeth looked quite lovely; she couldn't take her eyes off her; in her pink dress, wearing the necklace Mr. Dalloway had given her. Jenny must remember the dog, Miss Elizabeth's fox-terrier, which, since it bit, had to be shut up and might, Elizabeth thought, want something. Jenny must remember the dog. But Jenny was not going upstairs with all those people about. There was a motor at the door already! There was a ring at the bell — and the gentlemen still in the dining-room, drinking tokay! There, they were going upstairs; that was the first to come, and now they would come faster and faster, so that Mrs. Parkinson (hired for parties) would leave the hall door ajar, and the hall would be full of gentlemen waiting (they stood waiting, sleeking down their hair) while the ladies took their cloaks off in the room along the pa**age; where Mrs. Barnet helped them, old Ellen Barnet, who had been with the family for forty years, and came every summer to help the ladies, and remembered mothers when they were girls, and though very una**uming did shake hands; said “milady” very respectfully, yet had a humorous way with her, looking at the young ladies, and ever so tactfully helping Lady Lovejoy, who had some trouble with her underbodice. And they could not help feeling, Lady Lovejoy and Miss Alice, that some little privilege in the matter of brush and comb, was awarded them having known Mrs. Barnet —“thirty years, milady,” Mrs. Barnet supplied her. Young ladies did not use to rouge, said Lady Lovejoy, when they stayed at Bourton in the old days. And Miss Alice didn't need rouge, said Mrs. Barnet, looking at her fondly. There Mrs. Barnet would sit, in the cloakroom, patting down the furs, smoothing out the Spanish shawls, tidying the dressing-table, and knowing perfectly well, in spite of the furs and the embroideries, which were nice ladies, which were not. The dear old body, said Lady Lovejoy, mounting the stairs, Clarissa's old nurse. And then Lady Lovejoy stiffened. “Lady and Miss Lovejoy,” she said to Mr. Wilkins (hired for parties). He had an admirable manner, as he bent and straightened himself, bent and straightened himself and announced with perfect impartiality “Lady and Miss Lovejoy . . . Sir John and Lady Needham . . . Miss Weld . . . Mr. Walsh.” His manner was admirable; his family life must be irreproachable, except that it seemed impossible that a being with greenish lips and shaven cheeks could ever have blundered into the nuisance of children. “How delightful to see you!” said Clarissa. She said it to every one. How delightful to see you! She was at her worst — effusive, insincere. It was a great mistake to have come. He should have stayed at home and read his book, thought Peter Walsh; should have gone to a music hall; he should have stayed at home, for he knew no one. Oh dear, it was going to be a failure; a complete failure, Clarissa felt it in her bones as dear old Lord Lexham stood there apologising for his wife who had caught cold at the Buckingham Palace garden party. She could see Peter out of the tail of her eye, criticising her, there, in that corner. Why, after all, did she do these things? Why seek pinnacles and stand drenched in fire? Might it consume her anyhow! Burn her to cinders! Better anything, better brandish one's torch and hurl it to earth than taper and dwindle away like some Ellie Henderson! It was extraordinary how Peter put her into these states just by coming and standing in a corner. He made her see herself; exaggerate. It was idiotic. But why did he come, then, merely to criticise? Why always take, never give? Why not risk one's one little point of view? There he was wandering off, and she must speak to him. But she would not get the chance. Life was that — humiliation, renunciation. What Lord Lexham was saying was that his wife would not wear her furs at the garden party because “my dear, you ladies are all alike”— Lady Lexham being seventy-five at least! It was delicious, how they petted each other, that old couple. She did like old Lord Lexham. She did think it mattered, her party, and it made her feel quite sick to know that it was all going wrong, all falling flat. Anything, any explosion, any horror was better than people wandering aimlessly, standing in a bunch at a corner like Ellie Henderson, not even caring to hold themselves upright. Gently the yellow curtain with all the birds of Paradise blew out and it seemed as if there were a flight of wings into the room, right out, then s**ed back. (For the windows were open.) Was it draughty, Ellie Henderson wondered? She was subject to chills. But it did not matter that she should come down sneezing to-morrow; it was the girls with their naked shoulders she thought of, being trained to think of others by an old father, an invalid, late vicar of Bourton, but he was dead now; and her chills never went to her chest, never. It was the girls she thought of, the young girls with their bare shoulders, she herself having always been a wisp of a creature, with her thin hair and meagre profile; though now, past fifty, there was beginning to shine through some mild beam, something purified into distinction by years of self-abnegation but obscured again, perpetually, by her distressing gentility, her panic fear, which arose from three hundred pounds' income, and her weaponless state (she could not earn a penny) and it made her timid, and more and more disqualified year by year to meet well-dressed people who did this sort of thing every night of the season, merely telling their maids “I'll wear so and so,” whereas Ellie Henderson ran out nervously and bought cheap pink flowers, half a dozen, and then threw a shawl over her old black dress. For her invitation to Clarissa's party had come at the last moment. She was not quite happy about it. She had a sort of feeling that Clarissa had not meant to ask her this year. Why should she? There was no reason really, except that they had always known each other. Indeed, they were cousins. But naturally they had rather drifted apart, Clarissa being so sought after. It was an event to her, going to a party. It was quite a treat just to see the lovely clothes. Wasn't that Elizabeth, grown up, with her hair done in the fashionable way, in the pink dress? Yet she could not be more than seventeen. She was very, very handsome. But girls when they first came out didn't seem to wear white as they used. (She must remember everything to tell Edith.) Girls wore straight frocks, perfectly tight, with skirts well above the ankles. It was not becoming, she thought. So, with her weak eyesight, Ellie Henderson craned rather forward, and it wasn't so much she who minded not having any one to talk to (she hardly knew anybody there), for she felt that they were all such interesting people to watch; politicians presumably; Richard Dalloway's friends; but it was Richard himself who felt that he could not let the poor creature go on standing there all the evening by herself. “Well, Ellie, and how's the world treating YOU?” he said in his genial way, and Ellie Henderson, getting nervous and flushing and feeling that it was extraordinarily nice of him to come and talk to her, said that many people really felt the heat more than the cold. “Yes, they do,” said Richard Dalloway. “Yes.” But what more did one say? “Hullo, Richard,” said somebody, taking him by the elbow, and, good Lord, there was old Peter, old Peter Walsh. He was delighted to see him — ever so pleased to see him! He hadn't changed a bit. And off they went together walking right across the room, giving each other little pats, as if they hadn't met for a long time, Ellie Henderson thought, watching them go, certain she knew that man's face. A tall man, middle aged, rather fine eyes, dark, wearing spectacles, with a look of John Burrows. Edith would be sure to know. The curtain with its flight of birds of Paradise blew out again. And Clarissa saw — she saw Ralph Lyon beat it back, and go on talking. So it wasn't a failure after all! it was going to be all right now — her party. It had begun. It had started. But it was still touch and go. She must stand there for the present. People seemed to come in a rush. Colonel and Mrs. Garrod . . . Mr. Hugh Whitbread . . . Mr. Bowley . . . Mrs. Hilbery . . . Lady Mary Maddox . . . Mr. Quin . . . intoned Wilkin. She had six or seven words with each, and they went on, they went into the rooms; into something now, not nothing, since Ralph Lyon had beat back the curtain. And yet for her own part, it was too much of an effort. She was not enjoying it. It was too much like being — just anybody, standing there; anybody could do it; yet this anybody she did a little admire, couldn't help feeling that she had, anyhow, made this happen, that it marked a stage, this post that she felt herself to have become, for oddly enough she had quite forgotten what she looked like, but felt herself a stake driven in at the top of her stairs. Every time she gave a party she had this feeling of being something not herself, and that every one was unreal in one way; much more real in another. It was, she thought, partly their clothes, partly being taken out of their ordinary ways, partly the background, it was possible to say things you couldn't say anyhow else, things that needed an effort; possible to go much deeper. But not for her; not yet anyhow. “How delightful to see you!” she said. Dear old Sir Harry! He would know every one. And what was so odd about it was the sense one had as they came up the stairs one after another, Mrs. Mount and Celia, Herbert Ainsty, Mrs. Dakers — oh and Lady Bruton! “How awfully good of you to come!” she said, and she meant it — it was odd how standing there one felt them going on, going on, some quite old, some . . . WHAT name? Lady Rosseter? But who on earth was Lady Rosseter? “Clarissa!” That voice! It was Sally Seton! Sally Seton! after all these years! She loomed through a mist. For she hadn't looked like THAT, Sally Seton, when Clarissa grasped the hot water can, to think of her under this roof, under this roof! Not like that! All on top of each other, embarra**ed, laughing, words tumbled out — pa**ing through London; heard from Clara Haydon; what a chance of seeing you! So I thrust myself in — without an invitation. . . . One might put down the hot water can quite composedly. The lustre had gone out of her. Yet it was extraordinary to see her again, older, happier, less lovely. They kissed each other, first this cheek then that, by the drawing-room door, and Clarissa turned, with Sally's hand in hers, and saw her rooms full, heard the roar of voices, saw the candlesticks, the blowing curtains, and the roses which Richard had given her. “I have five enormous boys,” said Sally. She had the simplest egotism, the most open desire to be thought first always, and Clarissa loved her for being still like that. “I can't believe it!” she cried, kindling all over with pleasure at the thought of the past. But alas, Wilkins; Wilkins wanted her; Wilkins was emitting in a voice of commanding authority as if the whole company must be admonished and the hostess reclaimed from frivolity, one name: “The Prime Minister,” said Peter Walsh. The Prime Minister? Was it really? Ellie Henderson marvelled. What a thing to tell Edith! One couldn't laugh at him. He looked so ordinary. You might have stood him behind a counter and bought biscuits — poor chap, all rigged up in gold lace. And to be fair, as he went his rounds, first with Clarissa then with Richard escorting him, he did it very well. He tried to look somebody. It was amusing to watch. Nobody looked at him. They just went on talking, yet it was perfectly plain that they all knew, felt to the marrow of their bones, this majesty pa**ing; this symbol of what they all stood for, English society. Old Lady Bruton, and she looked very fine too, very stalwart in her lace, swam up, and they withdrew into a little room which at once became spied upon, guarded, and a sort of stir and rustle rippled through every one, openly: the Prime Minister! Lord, lord, the snobbery of the English! thought Peter Walsh, standing in the corner. How they loved dressing up in gold lace and doing homage! There! That must be, by Jove it was, Hugh Whitbread, snuffing round the precincts of the great, grown rather fatter, rather whiter, the admirable Hugh! He looked always as if he were on duty, thought Peter, a privileged, but secretive being, hoarding secrets which he would die to defend, though it was only some little piece of tittle-tattle dropped by a court footman, which would be in all the papers tomorrow. Such were his rattles, his baubles, in playing with which he had grown white, come to the verge of old age, enjoying the respect and affection of all who had the privilege of knowing this type of the English public school man. Inevitably one made up things like that about Hugh; that was his style; the style of those admirable letters which Peter had read thousands of miles across the sea in the Times, and had thanked God he was out of that pernicious hubble-bubble if it were only to hear baboons chatter and coolies beat their wives. An olive-skinned youth from one of the Universities stood obsequiously by. Him he would patronise, initiate, teach how to get on. For he liked nothing better than doing kindnesses, making the hearts of old ladies palpitate with the joy of being thought of in their age, their affliction, thinking themselves quite forgotten, yet here was dear Hugh driving up and spending an hour talking of the past, remembering trifles, praising the home-made cake, though Hugh might eat cake with a Duchess any day of his life, and, to look at him, probably did spend a good deal of time in that agreeable occupation. The All-judging, the All-merciful, might excuse. Peter Walsh had no mercy. Villains there must be, and God knows the rascals who get hanged for battering the brains of a girl out in a train do less harm on the whole than Hugh Whitbread and his kindness. Look at him now, on tiptoe, dancing forward, bowing and scraping, as the Prime Minister and Lady Bruton emerged, intimating for all the world to see that he was privileged to say something, something private, to Lady Bruton as she pa**ed. She stopped. She wagged her fine old head. She was thanking him presumably for some piece of servility. She had her toadies, minor officials in Government offices who ran about putting through little jobs on her behalf, in return for which she gave them luncheon. But she derived from the eighteenth century. She was all right. And now Clarissa escorted her Prime Minister down the room, prancing, sparkling, with the stateliness of her grey hair. She wore ear-rings, and a silver-green mermaid's dress. Lolloping on the waves and braiding her tresses she seemed, having that gift still; to be; to exist; to sum it all up in the moment as she pa**ed; turned, caught her scarf in some other woman's dress, unhitched it, laughed, all with the most perfect ease and air of a creature floating in its element. But age had brushed her; even as a mermaid might behold in her gla** the setting sun on some very clear evening over the waves. There was a breath of tenderness; her severity, her prudery, her woodenness were all warmed through now, and she had about her as she said good-bye to the thick gold-laced man who was doing his best, and good luck to him, to look important, an inexpressible dignity; an exquisite cordiality; as if she wished the whole world well, and must now, being on the very verge and rim of things, take her leave. So she made him think. (But he was not in love.) Indeed, Clarissa felt, the Prime Minister had been good to come. And, walking down the room with him, with Sally there and Peter there and Richard very pleased, with all those people rather inclined, perhaps, to envy, she had felt that intoxication of the moment, that dilatation of the nerves of the heart itself till it seemed to quiver, steeped, upright; — yes, but after all it was what other people felt, that; for, though she loved it and felt it tingle and sting, still these semblances, these triumphs (dear old Peter, for example, thinking her so brilliant), had a hollowness; at arm's length they were, not in the heart; and it might be that she was growing old but they satisfied her no longer as they used; and suddenly, as she saw the Prime Minister go down the stairs, the gilt rim of the Sir Joshua picture of the little girl with a muff brought back Kilman with a rush; Kilman her enemy. That was satisfying; that was real. Ah, how she hated her — hot, hypocritical, corrupt; with all that power; Elizabeth's seducer; the woman who had crept in to steal and defile (Richard would say, What nonsense!). She hated her: she loved her. It was enemies one wanted, not friends — not Mrs. Durrant and Clara, Sir William and Lady Bradshaw, Miss Truelock and Eleanor Gibson (whom she saw coming upstairs). They must find her if they wanted her. She was for the party! There was her old friend Sir Harry. “Dear Sir Harry!” she said, going up to the fine old fellow who had produced more bad pictures than any other two Academicians in the whole of St. John's Wood (they were always of cattle, standing in sunset pools absorbing moisture, or signifying, for he had a certain range of gesture, by the raising of one foreleg and the toss of the antlers, “the Approach of the Stranger”— all his activities, dining out, racing, were founded on cattle standing absorbing moisture in sunset pools). “What are you laughing at?” she asked him. For Willie Titcomb and Sir Harry and Herbert Ainsty were all laughing. But no. Sir Harry could not tell Clarissa Dalloway (much though he liked her; of her type he thought her perfect, and threatened to paint her) his stories of the music hall stage. He chaffed her about her party. He missed his brandy. These circles, he said, were above him. But he liked her; respected her, in spite of her damnable, difficult upper-cla** refinement, which made it impossible to ask Clarissa Dalloway to sit on his knee. And up came that wandering will-o'-the-wisp, that vagulous phosphorescence, old Mrs. Hilbery, stretching her hands to the blaze of his laughter (about the Duke and the Lady), which, as she heard it across the room, seemed to rea**ure her on a point which sometimes bothered her if she woke early in the morning and did not like to call her maid for a cup of tea; how it is certain we must die. “They won't tell us their stories,” said Clarissa. “Dear Clarissa!” exclaimed Mrs. Hilbery. She looked to-night, she said, so like her mother as she first saw her walking in a garden in a grey hat. And really Clarissa's eyes filled with tears. Her mother, walking in a garden! But alas, she must go. For there was Professor Brierly, who lectured on Milton, talking to little Jim Hutton (who was unable even for a party like this to compa** both tie and waistcoat or make his hair lie flat), and even at this distance they were quarrelling, she could see. For Professor Brierly was a very queer fish. With all those degrees, honours, lectureships between him and the scribblers he suspected instantly an atmosphere not favourable to his queer compound; his prodigious learning and timidity; his wintry charm without cordiality; his innocence blent with snobbery; he quivered if made conscious by a lady's unkempt hair, a youth's boots, of an underworld, very creditable doubtless, of rebels, of ardent young people; of would-be geniuses, and intimated with a little toss of the head, with a sniff — Humph! — the value of moderation; of some slight training in the cla**ics in order to appreciate Milton. Professor Brierly (Clarissa could see) wasn't hitting it off with little Jim Hutton (who wore red socks, his black being at the laundry) about Milton. She interrupted. She said she loved Bach. So did Hutton. That was the bond between them, and Hutton (a very bad poet) always felt that Mrs. Dalloway was far the best of the great ladies who took an interest in art. It was odd how strict she was. About music she was purely impersonal. She was rather a prig. But how charming to look at! She made her house so nice if it weren't for her Professors. Clarissa had half a mind to snatch him off and set him down at the piano in the back room. For he played divinely. “But the noise!” she said. “The noise!” “The sign of a successful party.” Nodding urbanely, the Professor stepped delicately off. “He knows everything in the whole world about Milton,” said Clarissa. “Does he indeed?” said Hutton, who would imitate the Professor throughout Hampstead; the Professor on Milton; the Professor on moderation; the Professor stepping delicately off. But she must speak to that couple, said Clarissa, Lord Gayton and Nancy Blow. Not that THEY added perceptibly to the noise of the party. They were not talking (perceptibly) as they stood side by side by the yellow curtains. They would soon be off elsewhere, together; and never had very much to say in any circumstances. They looked; that was all. That was enough. They looked so clean, so sound, she with an apricot bloom of powder and paint, but he scrubbed, rinsed, with the eyes of a bird, so that no ball could pa** him or stroke surprise him. He struck, he leapt, accurately, on the spot. Ponies' mouths quivered at the end of his reins. He had his honours, ancestral monuments, banners hanging in the church at home. He had his duties; his tenants; a mother and sisters; had been all day at Lords, and that was what they were talking about — cricket, cousins, the movies — when Mrs. Dalloway came up. Lord Gayton liked her most awfully. So did Miss Blow. She had such charming manners. “It is angelic — it is delicious of you to have come!” she said. She loved Lords; she loved youth, and Nancy, dressed at enormous expense by the greatest artists in Paris, stood there looking as if her body had merely put forth, of its own accord, a green frill. “I had meant to have dancing,” said Clarissa. For the young people could not talk. And why should they? Shout, embrace, swing, be up at dawn; carry sugar to ponies; kiss and caress the snouts of adorable chows; and then all tingling and streaming, plunge and swim. But the enormous resources of the English language, the power it bestows, after all, of communicating feelings (at their age, she and Peter would have been arguing all the evening), was not for them. They would solidify young. They would be good beyond measure to the people on the estate, but alone, perhaps, rather dull. “What a pity!” she said. “I had hoped to have dancing.” It was so extraordinarily nice of them to have come! But talk of dancing! The rooms were packed. There was old Aunt Helena in her shawl. Alas, she must leave them — Lord Gayton and Nancy Blow. There was old Miss Parry, her aunt. For Miss Helena Parry was not dead: Miss Parry was alive. She was past eighty. She ascended staircases slowly with a stick. She was placed in a chair (Richard had seen to it). People who had known Burma in the ‘seventies were always led up to her. Where had Peter got to? They used to be such friends. For at the mention of India, or even Ceylon, her eyes (only one was gla**) slowly deepened, became blue, beheld, not human beings — she had no tender memories, no proud illusions about Viceroys, Generals, Mutinies — it was orchids she saw, and mountain pa**es and herself carried on the backs of coolies in the ‘sixties over solitary peaks; or descending to uproot orchids (startling blossoms, never beheld before) which she painted in water-colour; an indomitable Englishwoman, fretful if disturbed by the War, say, which dropped a bomb at her very door, from her deep meditation over orchids and her own figure journeying in the ‘sixties in India — but here was Peter. “Come and talk to Aunt Helena about Burma,” said Clarissa. And yet he had not had a word with her all the evening! “We will talk later,” said Clarissa, leading him up to Aunt Helena, in her white shawl, with her stick. “Peter Walsh,” said Clarissa. That meant nothing. Clarissa had asked her. It was tiring; it was noisy; but Clarissa had asked her. So she had come. It was a pity that they lived in London — Richard and Clarissa. If only for Clarissa's health it would have been better to live in the country. But Clarissa had always been fond of society. “He has been in Burma,” said Clarissa. Ah. She could not resist recalling what Charles Darwin had said about her little book on the orchids of Burma. (Clarissa must speak to Lady Bruton.) No doubt it was forgotten now, her book on the orchids of Burma, but it went into three editions before 1870, she told Peter. She remembered him now. He had been at Bourton (and he had left her, Peter Walsh remembered, without a word in the drawing-room that night when Clarissa had asked him to come boating). “Richard so much enjoyed his lunch party,” said Clarissa to Lady Bruton. “Richard was the greatest possible help,” Lady Bruton replied. “He helped me to write a letter. And how are you?” “Oh, perfectly well!” said Clarissa. (Lady Bruton detested illness in the wives of politicians.) “And there's Peter Walsh!” said Lady Bruton (for she could never think of anything to say to Clarissa; though she liked her. She had lots of fine qualities; but they had nothing in common — she and Clarissa. It might have been better if Richard had married a woman with less charm, who would have helped him more in his work. He had lost his chance of the Cabinet). “There's Peter Walsh!” she said, shaking hands with that agreeable sinner, that very able fellow who should have made a name for himself but hadn't (always in difficulties with women), and, of course, old Miss Parry. Wonderful old lady! Lady Bruton stood by Miss Parry's chair, a spectral grenadier, draped in black, inviting Peter Walsh to lunch; cordial; but without small talk, remembering nothing whatever about the flora or fauna of India. She had been there, of course; had stayed with three Viceroys; thought some of the Indian civilians uncommonly fine fellows; but what a tragedy it was — the state of India! The Prime Minister had just been telling her (old Miss Parry huddled up in her shawl, did not care what the Prime Minister had just been telling her), and Lady Bruton would like to have Peter Walsh's opinion, he being fresh from the centre, and she would get Sir Sampson to meet him, for really it prevented her from sleeping at night, the folly of it, the wickedness she might say, being a soldier's daughter. She was an old woman now, not good for much. But her house, her servants, her good friend Milly Brush — did he remember her? — were all there only asking to be used if — if they could be of help, in short. For she never spoke of England, but this isle of men, this dear, dear land, was in her blood (without reading Shakespeare), and if ever a woman could have worn the helmet and shot the arrow, could have led troops to attack, ruled with indomitable justice barbarian hordes and lain under a shield noseless in a church, or made a green gra** mound on some primeval hillside, that woman was Millicent Bruton. Debarred by her s** and some truancy, too, of the logical faculty (she found it impossible to write a letter to the Times), she had the thought of Empire always at hand, and had acquired from her a**ociation with that armoured goddess her ramrod bearing, her robustness of demeanour, so that one could not figure her even in d**h parted from the earth or roaming territories over which, in some spiritual shape, the Union Jack had ceased to fly. To be not English even among the dead — no, no! Impossible! But was it Lady Bruton (whom she used to know)? Was it Peter Walsh grown grey? Lady Rosseter asked herself (who had been Sally Seton). It was old Miss Parry certainly — the old aunt who used to be so cross when she stayed at Bourton. Never should she forget running along the pa**age naked, and being sent for by Miss Parry! And Clarissa! oh Clarissa! Sally caught her by the arm. Clarissa stopped beside them. “But I can't stay,” she said. “I shall come later. Wait,” she said, looking at Peter and Sally. They must wait, she meant, until all these people had gone. “I shall come back,” she said, looking at her old friends, Sally and Peter, who were shaking hands, and Sally, remembering the past no doubt, was laughing. But her voice was wrung of its old ravishing richness; her eyes not aglow as they used to be, when she smoked cigars, when she ran down the pa**age to fetch her sponge bag, without a stitch of clothing on her, and Ellen Atkins asked, What if the gentlemen had met her? But everybody forgave her. She stole a chicken from the larder because she was hungry in the night; she smoked cigars in her bedroom; she left a priceless book in the punt. But everybody adored her (except perhaps Papa). It was her warmth; her vitality — she would paint, she would write. Old women in the village never to this day forgot to ask after “your friend in the red cloak who seemed so bright.” She accused Hugh Whitbread, of all people (and there he was, her old friend Hugh, talking to the Portuguese Amba**ador), of kissing her in the smoking-room to punish her for saying that women should have votes. Vulgar men did, she said. And Clarissa remembered having to persuade her not to denounce him at family prayers — which she was capable of doing with her daring, her recklessness, her melodramatic love of being the centre of everything and creating scenes, and it was bound, Clarissa used to think, to end in some awful tragedy; her d**h; her martyrdom; instead of which she had married, quite unexpectedly, a bald man with a large bu*tonhole who owned, it was said, cotton mills at Manchester. And she had five boys! She and Peter had settled down together. They were talking: it seemed so familiar — that they should be talking. They would discuss the past. With the two of them (more even than with Richard) she shared her past; the garden; the trees; old Joseph Breitkopf singing Brahms without any voice; the drawing-room wallpaper; the smell of the mats. A part of this Sally must always be; Peter must always be. But she must leave them. There were the Bradshaws, whom she disliked. She must go up to Lady Bradshaw (in grey and silver, balancing like a sea-lion at the edge of its tank, barking for invitations, Duchesses, the typical successful man's wife), she must go up to Lady Bradshaw and say . . . But Lady Bradshaw anticipated her. “We are shockingly late, dear Mrs. Dalloway, we hardly dared to come in,” she said. And Sir William, who looked very distinguished, with his grey hair and blue eyes, said yes; they had not been able to resist the temptation. He was talking to Richard about that Bill probably, which they wanted to get through the Commons. Why did the sight of him, talking to Richard, curl her up? He looked what he was, a great doctor. A man absolutely at the head of his profession, very powerful, rather worn. For think what cases came before him — people in the uttermost depths of misery; people on the verge of insanity; husbands and wives. He had to decide questions of appalling difficulty. Yet — what she felt was, one wouldn't like Sir William to see one unhappy. No; not that man. “How is your son at Eton?” she asked Lady Bradshaw. He had just missed his eleven, said Lady Bradshaw, because of the mumps. His father minded even more than he did, she thought “being,” she said, “nothing but a great boy himself.” Clarissa looked at Sir William, talking to Richard. He did not look like a boy — not in the least like a boy. She had once gone with some one to ask his advice. He had been perfectly right; extremely sensible. But Heavens — what a relief to get out to the street again! There was some poor wretch sobbing, she remembered, in the waiting-room. But she did not know what it was — about Sir William; what exactly she disliked. Only Richard agreed with her, “didn't like his taste, didn't like his smell.” But he was extraordinarily able. They were talking about this Bill. Some case, Sir William was mentioning, lowering his voice. It had its bearing upon what he was saying about the deferred effects of shell shock. There must be some provision in the Bill. Sinking her voice, drawing Mrs. Dalloway into the shelter of a common femininity, a common pride in the illustrious qualities of husbands and their sad tendency to overwork, Lady Bradshaw (poor goose — one didn't dislike her) murmured how, “just as we were starting, my husband was called up on the telephone, a very sad case. A young man (that is what Sir William is telling Mr. Dalloway) had k**ed himself. He had been in the army.” Oh! thought Clarissa, in the middle of my party, here's d**h, she thought. She went on, into the little room where the Prime Minister had gone with Lady Bruton. Perhaps there was somebody there. But there was nobody. The chairs still kept the impress of the Prime Minister and Lady Bruton, she turned deferentially, he sitting four-square, authoritatively. They had been talking about India. There was nobody. The party's splendour fell to the floor, so strange it was to come in alone in her finery. What business had the Bradshaws to talk of d**h at her party? A young man had k**ed himself. And they talked of it at her party — the Bradshaws, talked of d**h. He had k**ed himself — but how? Always her body went through it first, when she was told, suddenly, of an accident; her dress flamed, her body burnt. He had thrown himself from a window. Up had flashed the ground; through him, blundering, bruising, went the rusty spikes. There he lay with a thud, thud, thud in his brain, and then a suffocation of blackness. So she saw it. But why had he done it? And the Bradshaws talked of it at her party! She had once thrown a shilling into the Serpentine, never anything more. But he had flung it away. They went on living (she would have to go back; the rooms were still crowded; people kept on coming). They (all day she had been thinking of Bourton, of Peter, of Sally), they would grow old. A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter. This he had preserved. d**h was defiance. d**h was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in d**h. But this young man who had k**ed himself — had he plunged holding his treasure? “If it were now to die, 'twere now to be most happy,” she had said to herself once, coming down in white. Or there were the poets and thinkers. Suppose he had had that pa**ion, and had gone to Sir William Bradshaw, a great doctor yet to her obscurely evil, without s** or lust, extremely polite to women, but capable of some indescribable outrage — forcing your soul, that was it — if this young man had gone to him, and Sir William had impressed him, like that, with his power, might he not then have said (indeed she felt it now), Life is made intolerable; they make life intolerable, men like that? Then (she had felt it only this morning) there was the terror; the overwhelming incapacity, one's parents giving it into one's hands, this life, to be lived to the end, to be walked with serenely; there was in the depths of her heart an awful fear. Even now, quite often if Richard had not been there reading the Times, so that she could crouch like a bird and gradually revive, send roaring up that immeasurable delight, rubbing stick to stick, one thing with another, she must have perished. But that young man had k**ed himself. Somehow it was her disaster — her disgrace. It was her punishment to see sink and disappear here a man, there a woman, in this profound darkness, and she forced to stand here in her evening dress. She had schemed; she had pilfered. She was never wholly admirable. She had wanted success. Lady Bexborough and the rest of it. And once she had walked on the terrace at Bourton. It was due to Richard; she had never been so happy. Nothing could be slow enough; nothing last too long. No pleasure could equal, she thought, straightening the chairs, pushing in one book on the shelf, this having done with the triumphs of youth, lost herself in the process of living, to find it, with a shock of delight, as the sun rose, as the day sank. Many a time had she gone, at Bourton when they were all talking, to look at the sky; or seen it between people's shoulders at dinner; seen it in London when she could not sleep. She walked to the window. It held, foolish as the idea was, something of her own in it, this country sky, this sky above Westminster. She parted the curtains; she looked. Oh, but how surprising! — in the room opposite the old lady stared straight at her! She was going to bed. And the sky. It will be a solemn sky, she had thought, it will be a dusky sky, turning away its cheek in beauty. But there it was — ashen pale, raced over quickly by tapering vast clouds. It was new to her. The wind must have risen. She was going to bed, in the room opposite. It was fascinating to watch her, moving about, that old lady, crossing the room, coming to the window. Could she see her? It was fascinating, with people still laughing and shouting in the drawing-room, to watch that old woman, quite quietly, going to bed. She pulled the blind now. The clock began striking. The young man had k**ed himself; but she did not pity him; with the clock striking the hour, one, two, three, she did not pity him, with all this going on. There! the old lady had put out her light! the whole house was dark now with this going on, she repeated, and the words came to her, Fear no more the heat of the sun. She must go back to them. But what an extraordinary night! She felt somehow very like him — the young man who had k**ed himself. She felt glad that he had done it; thrown it away. The clock was striking. The leaden circles dissolved in the air. He made her feel the beauty; made her feel the fun. But she must go back. She must a**emble. She must find Sally and Peter. And she came in from the little room.