Joseph Conrad - The Secret Agent (Chap. 3) lyrics

“ . . . All idealisation makes life poorer. To beautify it is to take away its character of complexity—it is to destroy it. Leave that to the moralists, my boy. History is made by men, but they do not make it in their heads. The ideas that are born in their consciousness play an insignificant part in the march of events. History is dominated and determined by the tool and the production—by the force of economic conditions. Capitalism has made socialism, and the laws made by the capitalism for the protection of property are responsible for anarchism. No one can tell what form the social organisation may take in the future. Then why indulge in prophetic phantasies? At best they can only interpret the mind of the prophet, and can have no objective value. Leave that pastime to the moralists, my boy.” Michaelis, the ticket-of-leave apostle, was speaking in an even voice, a voice that wheezed as if deadened and oppressed by the layer of fat on his chest. He had come out of a highly hygienic prison round like a tub, with an enormous stomach and distended cheeks of a pale, semi-transparent complexion, as though for fifteen years the servants of an outraged society had made a point of stuffing him with fattening foods in a damp and lightless cellar. And ever since he had never managed to get his weight down as much as an ounce. It was said that for three seasons running a very wealthy old lady had sent him for a cure to Marienbad—where he was about to share the public curiosity once with a crowned head—but the police on that occasion ordered him to leave within twelve hours. His martyrdom was continued by forbidding him all access to the healing waters. But he was resigned now. With his elbow presenting no appearance of a joint, but more like a bend in a dummy's limb, thrown over the back of a chair, he leaned forward slightly over his short and enormous thighs to spit into the grate. “Yes! I had the time to think things out a little,” he added without emphasis. “Society has given me plenty of time for meditation.” On the other side of the fireplace, in the horse-hair arm-chair where Mrs Verloc's mother was generally privileged to sit, Karl Yundt giggled grimly, with a faint black grimace of a toothless mouth. The terrorist, as he called himself, was old and bald, with a narrow, snow-white wisp of a goatee hanging limply from his chin. An extraordinary expression of underhand malevolence survived in his extinguished eyes. When he rose painfully the thrusting forward of a skinny groping hand deformed by gouty swellings suggested the effort of a moribund murderer summoning all his remaining strength for a last stab. He leaned on a thick stick, which trembled under his other hand. “I have always dreamed,” he mouthed fiercely, “of a band of men absolute in their resolve to discard all scruples in the choice of means, strong enough to give themselves frankly the name of destroyers, and free from the taint of that resigned pessimism which rots the world. No pity for anything on earth, including themselves, and d**h enlisted for good and all in the service of humanity—that's what I would have liked to see.” His little bald head quivered, imparting a comical vibration to the wisp of white goatee. His enunciation would have been almost totally unintelligible to a stranger. His worn-out pa**ion, resembling in its impotent fierceness the excitement of a senile sensualist, was badly served by a dried throat and toothless gums which seemed to catch the tip of his tongue. Mr Verloc, established in the corner of the sofa at the other end of the room, emitted two hearty grunts of a**ent. The old terrorist turned slowly his head on his skinny neck from side to side. “And I could never get as many as three such men together. So much for your rotten pessimism,” he snarled at Michaelis, who uncrossed his thick legs, similar to bolsters, and slid his feet abruptly under his chair in sign of exasperation. He a pessimist! Preposterous! He cried out that the charge was outrageous. He was so far from pessimism that he saw already the end of all private property coming along logically, unavoidably, by the mere development of its inherent viciousness. The possessors of property had not only to face the awakened proletariat, but they had also to fight amongst themselves. Yes. Struggle, warfare, was the condition of private ownership. It was fatal. Ah! he did not depend upon emotional excitement to keep up his belief, no declamations, no anger, no visions of blood-red flags waving, or metaphorical lurid suns of vengeance rising above the horizon of a doomed society. Not he! Cold reason, he boasted, was the basis of his optimism. Yes, optimism— His laborious wheezing stopped, then, after a gasp or two, he added: “Don't you think that, if I had not been the optimist I am, I could not have found in fifteen years some means to cut my throat? And, in the last instance, there were always the walls of my cell to dash my head against.” The shortness of breath took all fire, all animation out of his voice; his great, pale cheeks hung like filled pouches, motionless, without a quiver; but in his blue eyes, narrowed as if peering, there was the same look of confident shrewdness, a little crazy in its fixity, they must have had while the indomitable optimist sat thinking at night in his cell. Before him, Karl Yundt remained standing, one wing of his faded greenish havelock thrown back cavalierly over his shoulder. Seated in front of the fireplace, Comrade Ossipon, ex-medical student, the principal writer of the F. P. leaflets, stretched out his robust legs, keeping the soles of his boots turned up to the glow in the grate. A bush of crinkly yellow hair topped his red, freckled face, with a flattened nose and prominent mouth cast in the rough mould of the negro type. His almond-shaped eyes leered languidly over the high cheek-bones. He wore a grey flannel shirt, the loose ends of a black silk tie hung down the bu*toned breast of his serge coat; and his head resting on the back of his chair, his throat largely exposed, he raised to his lips a cigarette in a long wooden tube, puffing jets of smoke straight up at the ceiling. Michaelis pursued his idea—the idea of his solitary reclusion—the thought vouchsafed to his captivity and growing like a faith revealed in visions. He talked to himself, indifferent to the sympathy or hostility of his hearers, indifferent indeed to their presence, from the habit he had acquired of thinking aloud hopefully in the solitude of the four whitewashed walls of his cell, in the sepulchral silence of the great blind pile of bricks near a river, sinister and ugly like a colossal mortuary for the socially drowned. He was no good in discussion, not because any amount of argument could shake his faith, but because the mere fact of hearing another voice disconcerted him painfully, confusing his thoughts at once—these thoughts that for so many years, in a mental solitude more barren than a waterless desert, no living voice had ever combatted, commented, or approved. No one interrupted him now, and he made again the confession of his faith, mastering him irresistible and complete like an act of grace: the secret of fate discovered in the material side of life; the economic condition of the world responsible for the past and shaping the future; the source of all history, of all ideas, guiding the mental development of mankind and the very impulses of their pa**ion— A harsh laugh from Comrade Ossipon cut the tirade dead short in a sudden faltering of the tongue and a bewildered unsteadiness of the apostle's mildly exalted eyes. He closed them slowly for a moment, as if to collect his routed thoughts. A silence fell; but what with the two gas-jets over the table and the glowing grate the little parlour behind Mr Verloc's shop had become frightfully hot. Mr Verloc, getting off the sofa with ponderous reluctance, opened the door leading into the kitchen to get more air, and thus disclosed the innocent Stevie, seated very good and quiet at a deal table, drawing circles, circles, circles; innumerable circles, concentric, eccentric; a coruscating whirl of circles that by their tangled multitude of repeated curves, uniformity of form, and confusion of intersecting lines suggested a rendering of cosmic chaos, the symbolism of a mad art attempting the inconceivable. The artist never turned his head; and in all his soul's application to the task his back quivered, his thin neck, sunk into a deep hollow at the base of the skull, seemed ready to snap. Mr Verloc, after a grunt of disapproving surprise, returned to the sofa. Alexander Ossipon got up, tall in his threadbare blue serge suit under the low ceiling, shook off the stiffness of long immobility, and strolled away into the kitchen (down two steps) to look over Stevie's shoulder. He came back, pronouncing oracularly: “Very good. Very characteristic, perfectly typical.” “What's very good?” grunted inquiringly Mr Verloc, settled again in the corner of the sofa. The other explained his meaning negligently, with a shade of condescension and a toss of his head towards the kitchen: “Typical of this form of degeneracy—these drawings, I mean.” “You would call that lad a degenerate, would you?” mumbled Mr Verloc. Comrade Alexander Ossipon—nicknamed the Doctor, ex-medical student without a degree; afterwards wandering lecturer to working-men's a**ociations upon the socialistic aspects of hygiene; author of a popular quasi-medical study (in the form of a cheap pamphlet seized promptly by the police) entitled “The Corroding Vices of the Middle Cla**es”; special delegate of the more or less mysterious Red Committee, together with Karl Yundt and Michaelis for the work of literary propaganda—turned upon the obscure familiar of at least two Emba**ies that glance of insufferable, hopelessly dense sufficiency which nothing but the frequentation of science can give to the dulness of common mortals. “That's what he may be called scientifically. Very good type too, altogether, of that sort of degenerate. It's enough to glance at the lobes of his ears. If you read Lombroso—” Mr Verloc, moody and spread largely on the sofa, continued to look down the row of his waistcoat bu*tons; but his cheeks became tinged by a faint blush. Of late even the merest derivative of the word science (a term in itself inoffensive and of indefinite meaning) had the curious power of evoking a definitely offensive mental vision of Mr Vladimir, in his body as he lived, with an almost supernatural clearness. And this phenomenon, deserving justly to be cla**ed amongst the marvels of science, induced in Mr Verloc an emotional state of dread and exasperation tending to express itself in violent swearing. But he said nothing. It was Karl Yundt who was heard, implacable to his last breath. “Lombroso is an a**.” Comrade Ossipon met the shock of this blasphemy by an awful, vacant stare. And the other, his extinguished eyes without gleams blackening the deep shadows under the great, bony forehead, mumbled, catching the tip of his tongue between his lips at every second word as though he were chewing it angrily: “Did you ever see such an idiot? For him the criminal is the prisoner. Simple, is it not? What about those who shut him up there—forced him in there? Exactly. Forced him in there. And what is crime? Does he know that, this imbecile who has made his way in this world of gorged fools by looking at the ears and teeth of a lot of poor, luckless devils? Teeth and ears mark the criminal? Do they? And what about the law that marks him still better—the pretty branding instrument invented by the overfed to protect themselves against the hungry? Red-hot applications on their vile skins—hey? Can't you smell and hear from here the thick hide of the people burn and sizzle? That's how criminals are made for your Lombrosos to write their silly stuff about.” The knob of his stick and his legs shook together with pa**ion, whilst the trunk, draped in the wings of the havelock, preserved his historic attitude of defiance. He seemed to sniff the tainted air of social cruelty, to strain his ear for its atrocious sounds. There was an extraordinary force of suggestion in this posturing. The all but moribund veteran of dynamite wars had been a great actor in his time—actor on platforms, in secret a**emblies, in private interviews. The famous terrorist had never in his life raised personally as much as his little finger against the social edifice. He was no man of action; he was not even an orator of torrential eloquence, sweeping the ma**es along in the rushing noise and foam of a great enthusiasm. With a more subtle intention, he took the part of an insolent and venomous evoker of sinister impulses which lurk in the blind envy and exasperated vanity of ignorance, in the suffering and misery of poverty, in all the hopeful and noble illusions of righteous anger, pity, and revolt. The shadow of his evil gift clung to him yet like the smell of a deadly drug in an old vial of poison, emptied now, useless, ready to be thrown away upon the rubbish-heap of things that had served their time. Michaelis, the ticket-of-leave apostle, smiled vaguely with his glued lips; his pasty moon face drooped under the weight of melancholy a**ent. He had been a prisoner himself. His own skin had sizzled under the red-hot brand, he murmured softly. But Comrade Ossipon, nicknamed the Doctor, had got over the shock by that time. “You don't understand,” he began disdainfully, but stopped short, intimidated by the dead blackness of the cavernous eyes in the face turned slowly towards him with a blind stare, as if guided only by the sound. He gave the discussion up, with a slight shrug of the shoulders. Stevie, accustomed to move about disregarded, had got up from the kitchen table, carrying off his drawing to bed with him. He had reached the parlour door in time to receive in full the shock of Karl Yundt's eloquent imagery. The sheet of paper covered with circles dropped out of his fingers, and he remained staring at the old terrorist, as if rooted suddenly to the spot by his morbid horror and dread of physical pain. Stevie knew very well that hot iron applied to one's skin hurt very much. His scared eyes blazed with indignation: it would hurt terribly. His mouth dropped open. Michaelis by staring unwinkingly at the fire had regained that sentiment of isolation necessary for the continuity of his thought. His optimism had begun to flow from his lips. He saw Capitalism doomed in its cradle, born with the poison of the principle of competition in its system. The great capitalists devouring the little capitalists, concentrating the power and the tools of production in great ma**es, perfecting industrial processes, and in the madness of self-aggrandisement only preparing, organising, enriching, making ready the lawful inheritance of the suffering proletariat. Michaelis pronounced the great word “Patience”—and his clear blue glance, raised to the low ceiling of Mr Verloc's parlour, had a character of seraphic trustfulness. In the doorway Stevie, calmed, seemed sunk in hebetude. Comrade Ossipon's face twitched with exasperation. “Then it's no use doing anything—no use whatever.” “I don't say that,” protested Michaelis gently. His vision of truth had grown so intense that the sound of a strange voice failed to rout it this time. He continued to look down at the red coals. Preparation for the future was necessary, and he was willing to admit that the great change would perhaps come in the upheaval of a revolution. But he argued that revolutionary propaganda was a delicate work of high conscience. It was the education of the masters of the world. It should be as careful as the education given to kings. He would have it advance its tenets cautiously, even timidly, in our ignorance of the effect that may be produced by any given economic change upon the happiness, the morals, the intellect, the history of mankind. For history is made with tools, not with ideas; and everything is changed by economic conditions—art, philosophy, love, virtue—truth itself! The coals in the grate settled down with a slight crash; and Michaelis, the hermit of visions in the desert of a penitentiary, got up impetuously. Round like a distended balloon, he opened his short, thick arms, as if in a pathetically hopeless attempt to embrace and hug to his breast a self-regenerated universe. He gasped with ardour. “The future is as certain as the past—slavery, feudalism, individualism, collectivism. This is the statement of a law, not an empty prophecy.” The disdainful pout of Comrade Ossipon's thick lips accentuated the negro type of his face. “Nonsense,” he said calmly enough. “There is no law and no certainty. The teaching propaganda be hanged. What the people knows does not matter, were its knowledge ever so accurate. The only thing that matters to us is the emotional state of the ma**es. Without emotion there is no action.” He paused, then added with modest firmness: “I am speaking now to you scientifically—scientifically—Eh? What did you say, Verloc?” “Nothing,” growled from the sofa Mr Verloc, who, provoked by the abhorrent sound, had merely muttered a “Damn.” The venomous spluttering of the old terrorist without teeth was heard. “Do you know how I would call the nature of the present economic conditions? I would call it cannibalistic. That's what it is! They are nourishing their greed on the quivering flesh and the warm blood of the people—nothing else.” Stevie swallowed the terrifying statement with an audible gulp, and at once, as though it had been swift poison, sank limply in a sitting posture on the steps of the kitchen door. Michaelis gave no sign of having heard anything. His lips seemed glued together for good; not a quiver pa**ed over his heavy cheeks. With troubled eyes he looked for his round, hard hat, and put it on his round head. His round and obese body seemed to float low between the chairs under the sharp elbow of Karl Yundt. The old terrorist, raising an uncertain and clawlike hand, gave a swaggering tilt to a black felt sombrero shading the hollows and ridges of his wasted face. He got in motion slowly, striking the floor with his stick at every step. It was rather an affair to get him out of the house because, now and then, he would stop, as if to think, and did not offer to move again till impelled forward by Michaelis. The gentle apostle grasped his arm with brotherly care; and behind them, his hands in his pockets, the robust Ossipon yawned vaguely. A blue cap with a patent leather peak set well at the back of his yellow bush of hair gave him the aspect of a Norwegian sailor bored with the world after a thundering spree. Mr Verloc saw his guests off the premises, attending them bareheaded, his heavy overcoat hanging open, his eyes on the ground. He closed the door behind their backs with restrained violence, turned the key, shot the bolt. He was not satisfied with his friends. In the light of Mr Vladimir's philosophy of bomb throwing they appeared hopelessly futile. The part of Mr Verloc in revolutionary politics having been to observe, he could not all at once, either in his own home or in larger a**emblies, take the initiative of action. He had to be cautious. Moved by the just indignation of a man well over forty, menaced in what is dearest to him—his repose and his security—he asked himself scornfully what else could have been expected from such a lot, this Karl Yundt, this Michaelis—this Ossipon. Pausing in his intention to turn off the gas burning in the middle of the shop, Mr Verloc descended into the abyss of moral reflections. With the insight of a kindred temperament he pronounced his verdict. A lazy lot—this Karl Yundt, nursed by a blear-eyed old woman, a woman he had years ago enticed away from a friend, and afterwards had tried more than once to shake off into the gutter. Jolly lucky for Yundt that she had persisted in coming up time after time, or else there would have been no one now to help him out of the 'bus by the Green Park railings, where that spectre took its constitutional crawl every fine morning. When that indomitable snarling old witch died the swaggering spectre would have to vanish too—there would be an end to fiery Karl Yundt. And Mr Verloc's morality was offended also by the optimism of Michaelis, annexed by his wealthy old lady, who had taken lately to sending him to a cottage she had in the country. The ex-prisoner could moon about the shady lanes for days together in a delicious and humanitarian idleness. As to Ossipon, that beggar was sure to want for nothing as long as there were silly girls with savings-bank books in the world. And Mr Verloc, temperamentally identical with his a**ociates, drew fine distinctions in his mind on the strength of insignificant differences. He drew them with a certain complacency, because the instinct of conventional respectability was strong within him, being only overcome by his dislike of all kinds of recognised labour—a temperamental defect which he shared with a large proportion of revolutionary reformers of a given social state. For obviously one does not revolt against the advantages and opportunities of that state, but against the price which must be paid for the same in the coin of accepted morality, self-restraint, and toil. The majority of revolutionists are the enemies of discipline and fatigue mostly. There are natures too, to whose sense of justice the price exacted looms up monstrously enormous, odious, oppressive, worrying, humiliating, extortionate, intolerable. Those are the fanatics. The remaining portion of social rebels is accounted for by vanity, the mother of all noble and vile illusions, the companion of poets, reformers, charlatans, prophets, and incendiaries. Lost for a whole minute in the abyss of meditation, Mr Verloc did not reach the depth of these abstract considerations. Perhaps he was not able. In any case he had not the time. He was pulled up painfully by the sudden recollection of Mr Vladimir, another of his a**ociates, whom in virtue of subtle moral affinities he was capable of judging correctly. He considered him as dangerous. A shade of envy crept into his thoughts. Loafing was all very well for these fellows, who knew not Mr Vladimir, and had women to fall back upon; whereas he had a woman to provide for— At this point, by a simple a**ociation of ideas, Mr Verloc was brought face to face with the necessity of going to bed some time or other that evening. Then why not go now—at once? He sighed. The necessity was not so normally pleasurable as it ought to have been for a man of his age and temperament. He dreaded the demon of sleeplessness, which he felt had marked him for its own. He raised his arm, and turned off the flaring gas-jet above his head. A bright band of light fell through the parlour door into the part of the shop behind the counter. It enabled Mr Verloc to ascertain at a glance the number of silver coins in the till. These were but few; and for the first time since he opened his shop he took a commercial survey of its value. This survey was unfavourable. He had gone into trade for no commercial reasons. He had been guided in the selection of this peculiar line of business by an instinctive leaning towards shady transactions, where money is picked up easily. Moreover, it did not take him out of his own sphere—the sphere which is watched by the police. On the contrary, it gave him a publicly confessed standing in that sphere, and as Mr Verloc had unconfessed relations which made him familiar with yet careless of the police, there was a distinct advantage in such a situation. But as a means of livelihood it was by itself insufficient. He took the cash-box out of the drawer, and turning to leave the shop, became aware that Stevie was still downstairs. What on earth is he doing there? Mr Verloc asked himself. What's the meaning of these antics? He looked dubiously at his brother-in-law, but he did not ask him for information. Mr Verloc's intercourse with Stevie was limited to the casual mutter of a morning, after breakfast, “My boots,” and even that was more a communication at large of a need than a direct order or request. Mr Verloc perceived with some surprise that he did not know really what to say to Stevie. He stood still in the middle of the parlour, and looked into the kitchen in silence. Nor yet did he know what would happen if he did say anything. And this appeared very queer to Mr Verloc in view of the fact, borne upon him suddenly, that he had to provide for this fellow too. He had never given a moment's thought till then to that aspect of Stevie's existence. Positively he did not know how to speak to the lad. He watched him gesticulating and murmuring in the kitchen. Stevie prowled round the table like an excited animal in a cage. A tentative “Hadn't you better go to bed now?” produced no effect whatever; and Mr Verloc, abandoning the stony contemplation of his brother-in-law's behaviour, crossed the parlour wearily, cash-box in hand. The cause of the general la**itude he felt while climbing the stairs being purely mental, he became alarmed by its inexplicable character. He hoped he was not sickening for anything. He stopped on the dark landing to examine his sensations. But a slight and continuous sound of snoring pervading the obscurity interfered with their clearness. The sound came from his mother-in-law's room. Another one to provide for, he thought—and on this thought walked into the bedroom. Mrs Verloc had fallen asleep with the lamp (no gas was laid upstairs) turned up full on the table by the side of the bed. The light thrown down by the shade fell dazzlingly on the white pillow sunk by the weight of her head reposing with closed eyes and dark hair done up in several plaits for the night. She woke up with the sound of her name in her ears, and saw her husband standing over her. “Winnie! Winnie!” At first she did not stir, lying very quiet and looking at the cash-box in Mr Verloc's hand. But when she understood that her brother was “capering all over the place downstairs” she swung out in one sudden movement on to the edge of the bed. Her bare feet, as if poked through the bottom of an unadorned, sleeved calico sack bu*toned tightly at neck and wrists, felt over the rug for the slippers while she looked upward into her husband's face. “I don't know how to manage him,” Mr Verloc explained peevishly. “Won't do to leave him downstairs alone with the lights.” She said nothing, glided across the room swiftly, and the door closed upon her white form. Mr Verloc deposited the cash-box on the night table, and began the operation of undressing by flinging his overcoat on to a distant chair. His coat and waistcoat followed. He walked about the room in his stockinged feet, and his burly figure, with the hands worrying nervously at his throat, pa**ed and repa**ed across the long strip of looking-gla** in the door of his wife's wardrobe. Then after slipping his braces off his shoulders he pulled up violently the venetian blind, and leaned his forehead against the cold window-pane—a fragile film of gla** stretched between him and the enormity of cold, black, wet, muddy, inhospitable accumulation of bricks, slates, and stones, things in themselves unlovely and unfriendly to man. Mr Verloc felt the latent unfriendliness of all out of doors with a force approaching to positive bodily anguish. There is no occupation that fails a man more completely than that of a secret agent of police. It's like your horse suddenly falling dead under you in the midst of an uninhabited and thirsty plain. The comparison occurred to Mr Verloc because he had sat astride various army horses in his time, and had now the sensation of an incipient fall. The prospect was as black as the window-pane against which he was leaning his forehead. And suddenly the face of Mr Vladimir, clean-shaved and witty, appeared enhaloed in the glow of its rosy complexion like a sort of pink seal, impressed on the fatal darkness. This luminous and mutilated vision was so ghastly physically that Mr Verloc started away from the window, letting down the venetian blind with a great rattle. Discomposed and speechless with the apprehension of more such visions, he beheld his wife re-enter the room and get into bed in a calm business-like manner which made him feel hopelessly lonely in the world. Mrs Verloc expressed her surprise at seeing him up yet. “I don't feel very well,” he muttered, pa**ing his hands over his moist brow. “Giddiness?” “Yes. Not at all well.” Mrs Verloc, with all the placidity of an experienced wife, expressed a confident opinion as to the cause, and suggested the usual remedies; but her husband, rooted in the middle of the room, shook his lowered head sadly. “You'll catch cold standing there,” she observed. Mr Verloc made an effort, finished undressing, and got into bed. Down below in the quiet, narrow street measured footsteps approached the house, then died away unhurried and firm, as if the pa**er-by had started to pace out all eternity, from gas-lamp to gas-lamp in a night without end; and the drowsy ticking of the old clock on the landing became distinctly audible in the bedroom. Mrs Verloc, on her back, and staring at the ceiling, made a remark. “Takings very small to-day.” Mr Verloc, in the same position, cleared his throat as if for an important statement, but merely inquired: “Did you turn off the gas downstairs?” “Yes; I did,” answered Mrs Verloc conscientiously. “That poor boy is in a very excited state to-night,” she murmured, after a pause which lasted for three ticks of the clock. Mr Verloc cared nothing for Stevie's excitement, but he felt horribly wakeful, and dreaded facing the darkness and silence that would follow the extinguishing of the lamp. This dread led him to make the remark that Stevie had disregarded his suggestion to go to bed. Mrs Verloc, falling into the trap, started to demonstrate at length to her husband that this was not “impudence” of any sort, but simply “excitement.” There was no young man of his age in London more willing and docile than Stephen, she affirmed; none more affectionate and ready to please, and even useful, as long as people did not upset his poor head. Mrs Verloc, turning towards her recumbent husband, raised herself on her elbow, and hung over him in her anxiety that he should believe Stevie to be a useful member of the family. That ardour of protecting compa**ion exalted morbidly in her childhood by the misery of another child tinged her sallow cheeks with a faint dusky blush, made her big eyes gleam under the dark lids. Mrs Verloc then looked younger; she looked as young as Winnie used to look, and much more animated than the Winnie of the Belgravian mansion days had ever allowed herself to appear to gentlemen lodgers. Mr Verloc's anxieties had prevented him from attaching any sense to what his wife was saying. It was as if her voice were talking on the other side of a very thick wall. It was her aspect that recalled him to himself. He appreciated this woman, and the sentiment of this appreciation, stirred by a display of something resembling emotion, only added another pang to his mental anguish. When her voice ceased he moved uneasily, and said: “I haven't been feeling well for the last few days.” He might have meant this as an opening to a complete confidence; but Mrs Verloc laid her head on the pillow again, and staring upward, went on: “That boy hears too much of what is talked about here. If I had known they were coming to-night I would have seen to it that he went to bed at the same time I did. He was out of his mind with something he overheard about eating people's flesh and drinking blood. What's the good of talking like that?” There was a note of indignant scorn in her voice. Mr Verloc was fully responsive now. “Ask Karl Yundt,” he growled savagely. Mrs Verloc, with great decision, pronounced Karl Yundt “a disgusting old man.” She declared openly her affection for Michaelis. Of the robust Ossipon, in whose presence she always felt uneasy behind an attitude of stony reserve, she said nothing whatever. And continuing to talk of that brother, who had been for so many years an object of care and fears: “He isn't fit to hear what's said here. He believes it's all true. He knows no better. He gets into his pa**ions over it.” Mr Verloc made no comment. “He glared at me, as if he didn't know who I was, when I went downstairs. His heart was going like a hammer. He can't help being excitable. I woke mother up, and asked her to sit with him till he went to sleep. It isn't his fault. He's no trouble when he's left alone.” Mr Verloc made no comment. “I wish he had never been to school,” Mrs Verloc began again brusquely. “He's always taking away those newspapers from the window to read. He gets a red face poring over them. We don't get rid of a dozen numbers in a month. They only take up room in the front window. And Mr Ossipon brings every week a pile of these F. P. tracts to sell at a halfpenny each. I wouldn't give a halfpenny for the whole lot. It's silly reading—that's what it is. There's no sale for it. The other day Stevie got hold of one, and there was a story in it of a German soldier officer tearing half-off the ear of a recruit, and nothing was done to him for it. The brute! I couldn't do anything with Stevie that afternoon. The story was enough, too, to make one's blood boil. But what's the use of printing things like that? We aren't German slaves here, thank God. It's not our business—is it?” Mr Verloc made no reply. “I had to take the carving knife from the boy,” Mrs Verloc continued, a little sleepily now. “He was shouting and stamping and sobbing. He can't stand the notion of any cruelty. He would have stuck that officer like a pig if he had seen him then. It's true, too! Some people don't deserve much mercy.” Mrs Verloc's voice ceased, and the expression of her motionless eyes became more and more contemplative and veiled during the long pause. “Comfortable, dear?” she asked in a faint, far-away voice. “Shall I put out the light now?” The dreary conviction that there was no sleep for him held Mr Verloc mute and hopelessly inert in his fear of darkness. He made a great effort. “Yes. Put it out,” he said at last in a hollow tone.