A Japanese-born duo relocated to New York and christened with an Italian band name, Cibo Matto's music mirrored the melting-pot aesthetics of their origins, resulting in a heady brew of funk samples, hip-hop rhythms, tape loops, and fractured pop melodies all topped off by surreal narratives sung in a combination of French and broken English. Cibo Matto comprised vocalist Miho Hatori and keyboardist/sampler Yuka Honda, a pair of expatriate Japanese women who arrived in the U.S. independently. Honda, a onetime member of Brooklyn Funk Essentials, settled in New York in 1987, and Hatori, an alum of the Tokyo rap unit Kimidori and a former club DJ, followed six years later. After meeting in 1994, they first teamed in the Boredoms-inspired noise outfit Leitoh Lychee (translated as "frozen lychee nut"); after that band's breakup, the duo formed Cibo Matto, Italian for "food madness" (their love of culinary delights quickly becoming the stuff of legend). br /br /The group soon emerged as a sensation among the Lower Manhattan hipster elite, gaining fame for their incendiary live shows backed by guests including the Lounge Lizards' Dougie Bowne (Honda's ex-husband), Bernie Worrell, Masada's Dave Douglas, and Skeleton Key's Rick Lee. After a pair of acclaimed 1995 independent singles, "Birthday Cake" and "Know Your Chicken," Cibo Matto signed to Warner Bros., surfacing in 1996 with the Mitchell Froom/Tchad Blake-produced Viva! La Woman, a delirious, stunningly inventive record celebrating love, food, and love of food. After touring with guest ba**ist Sean Lennon and Jon Spencer Blues Explosion drummer Russell Simins, the EP Super Relax followed in 1997. Lennon, percussionist Duma Love, and drummer Timo Ellis were installed as full-time members for the follow-up, 1999's Stereo Type A. A few years later, the group disbanded, with Hatori collaborating with Smokey Hormel and the Gorillaz, and Honda producing Sean Lennon's Into The Sun; working on her solo albums; and collaborating with the Boredoms' Yoshimi on the album Flower With No Color. ~ Jason Ankeny, All Music Guide