The saint's day of my neighbor and rival potentate, the count, took place during his sojourn in the Alhambra, on which occasion he gave a domestic fate; a**embling round him the members of his family and household, while the stewards and old servants from his distant possessions came to pay him reverence and partake of the good cheer, which was sure to be provided. It presented a type, though doubtless a faint one, of the establishment of a Spanish noble in the olden time.
The Spaniards were always grandiose in their notions of style. Huge palaces; lumbering equipages, laden with footmen and lackeys; pompous retinues, and useless dependents of all kinds; the dignity of a noble seemed commensurate with the legions who loitered about his halls, fed at his expense, and seemed ready to devour him alive. This, doubtless, originated in the necessity of keeping up hosts of armed retainers during the wars with the Moors, wars of inroads and surprises, when a noble was liable to be suddenly a**ailed in his castle by a foray of the enemy, or summoned to the field by his sovereign.
The custom remained after the wars were at an end, and what originated in necessity was kept up through ostentation. The wealth which flowed into the country from conquests and discoveries fostered the pa**ion for princely establishments. According to magnificent old Spanish usage, in which pride and generosity bore equal parts, a superannuated servant was never turned off, but became a charge for the rest of his days; nay, his children, and his children's children, and often their relatives to the right and left, became gradually entailed upon the family. Hence the huge palaces of the Spanish nobility which have such an air of empty ostentation from the greatness of their size compared with the mediocrity and scantiness of their furniture, were absolutely required in the golden days of Spain, by the patriarchal habits of their possessors. They were little better than vast barracks for the hereditary generations of hangers on, that battened at the expense of a Spanish noble.
These patriarchal habits of the Spanish nobility have declined with their revenues; though the spirit which prompted them remains, and wars sadly with their altered fortunes. The poorest among them have always some hereditary hangers on, who live at their expense, and make them poorer. Some who, like my neighbor the count, retain a modicum of their once princely possessions, keep up a shadow of the ancient system, and their estates are overrun and the produce consumed by generations of idle retainers.
The count held estates in various parts of the kingdom, some including whole villages, yet the revenues collected from them were comparatively small; some of them, he a**ured me, barely fed the hordes of dependents nestled upon them, who seemed to consider themselves entitled to live rent free and be maintained into the bargain, because their forefathers had been so since time immemorial.
The saint's day of the old count gave me a glimpse into a Spanish interior. For two or three days previous preparations were made for the fete. Viands of all kinds were brought up from town, greeting the olfactory nerves of the old invalid guards, as they were borne past them through the Gate of Justice. Servants hurried officiously about the courts; the ancient kitchen of the palace was again alive with the tread of cooks and scullions, and blazed with unwonted fires.
When the day arrived I beheld the old count in patriarchal state, his family and household around him, with functionaries who mismanaged his estates at a distance and consumed the proceeds; while numerous old worn-out servants and pensioners were loitering about the courts and keeping within smell of the kitchen.
It was a joyous day in the Alhambra. The guests dispersed themselves about the palace before the hour of dinner, enjoying the luxuries of its courts and fountains, and embosomed gardens, and music and laughter resounded through its late silent halls.
The feast, for a set dinner in Spain is literally a feast, was served in the beautiful Morisco Hall of “Las Dos Hermanas.” The table was loaded with all the luxuries of the season; there was an almost interminable succession of dishes; showing how truly the feast at the rich Camacho's wedding in Don Quixote was a picture of a Spanish banquet. A joyous conviviality prevailed round the board; for though Spaniards are generally abstemious, they are complete revellers on occasions like the present, and none more so than the Andalusians. For my part, there was something peculiarly exciting in thus sitting at a feast in the royal halls of the Alhambra, given by one who might claim remote affinity with its Moorish kings, and who was a lineal representative of Gonsalvo of Cordova, one of the most distinguished of the Christian conquerors.
The banquet ended, the company adjourned to the Hall of Amba**adors. Here every one endeavored to contribute to the general amusement, singing, improvising, telling wonderful tales, or dancing popular dances to that all-pervading talisman of Spanish pleasure, the guitar.
The count's gifted little daughter was as usual the life and delight of the a**emblage, and I was more than ever struck with her aptness and wonderful versatility. She took a part in two or three scenes of elegant comedy with some of her companions, and performed them with exquisite point and finished grace; she gave imitations of the popular Italian singers, some serious, some comic, with a rare quality of voice, and, I was a**ured, with singular fidelity; she imitated the dialects, dances, ballads, and movements and manners of the gipsies, and the peasants of the Vega, with equal felicity, but every thing was done with an all-pervading grace and a lady-like tact perfectly fascinating.
The great charm of every thing she did was its freedom from pretension or ambitious display, its happy spontaneity. Every thing sprang from the impulse of the moment; or was in prompt compliance with a request. She seemed unconscious of the rarity and extent of her own talent, and was like a child at home revelling in the buoyancy of its own gay and innocent spirits. Indeed I was told she had never exerted her talents in general society, but only, as at present, in the domestic circle.
Her faculty of observation and her perception of character must have been remarkably quick, for she could have had only casual and transient glances at the scenes, manners and customs, depicted with such truth and spirit. “Indeed it is a continual wonder to us,” said the countess, “where the child (la Nina) has picked up these things; her life being pa**ed almost entirely at home, in the bosom of the family.”
Evening approached; twilight began to throw its shadows about the halls, and the bats to steal forth from their lurking-place and flit about. A notion seized the little damsel and some of her youthful companions, to set out, under the guidance of Dolores, and explore the less frequented parts of the palace in quest of mysteries and enchantments. Thus conducted, they peeped fearfully into the gloomy old mosque, but quick drew back on being told that a Moorish king had been murdered there; they ventured into the mysterious regions of the bath, frightening themselves with the sounds and murmurs of hidden aqueducts, and flying with mock panic at the alarm of phantom Moors. They then undertook the adventure of the Iron Gate, a place of baleful note in the Alhambra. It is a postern gate, opening into a dark ravine; a narrow covered way leads down to it, which used to be the terror of Dolores and her playmates in childhood, as it was said a hand without a body would sometimes be stretched out from the wall and seize hold of the pa**ers by.
The little party of enchantment hunters ventured to the entrance of the covered way, but nothing would tempt them to enter, in this hour of gathering gloom; they dreaded the grasp of the phantom arm.
At length they came running back into the Hall of Amba**adors in a mock paroxysm of terror; they had positively seen two spectral figures all in white. They had not stopped to examine them; but could not be mistaken, for they glared distinctly through the surrounding gloom. Dolores soon arrived and explained the mystery. The spectres proved to be two statues of nymphs in white marble, placed at the entrance of a vaulted pa**age. Upon this a grave, but, as I thought, somewhat sly old gentleman present, who, I believe, was the count's advocate or legal adviser, a**ured them that these statues were connected with one of the greatest mysteries of the Alhambra; that there was a curious history concerning them, and moreover, that they stood a living monument in marble of female secrecy and discretion. All present entreated him to tell the history of the statues. He took a little time to recollect the details, and then gave them in substance the following legend.
Legend of the Two Discreet Statues
THERE lived once in a waste apartment of the Alhambra, a merry little fellow, named Lope Sanchez, who worked in the gardens, and was as brisk and blithe as a gra**hopper, singing all day long. He was the life and soul of the fortress; when his work was over, he would sit on one of the stone benches of the esplanade, strum his guitar, and sing long ditties about the Cid, and Bernardo del Carpio, and Fernando del Pulgar, and other Spanish heroes, for the amusement of the old soldiers of the fortress, or would strike up a merrier tune, and set the girls dancing boleros and fandangos.
Like most little men, Lope Sanchez had a strapping buxom dame for a wife, who could almost have put him in her pocket; but he lacked the usual poor man's lot — instead of ten children he had but one. This was a little black-eyed girl about twelve years of age, named Sanchica, who was as merry as himself, and the delight of his heart. She played about him as he worked in the gardens, danced to his guitar as he sat in the shade, and ran as wild as a young fawn about the groves and alleys and ruined halls of the Alhambra.
It was now the eve of the blessed St. John, and the holiday-loving gossips of the Alhambra, men, women, and children, went up at night to the mountain of the sun, which rises above the Generalife, to keep their midsummer vigil on its level summit. It was a bright moonlight night, and all the mountains were gray and silvery, and the city, with its domes and spires, lay in shadows below, and the Vega was like a fairy land, with haunted streams gleaming among its dusky groves. On the highest part of the mountain they lit up a bonfire, according to an old custom of the country handed down from the Moors. The inhabitants of the surrounding country were keeping a similar vigil, and bonfires, here and there in the Vega, and along the folds of the mountains, blazed up palely in the moonlight.
The evening was gayly pa**ed in dancing to the guitar of Lope Sanchez, who was never so joyous as when on a holiday revel of the kind. While the dance was going on, the little Sanchica with some of her playmates sported among the ruins of an old Moorish fort that crowns the mountain, when, in gathering pebbles in the fosse, she found a small hand curiously carved of jet, the fingers closed, and the thumb firmly clasped upon them. Overjoyed with her good fortune, she ran to her mother with her prize. It immediately became a subject of sage speculation, and was eyed by some with superstitious distrust. “Throw it away,” said one; “it's Moorish — depend upon it, there's mischief and witchcraft in it.” “By no means,” said another; “you may sell it for something to the j**ellers of the Zacatin.”
In the midst of this discussion an old tawny soldier drew near, who had served in Africa, and was as swarthy as a Moor. He examined the hand with a knowing look. “I have seen things of this kind,” said he, “among the Moors of Barbary. It is a great virtue to guard against the evil eye, and all kinds of spells and enchantments. I give you joy, friend Lope, this bodes good luck to your child.”
Upon hearing this, the wife of Lope Sanchez tied the little hand of jet to a ribbon, and hung it round the neck of her daughter.
The sight of this talisman called up all the favorite superstitions about the Moors. The dance was neglected, and they sat in groups on the ground, telling old legendary tales handed down from their ancestors. Some of their stories turned upon the wonders of the very mountain upon which they were seated, which is a famous hobgoblin region. One ancient crone gave a long account of the subterranean palace in the bowels of that mountain where Boabdil and all his Moslem court are said to remain enchanted. “Among yonder ruins,” said she, pointing to some crumbling walls and mounds of earth on a distant part of the mountain, “there is a deep black pit that goes down, down into the very heart of the mountain. For all the money in Granada I would not look down into it. Once upon a time a poor man of the Alhambra, who tended goats upon this mountain, scrambled down into that pit after a kid that had fallen in. He came out again all wild and staring, and told such things of what he had seen, that every one thought his brain was turned. He raved for a day or two about the hobgoblin Moors that had pursued him in the cavern, and could hardly be persuaded to drive his goats up again to the mountain. He did so at last, but, poor man, he never came down again. The neighbors found his goats browsing about the Moorish ruins, and his hat and mantle lying near the mouth of the pit, but he was never more heard of.”
The little Sanchica listened with breathless attention to this story. She was of a curious nature, and felt immediately a great hankering to peep into this dangerous pit. Stealing away from her companions she sought the distant ruins, and after groping for some time among them came to a small hollow, or basin, near the brow of the mountain, where it swept steeply down into the valley of the Darro. In the centre of this basin yawned the mouth of the pit. Sanchica ventured to the verge, and peeped in. All was as black as pitch, and gave an idea of immeasurable depth. Her blood ran cold; she drew back, then peeped in again, then would have run away, then took another peep — the very horror of the thing was delightful to her. At length she rolled a large stone, and pushed it over the brink. For some time it fell in silence; then struck some rocky projection with a violent crash, then rebounded from side to side, rumbling and tumbling, with a noise like thunder, then made a final splash into water, far, far below — and all was again silent.
The silence, however, did not long continue. It seemed as if something had been awakened within this dreary abyss. A murmuring sound gradually rose out of the pit like the hum and buzz of a beehive. It grew louder and louder; there was the confusion of voices as of a distant multitude, together with the faint din of arms, clash of cymbals and clangor of trumpets, as if some army were marshalling for battle in the very bowels of the mountain.
The child drew off with silent awe, and hastened back to the place where she had left her parents and their companions. All were gone. The bonfire was expiring, and its last wreath of smoke curling up in the moonshine. The distant fires that had blazed along the mountains and in the Vega were all extinguished, and every thing seemed to have sunk to repose. Sanchica called her parents and some of her companions by name, but received no reply. She ran down the side of the mountain, and by the gardens of the Generalife, until she arrived in the alley of trees leading to the Alhambra, when she seated herself on a bench of a woody recess to recover breath. The bell from the watchtower of the Alhambra tolled midnight. There was a deep tranquillity as if all nature slept, excepting the low tinkling sound of an unseen stream that ran under the covert of the bushes. The breathing sweetness of the atmosphere was lulling her to sleep, when her eye was caught by something glittering at a distance, and to her surprise she beheld a long cavalcade of Moorish warriors pouring down the mountain side and along the leafy avenues. Some were armed with lances and shields, others with cimeters and battle-axes, and with polished cuira**es that flashed in the moonbeams. Their horses pranced proudly and champed upon their bits, but their tramp caused no more sound than if they had been shod with felt, and the riders were all as pale as d**h. Among them rode a beautiful lady, with a crowned head and long golden locks entwined with pearls. The housings of her palfrey were of crimson velvet embroidered with gold, and swept the earth; but she rode all disconsolate, with eyes ever fixed upon the ground.
Then succeeded a train of courtiers magnificently arrayed in robes and turbans of divers colors, and amidst them, on a cream-colored charger, rode King Boabdil el Chico, in a royal mantle covered with j**els, and a crown sparkling with diamonds. The little Sanchica knew him by his yellow beard, and his resemblance to his portrait, which she had often seen in the picture gallery of the Generalife. She gazed in wonder and admiration at this royal pageant, as it pa**ed glistening among the trees; but though she knew these monarchs and courtiers and warriors, so pale and silent, were out of the common course of nature, and things of magic and enchantment, yet she looked on with a bold heart, such courage did she derive from the mystic talisman of the hand, which was suspended about her neck.
The cavalcade having pa**ed by, she rose and followed. It continued on to the great Gate of Justice, which stood wide open; the old invalid sentinels on duty lay on the stone benches of the barbican, buried in profound and apparently charmed sleep, and the phantom pageant swept noiselessly by them with flaunting banner and triumphant state. Sanchica would have followed; but to her surprise she beheld an opening in the earth, within the barbican, leading down beneath the foundations of the tower. She entered for a little distance, and was encouraged to proceed by finding steps rudely hewn in the rock, and a vaulted pa**age here and there lit up by a silver lamp, which, while it gave light, diffused likewise a grateful fragrance. Venturing on, she came at last to a great hall, wrought out of the heart of the mountain, magnificently furnished in the Moorish style, and lighted up by silver and crystal lamps. Here, on an ottoman, sat an old man in Moorish dress, with a long white beard, nodding and dozing, with a staff in his hand, which seemed ever to be slipping from his grasp; while at a little distance sat a beautiful lady, in ancient Spanish dress, with a coronet all sparkling with diamonds, and her hair entwined with pearls, who was softly playing on a silver lyre. The little Sanchica now recollected a story she had heard among the old people of the Alhambra, concerning a Gothic princess confined in the centre of the mountain by an old Arabian magician, whom she kept bound up in magic sleep by the power of music.
The lady paused with surprise at seeing a mortal in that enchanted hall. “Is it the eve of the blessed St. John?” said she.
“It is,” replied Sanchica.
“Then for one night the magic charm is suspended. Come hither, child, and fear not. I am a Christian like thyself, though bound here by enchantment. Touch my fetters with the talisman that hangs about thy neck, and for this night I shall be free.”
So saying, she opened her robes and displayed a broad golden band round her waist, and a golden chain that fastened her to the ground. The child hesitated not to apply the little hand of jet to the golden band, and immediately the chain fell to the earth. At the sound the old man woke and began to rub his eyes; but the lady ran her fingers over the chords of the lyre, and again he fell into a slumber and began to nod, and his staff to falter in his hand. “Now,” said the lady, “touch his staff with the talismanic hand of jet.” The child did so, and it fell from his grasp, and he sank in a deep sleep on the ottoman. The lady gently laid the silver lyre on the ottoman, leaning it against the head of the sleeping magician; then touching the chords until they vibrated in his ear —“O potent spirit of harmony,” said she, “continue thus to hold his senses in thraldom till the return of day. Now follow me, my child,” continued she, “and thou shalt behold the Alhambra as it was in the days of its glory, for thou hast a magic talisman that reveals all enchantments.” Sanchica followed the lady in silence. They pa**ed up through the entrance of the cavern into the barbican of the Gate of Justice, and thence to the Plaza de los Algibes, or esplanade within the fortress.
This was all filled with Moorish soldiery, horse and foot, marshalled in squadrons, with banners displayed. There were royal guards also at the portal, and rows of African blacks with drawn cimeters. No one spoke a word, and Sanchica pa**ed on fearlessly after her conductor. Her astonishment increased on entering the royal palace, in which she had been reared. The broad moonshine lit up all the halls and courts and gardens almost as brightly as if it were day, but revealed a far different scene from that to which she was accustomed. The walls of the apartments were no longer stained and rent by time. Instead of cobwebs, they were now hung with rich silks of Damascus, and the gildings and arabesque paintings were restored to their original brilliancy and freshness. The halls, no longer naked and unfurnished, were set out with divans and ottomans of the rarest stuffs, embroidered with pearls and studded with precious gems, and all the fountains in the courts and gardens were playing.
The kitchens were again in full operation; cooks were busy preparing shadowy dishes, and roasting and boiling the phantoms of pullets and partridges: servants were hurrying to and fro with silver dishes heaped up with dainties, and arranging a delicious banquet. The Court of Lions was thronged with guards, and courtiers, and alfaquis, as in the old times of the Moors; and at the upper end, in the saloon of judgment, sat Boabdil on his throne, surrounded by his court, and swaying a shadowy sceptre for the night. Notwithstanding all this throng and seeming bustle, not a voice nor a footstep was to be heard; nothing interrupted the midnight silence but the splashing of the fountains. The little Sanchica followed her conductress in mute amazement about the palace, until they came to a portal opening to the vaulted pa**ages beneath the great Tower of Comares. On each side of the portal sat the figure of a nymph, wrought out of alabaster. Their heads were turned aside, and their regards fixed upon the same spot within the vault. The enchanted lady paused, and beckoned the child to her.
“Here,” said she, “is a great secret, which I will reveal to thee in reward for thy faith and courage. These discreet statues watch over a treasure hidden in old times by a Moorish king. Tell thy father to search the spot on which their eyes are fixed, and he will find what will make him richer than any man in Granada. Thy innocent hands alone, however, gifted as thou art also with the talisman, can remove the treasure. Bid thy father use it discreetly, and devote a part of it to the performance of daily ma**es for my deliverance from this unholy enchantment.”
When the lady had spoken these words, she led the child onward to the little garden of Lindaraxa, which is hard by the vault of the statues. The moon trembled upon the waters of the solitary fountain in the centre of the garden, and shed a tender light upon the orange and citron trees. The beautiful lady plucked a branch of myrtle and wreathed it round the head of the child. “Let this be a memento”, said she, “of what I have revealed to thee, and a testimonial of its truth. My hour is come; I must return to the enchanted hall; follow me not, lest evil befall thee — farewell. Remember what I have said, and have ma**es performed for my deliverance.” So saying, the lady entered a dark pa**age leading beneath the Tower of Comares, and was no longer seen.
The faint crowing of a co*k was now heard from the cottages below the Alhambra, in the valley of the Darro, and a pale streak of light began to appear above the eastern mountains. A slight wind arose, there was a sound like the rustling of dry leaves through the courts and corridors, and door after door shut to with a jarring sound.
Sanchica returned to the scenes she had so lately beheld thronged with the shadowy multitude, but Boabdil and his phantom court were gone. The moon shone into empty halls and galleries stripped of their transient splendor, stained and dilapidated by time, and hung with cobwebs. The bat flitted about in the uncertain light, and the frog croaked from the fish-pond.
Sanchica now made the best of her way to a remote staircase that led up to the humble apartment occupied by her family. The door as usual was open, for Lope Sanchez was too poor to need bolt or bar; she crept quietly to her pallet, and, putting the myrtle wreath beneath her pillow, soon fell asleep.
In the morning she related all that had befallen her to her father. Lope Sanchez, however, treated the whole as a mere dream, and laughed at the child for her credulity. He went forth to his customary labors in the garden, but had not been there long when his little daughter came running to him almost breathless. “Father! father!” cried she, “behold the myrtle wreath which the Moorish lady bound round my head.”
Lope Sanchez gazed with astonishment, for the stalk of the myrtle was of pure gold, and every leaf was a sparkling emerald! Being not much accustomed to precious stones, he was ignorant of the real value of the wreath, but he saw enough to convince him that it was something more substantial than the stuff of which dreams are generally made, and that at any rate the child had dreamt to some purpose. His first care was to enjoin the most absolute secrecy upon his daughter; in this respect, however, he was secure, for she had discretion far beyond her years or s**. He then repaired to the vault, where stood the statues of the two alabaster nymphs. He remarked that their heads were turned from the portal, and that the regards of each were fixed upon the same point in the interior of the building. Lope Sanchez could not but admire this most discreet contrivance for guarding a secret. He drew a line from the eyes of the statues to the point of regard, made a private mark on the wall, and then retired.
All day, however, the mind of Lope Sanchez was distracted with a thousand cares. He could not help hovering within distant view of the two statues, and became nervous from the dread that the golden secret might be discovered. Every footstep that approached the place made him tremble. He would have given any thing could he but have turned the heads of the statues, forgetting that they had looked precisely in the same direction for some hundreds of years, without any person being the wiser.
“A plague upon them!” he would say to himself, “they'll betray all; did ever mortal hear of such a mode of guarding a secret?” Then on hearing any one advance, he would steal off, as though his very lurking near the place would awaken suspicion. Then he would return cautiously, and peep from a distance to see if every thing was secure, but the sight of the statues would again call forth his indignation. “Ay, there they stand,” would he say, “always looking, and looking, and looking, just where they should not. Confound them! they are just like all their s**; if they have not tongues to tattle with, they'll be sure to do it with their eyes.”
At length, to his relief, the long anxious day drew to a close. The sound of footsteps was no longer heard in the echoing halls of the Alhambra; the last stranger pa**ed the threshold, the great portal was barred and bolted, and the bat and the frog and the hooting owl gradually resumed their nightly vocations in the deserted palace.
Lope Sanchez waited, however, until the night was far advanced before he ventured with his little daughter to the hall of the two nymphs. He found them looking as knowingly and mysteriously as ever at the secret place of deposit. “By your leaves, gentle ladies,” thought Lope Sanchez, as he pa**ed between them, “I will relieve you from this charge that must have set so heavy in your minds for the last two or three centuries.” He accordingly went to work at the part of the wall which he had marked, and in a little while laid open a concealed recess, in which stood two great jars of porcelain. He attempted to draw them forth, but they were immovable, until touched by the innocent hand of his little daughter. With her aid he dislodged them from their niche, and found, to his great joy, that they were filled with pieces of Moorish gold, mingled with j**els and precious stones. Before daylight he managed to convey them to his chamber, and left the two guardian statues with their eyes still fixed on the vacant wall.
Lope Sanchez had thus on a sudden become a rich man; but riches, as usual, brought a world of cares to which he had hitherto been a stranger. How was he to convey away his wealth with safety? How was he even to enter upon the enjoyment of it without awakening suspicion? Now, too, for the first time in his life the dread of robbers entered into his mind. He looked with terror at the insecurity of his habitation, and went to work to barricade the doors and windows; yet after all his precautions he could not sleep soundly. His usual gayety was at an end, he had no longer a joke or a song for his neighbors, and, in short, became the most miserable animal in the Alhambra. His old comrades remarked this alteration, pitied him heartily, and began to desert him; thinking he must be falling into want, and in danger of looking to them for a**istance. Little did they suspect that his only calamity was riches.
The wife of Lope Sanchez shared his anxiety, but then she had ghostly comfort. We ought before this to have mentioned that Lope, being rather a light inconsiderate little man, his wife was accustomed, in all grave matters, to seek the counsel and ministry of her confessor Fray Simon, a sturdy, broad-shouldered, blue-bearded, bullet-headed friar of the neighboring convent of San Francisco, who was in fact the spiritual comforter of half the good wives of the neighborhood. He was moreover in great esteem among divers sisterhoods of nuns; who requited him for his ghostly services by frequent presents of those little dainties and knick-knacks manufactured in convents, such as delicate confections, sweet biscuits, and bottles of spiced cordials, found to be marvellous restoratives after fasts and vigils.
Fray Simon thrived in the exercise of his functions. His oily skin glistened in the sunshine as he toiled up the hill of the Alhambra on a sultry day. Yet notwithstanding his sleek condition, the knotted rope round his waist showed the austerity of his self-discipline; the multitude doffed their caps to him as a mirror of piety, and even the dogs scented the odor of sanctity that exhaled from his garments, and howled from their kennels as he pa**ed.
Such was Fray Simon, the spiritual counsellor of the comely wife of Lope Sanchez; and as the father confessor is the domestic confidant of women in humble life in Spain, he was soon acquainted, in great secrecy, with the story of the hidden treasure.
The friar opened his eyes and mouth and crossed himself a dozen times at the news. After a moment's pause, “Daughter of my soul!” said he, “know that thy husband has committed a double sin — a sin against both state and church! The treasure he hath thus seized upon for himself, being found in the royal domains, belongs of course to the crown; but being infidel wealth, rescued as it were from the very fangs of Satan, should be devoted to the church. Still, however, the matter may be accommodated. Bring hither thy myrtle wreath.”
When the good father beheld it, his eyes twinkled more than ever with admiration of the size and beauty of the emeralds. “This,” said he, “being the first-fruits of this discovery, should be dedicated to pious purposes. I will hang it up as a votive offering before the image of San Francisco in our chapel, and will earnestly pray to him, this very night, that your husband be permitted to remain in quiet possession of your wealth.”
The good dame was delighted to make her peace with heaven at so cheap a rate, and the friar putting the wreath under his mantle, departed with saintly steps toward his convent.
When Lope Sanchez came home, his wife told him what had pa**ed. He was excessively provoked, for he lacked his wife's devotion, and had for some time groaned in secret at the domestic visitations of the friar. “Woman,” said he, “what hast thou done? thou hast put every thing at hazard by thy tattling.”
“What!” cried the good woman, “would you forbid my disburdening my conscience to my confessor?”
“No, wife! confess as many of your own sins as you please; but as to this money-digging, it is a sin of my own, and my conscience is very easy under the weight of it.”
There was no use, however, in complaining; the secret was told, and, like water spilled on the sand, was not again to be gathered. Their only chance was, that the friar would be discreet.
The next day, while Lope Sanchez was abroad there was a humble knocking at the door, and Fray Simon entered with meek and demure countenance.
“Daughter,” said he, “I have earnestly prayed to San Francisco, and he has heard my prayer. In the dead of the night the saint appeared to me in a dream, but with a frowning aspect. ‘Why,' said he, ‘dost thou pray to me to dispense with this treasure of the Gentiles, when thou seest the poverty of my chapel? Go to the house of Lope Sanchez, crave in my name a portion of the Moorish gold, to furnish two candlesticks for the main altar, and let him possess the residue in peace.'
When the good woman heard of this vision, she crossed herself with awe, and going to the secret place where Lope had hid the treasure, she filled a great leathern purse with pieces of Moorish gold, and gave it to the friar. The pious monk bestowed upon her, in return, benedictions enough, if paid by Heaven. to enrich her race to the latest posterity; then slipping the purse into the sleeve of his habit, he folded his hands upon his breast, and departed with an air of humble thankfulness.
When Lope Sanchez heard of this second donation to the church, he had well nigh lost his senses. “Unfortunate man,” cried he, “what will become of me? I shall be robbed by piece-meal; I shall be ruined and brought to beggary!”
It was with the utmost difficulty that his wife could pacify him, by reminding him of the countless wealth that yet remained, and how considerate it was for San Francisco to rest contented with so small a portion.
Unluckily, Fray Simon had a number of poor relations to be provided for, not to mention some half-dozen sturdy bullet-headed orphan children, and destitute foundlings that he had taken under his care. He repeated his visits, therefore, from day to day, with solicitations on behalf of Saint Dominick, Saint Andrew, Saint James, until poor Lope was driven to despair, and found that unless he got out of the reach of this holy friar, he should have to make peace-offerings to every saint in the calendar. He determined, therefore, to pack up his remaining wealth, beat a secret retreat in the night, and make off to another part of the kingdom.
Full of his project, he bought a stout mule for the purpose, and tethered it in a gloomy vault underneath the Tower of the Seven Floors — the very place whence the Belludo, or goblin horse, is said to issue forth at midnight, and scour the streets of Granada, pursued by a pack of hell-hounds. Lope Sanchez had little faith in the story, but availed himself of the dread occasioned by it, knowing that no one would be likely to pry into the subterranean stable of the phantom steed. He sent off his family in the course of the day with orders to wait for him at a distant village of the Vega. As the night advanced, he conveyed his treasure to the vault under the tower, and having loaded his mule, he led it forth, and cautiously descended the dusky avenue.
Honest Lope had taken his measures with the utmost secrecy, imparting them to no one but the faithful wife of his bosom. By some miraculous revelation, however, they became known to Fray Simon. The zealous friar beheld these infidel treasures on the point of slipping for ever out of his grasp, and determined to have one more dash at them for the benefit of the church and San Francisco. Accordingly, when the bells had rung for animas, and all the Alhambra was quiet, he stole out of his convent, and descending through the Gate of Justice, concealed himself among the thickets of roses and laurels that border the great avenue. Here he remained, counting the quarters of hours as they were sounded on the bell of the watchtower, and listening to the dreary hootings of owls, and the distant barking of dogs from the gipsy caverns.
At length he heard the tramp of hoofs, and, through the gloom of the overshadowing trees, imperfectly beheld a steed descending the avenue. The sturdy friar chuckled at the idea of the knowing turn he was about to serve honest Lope.
Tucking up the skirts of his habit, and wriggling like a cat watching a mouse, he waited until his prey was directly before him, when darting forth from his leafy covert, and putting one hand on the shoulder and the other on the crupper, he made a vault that would not have disgraced the most experienced master of equitation, and alighted well-forked astride the steed. “Ah ha!” said the sturdy friar, “we shall now see who best understands the game.” He had scarce uttered the words when the mule began to kick, and rear, and plunge, and then set off full speed down the hill. The friar attempted to check him, but in vain. He bounded from rock to rock, and bush to bush; the friar's habit was torn to ribbons and fluttered in the wind, his shaven poll received many a hard knock from the branches of the trees, and many a scratch from the brambles. To add to his terror and distress, he found a pack of seven hounds in full cry at his heels, and perceived, too late, that he was actually mounted upon the terrible Belludo!
Away then they went, according to the ancient phrase, “pull devil, pull friar,” down the great avenue, across the Plaza Nueva, along the Zacatin, around the Vivarrambla — never did huntsman and hound make a more furious run, or more infernal uproar. In vain did the friar invoke every saint in the calendar, and the holy Virgin into the bargain; every time he mentioned a name of the kind it was like a fresh application of the spur, and made the Belludo bound as high as a house. Through the remainder of the night was the unlucky Fray Simon carried hither and thither, and whither he would not, until every bone in his body ached, and he suffered a loss of leather too grievous to be mentioned. At length the crowing of a co*k gave the signal of returning day. At the sound the goblin steed wheeled about, and galloped back for his tower. Again he scoured the Vivarrambla, the Zacatin, the Plaza Nueva, and the avenue of fountains, the seven dogs yelling, and barking, and leaping up, and snapping at the heels of the terrified friar. The first streak of day had just appeared as they reached the tower; here the goblin steed kicked up his heels, sent the friar a somerset through the air, plunged into the dark vault followed by the infernal pack, and a profound silence succeeded to the late deafening clamor.
Was ever so diabolical a trick played off upon a holy friar? A peasant going to his labors at early dawn found the unfortunate Fray Simon lying under a fig-tree at the foot of the tower, but so bruised and bedevilled that he could neither speak nor move. He was conveyed with all care and tenderness to his cell, and the story went that he had been waylaid and maltreated by robbers. A day or two elapsed before he recovered the use of his limbs; he consoled himself, in the meantime, with the thoughts that though the mule with the treasure had escaped him, he had previously had some rare pickings at the infidel spoils. His first care on being able to use his limbs, was to search beneath his pallet, where he had secreted the myrtle wreath and the leathern pouches of gold extracted from the piety of Dame Sanchez. What was his dismay at finding the wreath, in effect, but a withered branch of myrtle, and the leathern pouches filled with sand and gravel!
Fray Simon, with all his chagrin, had the discretion to hold his tongue, for to betray the secret might draw on him the ridicule of the public, and the punishment of his superior: it was not until many years afterwards, on his d**h-bed, that he revealed to his confessor his nocturnal ride on the Belludo.
Nothing was heard of Lope Sanchez for a long time after his disappearance from the Alhambra. His memory was always cherished as that of a merry companion, though it was feared, from the care and melancholy observed in his conduct shortly before his mysterious departure, that poverty and distress had driven him to some extremity. Some years afterwards one of his old companions, an invalid soldier, being at Malaga, was knocked down and nearly run over by a coach and six. The carriage stopped; an old gentleman magnificently dressed, with a bag-wig and sword, stepped out to a**ist the poor invalid. What was the astonishment of the latter to behold in this grand cavalier his old friend Lope Sanchez, who was actually celebrating the marriage of his daughter Sanchica with one of the first grandees in the land.
The carriage contained the bridal party. There was Dame Sanchez, now grown as round as a barrel, and dressed out with feathers and j**els, and necklaces of pearls, and necklaces of diamonds, and rings on every finger, altogether a finery of apparel that had not been seen since the days of Queen Sheba. The little Sanchica had now grown to be a woman, and for grace and beauty might have been mistaken for a duchess, if not a princess outright. The bridegroom sat beside her — rather a withered spindle-shanked little man, but this only proved him to be of the true-blue blood, a legitimate Spanish grandee being rarely above three cubits in stature. The match had been of the mother's making.
Riches had not spoiled the heart of honest Lope. He kept his old comrade with him for several days; feasted him like a king, took him to plays and bull-fights, and at length sent him away rejoicing, with a big bag of money for himself, and another to be distributed among his ancient messmates of the Alhambra.
Lope always gave out that a rich brother had died in America and left him heir to a copper mine; but the shrewd gossips of the Alhambra insist that his wealth was all derived from his having discovered the secret guarded by the two marble nymphs of the Alhambra. It is remarked that these very discreet statues continue, even unto the present day, with their eyes fixed most significantly on the same part of the wall; which leads many to suppose there is still some hidden treasure remaining there well worthy the attention of the enterprising traveller. Though others, and particularly all female visitors, regard them with great complacency as lasting monuments of the fact that women can keep a secret.