Bret Harte - Gabriel Conroy Chapter 1 lyrics

CHAPTER I. WITHOUT. Snow. Everywhere. As far as the eye could reach—fifty miles, looking southward from the highest white peak,—filling ravines and gulches, and dropping from the walls of cañons in white shroud-like drifts, fashioning the dividing ridge into the likeness of a monstrous grave, hiding the bases of giant pines, and completely covering young trees and larches, rimming with porcelain the bowl-like edges of still, cold lakes, and undulating in motionless white billows to the edge of the distant horizon. Snow lying everywhere over the California Sierras on the 15th day of March 1848, and still falling. It had been snowing for ten days: snowing in finely granulated powder, in damp, spongy flakes, in thin, feathery plumes, snowing from a leaden sky steadily, snowing fiercely, shaken out of purple-black clouds in white flocculent ma**es, or dropping in long level lines, like white lances from the tumbled and broken heavens. But always silently! The woods were so choked with it—the branches were so laden with it—it had so permeated, filled and possessed earth and sky; it had so cushioned and muffled the ringing rocks and echoing hills, that all sound was deadened. The strongest gust, the fiercest blast, awoke no sigh or complaint from the snow-packed, rigid files of forest. There was no cracking of bough nor crackle of underbrush; the overladen branches of pine and fir yielded and gave way without a sound. The silence was vast, measureless, complete! Nor could it be said that any outward sign of life or motion changed the fixed outlines of this stricken landscape. Above, there was no play of light and shadow, only the occasional deepening of storm or night. Below, no bird winged its flight across the white expanse, no beast haunted the confines of the black woods; whatever of brute nature might have once inhabited these solitudes had long since flown to the lowlands. There was no track or imprint; whatever foot might have left its mark upon this waste, each succeeding snow-fall obliterated all trace or record. Every morning the solitude was virgin and unbroken; a million tiny feet had stepped into the track and filled it up. And yet, in the centre of this desolation, in the very stronghold of this grim fortress, there was the mark of human toil. A few trees had been felled at the entrance of the cañon, and the freshly-cut chips were but lightly covered with snow. They served, perhaps, to indicate another tree "blazed" with an axe, and bearing a rudely-shaped wooden effigy of a human hand, pointing to the cañon. Below the hand was a square strip of canvas, securely nailed against the bark, and bearing the following inscription— "NOTICE. Captain Conroy's party of emigrants are lost in the snow, and camped up in this cañon. Out of provisions and starving! Left St. Jo, October 8th, 1847. Left Salt Lake, January 1st, 1848. Arrived here, March 1st, 1848. Lost half our stock on the Platte. Abandoned our waggons, February 20th. HELP! Our names are: Joel McCormick, Jane Brackett, Peter Dumphy, Gabriel Conroy, Paul Devarges, John Walker, Grace Conroy, Henry March, Olympia Conroy, Philip Ashley, Mary Dumphy. (Then in smaller letters, in pencil:) Mamie died, November 8th, Sweetwater. Minnie died, December 1st, Echo Cañon. Jane died, January 2nd, Salt Lake. James Brackett lost, February 3rd. HELP!" The language of suffering is not apt to be artistic or studied, but I think that rhetoric could not improve this actual record. So I let it stand, even as it stood this 15th day of March 1848, half-hidden by a thin film of damp snow, the snow-whitened hand stiffened and pointing rigidly to the fateful cañon like the finger of d**h. At noon there was a lull in the storm, and a slight brightening of the sky toward the east. The grim outlines of the distant hills returned, and the starved white flank of the mountain began to glisten. Across its gaunt hollow some black object was moving—moving slowly and laboriously; moving with such an uncertain mode of progression, that at first it was difficult to detect whether it was brute or human—sometimes on all fours, sometimes erect, again hurrying forward like a drunken man, but always with a certain definiteness of purpose, towards the cañon. As it approached nearer you saw that it was a man—a haggard man, ragged and enveloped in a tattered buffalo robe, but still a man, and a determined one. A young man despite his bent figure and wasted limbs—a young man despite the premature furrows that care and anxiety had set upon his brow and in the corners of his rigid mouth—a young man notwithstanding the expression of savage misanthropy with which suffering and famine had overlaid the frank impulsiveness of youth. When he reached the tree at the entrance of the cañon, he brushed the film of snow from the canvas placard, and then leaned for a few moments exhaustedly against its trunk. There was something in the abandonment of his attitude that indicated even more pathetically than his face and figure his utter prostration—a prostration quite inconsistent with any visible cause. When he had rested himself, he again started forward with a nervous intensity, shambling, shuffling, falling, stooping to replace the rudely extemporised snow-shoes of fir bark that frequently slipped from his feet, but always starting on again with the feverishness of one who doubted even the sustaining power of his will. A mile beyond the tree the cañon narrowed and turned gradually to the south, and at this point a thin curling cloud of smoke was visible that seemed to rise from some crevice in the snow. As he came nearer, the impression of recent footprints began to show; there was some displacement of the snow around a low mound from which the smoke now plainly issued. Here he stopped, or rather lay down, before an opening or cavern in the snow, and uttered a feeble shout. It was responded to still more feebly. Presently a face appeared above the opening, and a ragged figure like his own, then another, and then another, until eight human creatures, men and women, surrounded him in the snow, squatting like animals, and like animals lost to all sense of decency and shame. They were so haggard, so faded, so forlorn, so wan,—so piteous in their human aspect, or rather all that was left of a human aspect,—that they might have been wept over as they sat there; they were so brutal, so imbecile, unreasoning and grotesque in these newer animal attributes, that they might have provoked a smile. They were originally country people, mainly of that social cla** whose self-respect is apt to be dependent rather on their circumstances, position and surroundings, than upon any individual moral power or intellectual force. They had lost the sense of shame in the sense of equality of suffering; there was nothing within them to take the place of the material enjoyments they were losing. They were childish without the ambition or emulation of childhood; they were men and women without the dignity or simplicity of man and womanhood. All that had raised them above the level of the brute was lost in the snow. Even the characteristics of s** were gone; an old woman of sixty quarrelled, fought, and swore with the harsh utterance and ungainly gestures of a man; a young man of scorbutic temperament wept, sighed, and fainted with the hysteria of a woman. So profound was their degradation that the stranger who had thus evoked them from the earth, even in his very rags and sadness, seemed of another race. They were all intellectually weak and helpless, but one, a woman, appeared to have completely lost her mind. She carried a small blanket wrapped up to represent a child—the tangible memory of one that had starved to d**h in her arms a few days before—and rocked it from side to side as she sat, with a faith that was piteous. But even more piteous was the fact that none of her companions took the least notice, either by sympathy or complaint, of her aberration. When, a few moments later, she called upon them to be quiet, for that "baby" was asleep, they glared at her indifferently and went on. A red-haired man, who was chewing a piece of buffalo hide, cast a single murderous glance at her, but the next moment seemed to have forgotten her presence in his more absorbing occupation. The stranger paused a moment rather to regain his breath than to wait for their more orderly and undivided attention. Then he uttered the single word: "Nothing!" "Nothing!" They all echoed the word simultaneously, but with different inflection and significance—one fiercely, another gloomily, another stupidly, another mechanically. The woman with the blanket baby explained to it, "he says 'nothing,'" and laughed. "No—nothing," repeated the speaker. "Yesterday's snow blocked up the old trail again. The beacon on the summit's burnt out. I left a notice at the Divide. Do that again, Dumphy, and I'll knock the top of your ugly head off." Dumphy, the red-haired man, had rudely shoved and stricken the woman with the baby—she was his wife, and this conjugal act may have been partly habit—as she was crawling nearer the speaker. She did not seem to notice the blow or its giver—the apathy with which these people received blows or slights was more terrible than wrangling—but said a**uringly, when she had reached the side of the young man— "To-morrow, then?" The face of the young man softened as he made the same reply he had made for the last eight days to the same question— "To-morrow, surely!" She crawled away, still holding the effigy of her dead baby very carefully, and retreated down the opening. "'Pears to me you don't do much anyway, out scouting! 'Pears to me you ain't worth shucks!" said the harsh-voiced woman, glancing at the speaker. "Why don't some on ye take his place? Why do you trust your lives and the lives of women to that thar Ashley?" she continued, with her voice raised to a strident bark. The hysterical young man, Henry March, who sat next to her, turned a wild scared face upon her, and then, as if fearful of being dragged into the conversation, disappeared hastily after Mrs. Dumphy. Ashley shrugged his shoulders, and, replying to the group, rather than any individual speaker, said curtly— "There's but one chance—equal for all—open to all. You know what it is. To stay here is d**h; to go cannot be worse than that." He rose and walked slowly away up the cañon a few rods to where another mound was visible, and disappeared from their view. When he had gone, a querulous chatter went around the squatting circle. "Gone to see the old Doctor and the gal. We're no account." "Thar's two too many in this yer party." "Yes—the crazy Doctor and Ashley." "They're both interlopers, any way." "Jonahs." "Said no good could come of it, ever since we picked him up." "But the Cap'n invited the ol' Doctor, and took all his stock at Sweetwater, and Ashley put in his provisions with the rest." The speaker was McCormick. Somewhere in the feeble depths of his consciousness there was still a lingering sense of justice. He was hungry, but not unreasonable. Besides, he remembered with a tender regret the excellent quality of provision that Ashley had furnished. "What's that got to do with it?" screamed Mrs. Brackett. "He brought the bad luck with him. Ain't my husband dead, and isn't that skunk—an entire stranger—still livin'?" The voice was masculine, but the logic was feminine. In cases of great prostration with mental debility, in the hopeless vacuity that precedes d**h by inanition or starvation, it is sometimes very effective. They all a**ented to it, and, by a singular intellectual harmony, the expression of each was the same. It was simply an awful curse. "What are you goin' to do?" "If I was a man, I'd know!" "Knife him!" "k** him, and"—— The remainder of this sentence was lost to the others in a confidential whisper between Mrs. Brackett and Dumphy. After this confidence they sat and wagged their heads together, like two unmatched but hideous Chinese idols. "Look at his strength! and he not a workin' man like us," said Dumphy. "Don't tell me he don't get suthin' reg'lar." "Suthin' what?" "Suthin' TO EAT!" But it is impossible to convey, even by capitals, the intense emphasis put upon this verb. It was followed by a horrible pause. "Let's go and see." "And k** him?" suggested the gentle Mrs. Brackett. They all rose with a common interest almost like enthusiasm. But after they had tottered a few steps, they fell. Yet even then there was not enough self-respect left among them to feel any sense of shame or mortification in their baffled design. They stopped—all except Dumphy. "Wot's that dream you was talkin' 'bout jess now?" said Mr. McCormick, sitting down and abandoning the enterprise with the most shameless indifference. "'Bout the dinner at St. Jo?" asked the person addressed—a gentleman whose faculty of alimentary imagination had been at once the bliss and torment of his present social circle. "Yes." They all gathered eagerly around Mr. McCormick; even Mr. Dumphy, who was still moving away, stopped. "Well," said Mr. March, "it began with beefsteak and injins—beefsteak, you know, juicy and cut very thick, and jess squashy with gravy and injins." There was a very perceptible watering of the mouth in the party, and Mr. March, with the genius of a true narrator, under the plausible disguise of having forgotten his story, repeated the last sentence—"jess squashy with gravy and injins. And taters—baked." "You said fried before!—and dripping with fat!" interposed Mrs. Brackett, hastily. "For them as likes fried—but baked goes furder—skins and all—and sa**age and coffee and flapjacks!" At this magical word they laughed, not mirthfully perhaps, but eagerly and expectantly, and said, "Go on!" "And flapjacks!" "You said that afore," said Mrs. Brackett, with a burst of pa**ion. "Go on!" with an oath. The giver of this Barmecide feast saw his dangerous position, and looked around for Dumphy, but he had disappeared.