Mary Harron - American Psycho Huey Lewis and The News scene lyrics

The end of the meal. Owen is squeezing a lime onto the table, missing his beer, incredibly drunk. The check is laid down. BATEMAN (Talking to Owen like a child) Paul, give me your Amex card. Good boy. Bateman slaps the card down, looks at the check. BATEMAN Two-hundred-and-fifty. Very reasonable. Let's leave a big tip, shall we? My place for a nightcap? OWEN No, man. I'm gonna bail. BATEMAN Come on, you dumb son of a b**h. (Helping him into his jacket) I've got a preview of the Barneys catalogue and a bottle of Absolut waiting for us. INT. BATEMAN'S APARTMENT - NIGHT The living room floor has been meticulously covered with newspaper. Owen is slumped drunkenly in a white Eames chair, a gla** in his hand. Bateman is looking through his CDs. BATEMAN You like Huey Lewis and the News? OWEN They're okay. BATEMAN Their early work was a little too New Wave for my taste. But then Sports came out in 1983, I think they really came into their own, commercially and artistically. Bateman walks to his bathroom, taking a large ax out of the shower. He takes two Valium. BATEMAN (Said partly from the bathroom) The whole album has a clear, crisp sound and a new sheen of consummate professionalism that gives the songs a big boost. Bateman comes back out and leans the ax against the wall. He walks to the foyer and puts on a raincoat, watching Owen from behind ail the time. BATEMAN He's been compared to Elvis Costello but I think Huey has a more bitter, cynical sense of humor. Owen is absent-mindedly leafing through the Barneys catalogue. OWEN Hey, Halberstam? BATEMAN Yes, Owen? OWEN Why are there copies of the Style section all over the place? Do you have a dog? A chow or something? BATEMAN No, Owen. OWEN (Confused) Is that a raincoat? BATEMAN Yes, it is. Bateman moves to the CD player. He takes a CD out of its case and slides it in the machine. BATEMAN In 1987 Huey released this, Fore!, their most accomplished album. I think their undisputed masterpiece is "Hip To Be Square," a song so catchy that most people probably don't listen to the lyrics. But they should because it's not just about the pleasures of conformity and the importance of trends. It's also a personal statement about the band itself. Bateman puts on "Hip To Be Square." BATEMAN crosses the room and picks up the ax. We follow BATEMAN from behind as he walks up to Owen, the ax raised over his head. BATEMAN Hey, Paul? As Owen turns around, FROM OWEN'S POV we see Bateman swing the ax toward his face. Blood sprays onto the white raincoat.