C. Smart - The Third Book Of The Odes Of Horace (Chap. 1) lyrics

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C. Smart - The Third Book Of The Odes Of Horace (Chap. 1) lyrics

Ode I On Contentment I abominate the uninitiated vulgar, and keep them at a distance. Preserve a religious silence: I, the priest of the Muses, sing to virgins and boys verses not heard before. The dominion of dread sovereigns is over their own subjects; that of Jupiter, glorious for his conquest over the giants, who shakes all nature with his nod, is over sovereigns themselves. It happens that one man, arranges trees, in regular rows, to a greater extent than another; this man comes down into the Campus [Martius] as a candidate of a better family; another vies with him for morals and a better reputation; a third has a superior number of dependants; but Fate, by the impartial law of nature, is allotted both to the conspicuous and the obscure; the capacious urn keeps every name in motion. Sicilian dainties will not force a delicious relish to that man, over whose impious neck the naked sword hangs: the songs of birds and the lyre will not restore his sleep. Sleep disdains not the humble cottages and shady bank of peasants; he disdains not Tempe, fanned by zephyrs. Him, who desires but a competency, neither the tempestuous sea renders anxious, nor the malign violence of Arcturus setting, or of the rising Kid; not his vineyards beaten down with hail, and a deceitful farm; his plantations at one season blaming the rains, at another, the influence of the constellations parching the grounds, at another, the severe winters. The fishes perceive the seas contracted, by the vast foundations that have been laid in the deep: hither numerous undertakers with their men, and lords, disdainful of the land, send down mortar: but anxiety and the threats of conscience ascend by the same way as the possessor; nor does gloomy care depart from the brazen-beaked galley, and she mounts behind the horseman. Since then nor Phrygian marble, nor the use of purple more dazzling than the sun, nor the Falernian vine, nor the Persian nard, composes a troubled mind, why should I set about a lofty edifice with columns that excite envy, and in the modern taste? Why should I exchange my Sabine vale for wealth, which is attended with more trouble?