Mary Shelley - Mathilda (Chap. 4) lyrics

Among our most a**iduous visitors was a young man of rank, well informed, and agreable in his person. After we had spent a few weeks in London his attentions towards me became marked and his visits more frequent. I was too much taken up by my own occupations and feelings to attend much to this, and then indeed I hardly noticed more than the bare surface of events as they pa**ed around me; but I now remember that my father was restless and uneasy whenever this person visited us, and when we talked together watched us with the greatest apparent anxiety although he himself maintained a profound silence. At length these obnoxious visits suddenly ceased altogether, but from that moment I must date the change of my father: a change that to remember makes me shudder and then filled me with the deepest grief. There were no degrees which could break my fall from happiness to misery; it was as the stroke of lightning—sudden and entire.[23] Alas! I now met frowns where before I had been welcomed only with smiles: he, my beloved father, shunned me, and either treated me with harshness or a more heart-breaking coldness. We took no more sweet counsel together; and when I tried to win him again to me, his anger, and the terrible emotions that he exhibited drove me to silence and tears. And this was sudden. The day before we had pa**ed alone together in the country; I remember we had talked of future travels that we should undertake together—. There was an eager delight in our tones and gestures that could only spring from deep & mutual love joined to the most unrestrained confidence[;] and now the next day, the next hour, I saw his brows contracted, his eyes fixed in sullen fierceness on the ground, and his voice so gentle and so dear made me shiver when he addressed me. Often, when my wandering fancy brought by its various images now consolation and now aggravation of grief to my heart,[24] I have compared myself to Proserpine who was gaily and heedlessly gathering flowers on the sweet plain of Enna, when the King of Hell snatched her away to the abodes of d**h and misery. Alas! I who so lately knew of nought but the joy of life; who had slept only to dream sweet dreams and awoke to incomparable happiness, I now pa**ed my days and nights in tears. I who sought and had found joy in the love-breathing countenance of my father now when I dared fix on him a supplicating look it was ever answered by an angry frown. I dared not speak to him; and when sometimes I had worked up courage to meet him and to ask an explanation one glance at his face where a chaos of mighty pa**ion seemed for ever struggling made me tremble and shrink to silence. I was dashed down from heaven to earth as a silly sparrow when pounced on by a hawk; my eyes swam and my head was bewildered by the sudden apparition of grief. Day after day[25] pa**ed marked only by my complaints and my tears; often I lifted my soul in vain prayer for a softer descent from joy to woe, or if that were denied me that I might be allowed to die, and fade for ever under the cruel blast that swept over me, ——— for what should I do here, Like a decaying flower, still withering Under his bitter words, whose kindly heat Should give my poor heart life?[C] Sometimes I said to myself, this is an enchantment, and I must strive against it. My father is blinded by some malignant vision which I must remove. And then, like David, I would try music to win the evil spirit from him; and once while singing I lifted my eyes towards him and saw his fixed on me and filled with tears; all his muscles seemed relaxed to softness. I sprung towards him with a cry of joy and would have thrown myself into his arms, but he pushed me roughly from him and left me. And even from this slight incident he contracted fresh gloom and an additional severity of manner. There are many incidents that I might relate which shewed the diseased yet incomprehensible state of his mind; but I will mention one that occurred while we were in company with several other persons. On this occasion I chanced to say that I thought Myrrha the best of Alfieri's tragedies; as I said this I chanced to cast my eyes on my father and met his: for the first time the expression of those beloved eyes displeased me, and I saw with affright that his whole frame shook with some concealed emotion that in spite of his efforts half conquered him: as this tempest faded from his soul he became melancholy and silent. Every day some new scene occured and displayed in him a mind working as [it] were with an unknown horror that now he could master but which at times threatened to overturn his reason, and to throw the bright seat of his intelligence into a perpetual chaos. I will not dwell longer than I need on these disastrous circumstances.[26] I might waste days in describing how anxiously I watched every change of fleeting circumstance that promised better days, and with what despair I found that each effort of mine aggravated his seeming madness. To tell all my grief I might as well attempt to count the tears that have fallen from these eyes, or every sign that has torn my heart. I will be brief for there is in all this a horror that will not bear many words, and I sink almost a second time to d**h while I recall these sad scenes to my memory. Oh, my beloved father! Indeed you made me miserable beyond all words, but how truly did I even then forgive you, and how entirely did you possess my whole heart while I endeavoured, as a rainbow gleams upon a cataract,[D][27] to soften thy tremendous sorrows. Thus did this change come about. I seem perhaps to have dashed too suddenly into the description, but thus suddenly did it happen. In one sentence I have pa**ed from the idea of unspeakable happiness to that of unspeakable grief but they were thus closely linked together. We had remained five months in London three of joy and two of sorrow. My father and I were now seldom alone or if we were he generally kept silence with his eyes fixed on the ground—the dark full orbs in which before I delighted to read all sweet and gentle feeling shadowed from my sight by their lids and the long lashes that fringed them. When we were in company he affected gaiety but I wept to hear his hollow laugh—begun by an empty smile and often ending in a bitter sneer such as never before this fatal period had wrinkled his lips. When others were there he often spoke to me and his eyes perpetually followed my slightest motion. His accents whenever he addressed me were cold and constrained although his voice would tremble when he perceived that my full heart choked the answer to words proffered with a mien yet new to me. But days of peaceful melancholy were of rare occurence[:] they were often broken in upon by gusts of pa**ion that drove me as a weak boat on a stormy sea to seek a cove for shelter; but the winds blew from my native harbour and I was cast far, far out untill shattered I perished when the tempest had pa**ed and the sea was apparently calm. I do not know that I can describe his emotions: sometimes he only betrayed them by a word or gesture, and then retired to his chamber and I crept as near it as I dared and listened with fear to every sound, yet still more dreading a sudden silence—dreading I knew not what, but ever full of fear. It was after one tremendous day when his eyes had glared on me like lightning—and his voice sharp and broken seemed unable to express the extent of his emotion that in the evening when I was alone he joined me with a calm countenance, and not noticing my tears which I quickly dried when he approached, told me that in three days that [sic] he intended to remove with me to his estate in Yorkshire, and bidding me prepare left me hastily as if afraid of being questioned. This determination on his part indeed surprised me. This estate was that which he had inhabited in childhood and near which my mother resided while a girl; this was the scene of their youthful loves and where they had lived after their marriage; in happier days my father had often told me that however he might appear weaned from his widow sorrow, and free from bitter recollections elsewhere, yet he would never dare visit the spot where he had enjoyed her society or trust himself to see the rooms that so many years ago they had inhabited together; her favourite walks and the gardens the flowers of which she had delighted to cultivate. And now while he suffered intense misery he determined to plunge into still more intense, and strove for greater emotion than that which already tore him. I was perplexed, and most anxious to know what this portended; ah, what could it po[r]tend but ruin! I saw little of my father during this interval, but he appeared calmer although not less unhappy than before. On the morning of the third day he informed me that he had determined to go to Yorkshire first alone, and that I should follow him in a fortnight unless I heard any thing from him in the mean time that should contradict this command. He departed the same day, and four days afterwards I received a letter from his steward telling me in his name to join him with as little delay as possible. After travelling day and night I arrived with an anxious, yet a hoping heart, for why should he send for me if it were only to avoid me and to treat me with the apparent aversion that he had in London. I met him at the distance of thirty miles from our mansion. His demeanour was sad; for a moment he appeared glad to see me and then he checked himself as if unwilling to betray his feelings. He was silent during our ride, yet his manner was kinder than before and I thought I beheld a softness in his eyes that gave me hope. When we arrived, after a little rest, he led me over the house and pointed out to me the rooms which my mother had inhabited. Although more than sixteen years had pa**ed since her d**h nothing had been changed; her work box, her writing desk were still there and in her room a book lay open on the table as she had left it. My father pointed out these circumstances with a serious and unaltered mien, only now and then fixing his deep and liquid eyes upon me; there was something strange and awful in his look that overcame me, and in spite of myself I wept, nor did he attempt to console me, but I saw his lips quiver and the muscles of his countenance seemed convulsed. We walked together in the gardens and in the evening when I would have retired he asked me to stay and read to him; and first said, "When I was last here your mother read Dante to me; you shall go on where she left off." And then in a moment he said, "No, that must not be; you must not read Dante. Do you choose a book." I took up Spencer and read the descent of Sir Guyon to the halls of Avarice;[28] while he listened his eyes fixed on me in sad profound silence. I heard the next morning from the steward that upon his arrival he had been in a most terrible state of mind: he had pa**ed the first night in the garden lying on the damp gra**; he did not sleep but groaned perpetually. "Alas!" said the old man[,] who gave me this account with tears in his eyes, "it wrings my heart to see my lord in this state: when I heard that he was coming down here with you, my young lady, I thought we should have the happy days over again that we enjoyed during the short life of my lady your mother—But that would be too much happiness for us poor creatures born to tears—and that was why she was taken from us so soon; [s]he was too beautiful and good for us[.] It was a happy day as we all thought it when my lord married her: I knew her when she was a child and many a good turn has she done for me in my old lady's time—You are like her although there is more of my lord in you—But has he been thus ever since his return? All my joy turned to sorrow when I first beheld him with that melancholy countenance enter these doors as it were the day after my lady's funeral—He seemed to recover himself a little after he had bidden me write to you—but still it is a woful thing to see him so unhappy."[29] These were the feelings of an old, faithful servant: what must be those of an affectionate daughter. Alas! Even then my heart was almost broken. We spent two months together in this house. My father spent the greater part of his time with me; he accompanied me in my walks, listened to my music, and leant over me as I read or painted. When he conversed with me his manner was cold and constrained; his eyes only seemed to speak, and as he turned their black, full lustre towards me they expressed a living sadness. There was somthing in those dark deep orbs so liquid, and intense that even in happiness I could never meet their full gaze that mine did not overflow. Yet it was with sweet tears; now there was a depth of affliction in their gentle appeal that rent my heart with sympathy; they seemed to desire peace for me; for himself a heart patient to suffer; a craving for sympathy, yet a perpetual self denial. It was only when he was absent from me that his pa**ion subdued him,—that he clinched his hands—knit his brows—and with haggard looks called for d**h to his despair, raving wildly, untill exhausted he sank down nor was revived untill I joined him. While we were in London there was a harshness and sulleness in his sorrow which had now entirely disappeared. There I shrunk and fled from him, now I only wished to be with him that I might soothe him to peace. When he was silent I tried to divert him, and when sometimes I stole to him during the energy of his pa**ion I wept but did not desire to leave him. Yet he suffered fearful agony; during the day he was more calm, but at night when I could not be with him he seemed to give the reins to his grief: he often pa**ed his nights either on the floor in my mother's room, or in the garden; and when in the morning he saw me view with poignant grief his exhausted frame, and his person languid almost to d**h with watching he wept; but during all this time he spoke no word by which I might guess the cause of his unhappiness[.] If I ventured to enquire he would either leave me or press his finger on his lips, and with a deprecating look that I could not resist, turn away. If I wept he would gaze on me in silence but he was no longer harsh and although he repulsed every caress yet it was with gentleness. He seemed to cherish a mild grief and softer emotions although sad as a relief from despair—He contrived in many ways to nurse his melancholy as an antidote to wilder pa**ion[.] He perpetually frequented the walks that had been favourites with him when he and my mother wandered together talking of love and happiness; he collected every relick that remained of her and always sat opposite her picture which hung in the room fixing on it a look of sad despair—and all this was done in a mystic and awful silence. If his pa**ion subdued him he locked himself in his room; and at night when he wandered restlessly about the house, it was when every other creature slept. It may easily be imagined that I wearied myself with conjecture to guess the cause of his sorrow. The solution that seemed to me the most probable was that during his residence in London he had fallen in love with some unworthy person, and that his pa**ion mastered him although he would not gratify it: he loved me too well to sacrifise me to this inclination, and that he had now visited this house that by reviving the memory of my mother whom he so pa**ionately adored he might weaken the present impression. This was possible; but it was a mere conjecture unfounded on any fact. Could there be guilt in it? He was too upright and noble to do aught that his conscience would not approve; I did not yet know of the crime there may be in involuntary feeling and therefore ascribed his tumultuous starts and gloomy looks wholly to the struggles of his mind and not any as they were partly due to the worst fiend of all—Remorse.[30] But still do I flatter myself that this would have pa**ed away. His paroxisms of pa**ion were terrific but his soul bore him through them triumphant, though almost destroyed by victory; but the day would finally have been won had not I, foolish and presumtuous wretch! hurried him on untill there was no recall, no hope. My rashness gave the victory in this dreadful fight to the enemy who triumphed over him as he lay fallen and vanquished. I! I alone was the cause of his defeat and justly did I pay the fearful penalty. I said to myself, let him receive sympathy and these struggles will cease. Let him confide his misery to another heart and half the weight of it will be lightened. I will win him to me; he shall not deny his grief to me and when I know his secret then will I pour a balm into his soul and again I shall enjoy the ravishing delight of beholding his smile, and of again seeing his eyes beam if not with pleasure at least with gentle love and thankfulness. This will I do, I said. Half I accomplished; I gained his secret and we were both lost for ever. Footnotes [23] In F of F—A there follows a pa**age which has been scored out and which does not appear in Mathilda: "I have tried in somewhat feeble language to describe the excess of what I may almost call my adoration for my father—you may then in some faint manner imagine my despair when I found that he shunned [me] & that all the little arts I used to re-awaken his lost love made him"—. This is a good example of Mary's frequent revision for the better by the omission of the obvious and expository. But the pa**age also has intrinsic interest. Mathilda's "adoration" for her father may be compared to Mary's feeling for Godwin. In an unpublished letter (1822) to Jane Williams she wrote, "Until I met Shelley I [could?] justly say that he was my God—and I remember many childish instances of the [ex]cess of attachment I bore for him." See Nitchie, Mary Shelley, p. 89, and note 9. [24] Cf. the account of the services of Fantasia in the opening chapter of F of F—A (see pp. 90-102) together with note 3 to The Fields of Fancy. [25] This pa**age beginning "Day after day" and closing with the quotation is not in F of F—A, but it is in S-R fr. The quotation is from The Captain by John Fletcher and a collaborator, possibly Ma**inger. These lines from Act I, Sc. 3 are part of a speech by Lelia addressed to her lover. Later in the play Lelia attempts to seduce her father—possibly a reason for Mary's selection of the lines. [26] At this point (f. 56 of the notebook) begins a long pa**age, continuing through Chapter V, in which Mary's emotional disturbance in writing about the change in Mathilda's father (representing both Shelley and Godwin?) shows itself on the pages of the MS. They look more like the rough draft than the fair copy. There are numerous slips of the pen, corrections in phrasing and sentence structure, dashes instead of other marks of punctuation, a large blot of ink on f. 57, one major deletion (see note 32). [27] In the margin of F of F—A Mary wrote, "Lord B's Chde Harold." The reference is to stanzas 71 and 72 of Canto IV. Byron compares the rainbow on the cataract first to "Hope upon a d**h-bed" and finally Resembling, 'mid the torture of the scene, Love watching Madness with unalterable mien. [28] In F of F—A Mathilda "took up Ariosto & read the story of Isabella." Mary's reason for the change is not clear. Perhaps she thought that the fate of Isabella, a tale of love and lust and d**h (though not of incest), was too close to what was to be Mathilda's fate. She may have felt—and rightly—that the allusions to Lelia and to Myrrha were ample foreshadowings. The reasons for the choice of the seventh canto of Book II of the Faerie Queene may lie in the allegorical meaning of Guyon, or Temperance, and the "dread and horror" of his experience. [29] With this speech, which is not in F of F—A, Mary begins to develop the character of the Steward, who later accompanies Mathilda on her search for her father. Although he is to a very great extent the stereptyped faithful servant, he does serve to dramatize the situation both here and in the later scene. [30] This clause is substituted for a more conventional and less dramatic pa**age in F of F—A: "& besides there appeared more of struggle than remorse in his manner although sometimes I thought I saw glim[p]ses of the latter feeling in his tumultuous starts & gloomy look."