FZ: . . . just so I can hear the song again One two one two three I'll give you two bars One two one two three One two one two three Again One two one two three One two one two three That's-- We're missing [...] ??: The accent FZ: Okay ??: [...] ??: [...] Frank, the [...] that part? FZ: No, actually, I think the part you've got is probably [...]. The other one was pretty much engineered for the tuba Now, let's go over this "New Brown Clouds" the way we were starting off with it. You missed this part. There's seven, you count seven quarter notes before you come in, Kenny. And then you read that as if it was double-time ??: [...] FZ: Duh-duh duh-duh-duh duh-duh duh duh duh Duh-duh duh-duh-duh duh-duh duh duh duh Duh-duh duh-duh-duh duh-duh duh duh duh Duh duh duh duh duh duh duh duh duh duh duh duh duh ??: Oh [...] FZ: All right, let me hear it FZ: Let me hear the bra** at that double-time clip One-- I will count the seven beats before you come in One two three four one two three [...] FZ: That 5/16 thing is like a little fanfare Duh-duh duh-duh-duh Duh-duh duh-duh-duh Duh-duh duh-duh DUH ??: Yeah, right FZ: You know those little fanfares. [...] Aynsley: [...] the four beat exactly? ??: [...] Aynsley: [...] just before it FZ: When it's perfect, it'll come into the right place Aynsley: Yeah, but it's [...] exactly [...] FZ: It should be one two three four one two three duh-duh duh-duh-duh Aynsley: a sixteenth note before [...] FZ: Yeah. It comes in right on the downbeat of the four beat of bar two Aynsley: [...] FZ: One two three four one two three Duh-duh duh-duh-duh duh-duh duh duh duh Duh-duh duh-duh-duh duh-duh duh duh duh Duh-duh duh-duh-duh duh-duh duh duh duh Duh duh duh duh duh duh duh duh duh duh duh duh duh Okay, here it is in full regalia ??: Where? FZ: From the beginning. Brown Clouds