| Andre Previn in Hollywood (1963) * |
Andre Previn in Hollywood
|
| Body and Soul * |
Previn at Sunset
|
| Cabin In The Sky |
-
|
| Cinderella, Op.87, Act I: Pas de châle (Allegretto) |
-
|
| Come Sunday * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| Do Nothin' Till You Hear From Me * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| End Titles* - Instrumental |
-
|
| Exit Music* - Instrumental |
-
|
| Fascination * |
Andre Previn in Hollywood
|
| Gigi * |
Andre Previn in Hollywood
|
| Good Enough to Keep * |
Previn at Sunset
|
| I Didn't Know About You * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| I Found a New Baby |
Previn at Sunset
|
| I Like Myself |
It's Always Fair Weather
|
| I'm a Dreamer, Aren't We All * |
Andre Previn in Hollywood
|
| In a Sentimental Mood * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| Intermission* - Instrumental |
-
|
| Isfahan |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| It Don't Mean a Thing (If It Ain't Got That Swing) * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| It Might as Well Be Spring |
Andre Previn in Hollywood
|
| Laura * |
Andre Previn in Hollywood
|
| Mozart: Concerto for 2 Keyboards and Orchestra in E-Flat Major, KV 365: III. Rondo (allegro) |
-
|
| Mulholland Drive * |
Previn at Sunset
|
| Music Is Better Than Words |
It's Always Fair Weather
|
| Overture - Instrumental |
-
|
| Overture (Jesus Christ Superstar/Soundtrack) - Jesus Christ Superstar/Soundtrack Version |
-
|
| Previn at Sunset (1972) * |
Previn at Sunset
|
| Romeo and Juliet, Op.64, Act I: Arrival of the guests (Minuet) |
-
|
| Serenade to Sweden * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| Song From "Two for the Seesaw" (A Second Chance) * |
Andre Previn in Hollywood
|
| Squatty Roo * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| Stille Nacht, heilige Nacht (Silent Night) |
-
|
| Sunset in Blue * |
Previn at Sunset
|
| Swan Lake, Op.20, Act I, 4. Pas de trois: III. Allegro semplice - Presto |
-
|
| Swan Lake, Op.20, Act I, 4. Pas de trois: V. Allegro |
-
|
| Swan Lake, Op.20, Act I, 4. Pas de trois: VI. Coda (Allegro vivace) |
-
|
| Swan Lake, Op.20, Act I, 5. Pas de deux: II. Andante - Allegro - Molto più mosso (Ida Haendel, violin) |
-
|
| Swan Lake, Op.20, Act I: 2. Waltz (Tempo di valse) |
-
|
| Swan Lake, Op.20, Act I: 3. Scene (Allegro moderato) |
-
|
| Swan Lake, Op.20, Act I: 6. Pas d'action (Andantino quasi moderato - Allegro) |
-
|
| Swan Lake, Op.20, Act I: Introduction (Moderato a**ai) & 1. Scene (Allegro giusto) |
-
|
| Swan Lake, Op.20, Act II, 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro (Ida Haendel, violin; Douglas Cummings, cello) |
-
|
| Swan Lake, Op.20, Act II, 13. Dances of the Swans: VII. Coda (Allegro vivace) |
-
|
| Swan Lake, Op.20, Act II: 11. Scene (Allegro moderato - Allegro vivo) |
-
|
| Swan Lake, Op.20, Act II: 12. Scene (Allegro) |
-
|
| Swan Lake, Op.20, Act III, 19. Pas de six: Coda (Allegro molto) |
-
|
| Swan Lake, Op.20, Act III, 19. Pas de six: Variation I (Allegro) |
-
|
| Swan Lake, Op.20, Act III, 19. Pas de six: Variation IV (Allegro) |
-
|
| Swan Lake, Op.20, Act III, 19. Pas de six: Variation V (Moderato - Allegro semplice) |
-
|
| Swan Lake, Op.20, Act III, Pas de deux (additional number): Coda (Allegro molto vivace) |
-
|
| Swan Lake, Op.20, Act III, Pas de deux (additional number): Variation I (Allegro moderato) |
-
|
| Swan Lake, Op.20, Act III, Pas de deux (additional number): Variation II (Allegro) |
-
|
| Swan Lake, Op.20, Act III: 15. Scene (Allegro giusto) |
-
|
| Swan Lake, Op.20, Act III: 17. Scene: Entrance and Waltz of the Special Guests (Allegro - Tempo di valse) |
-
|
| Swan Lake, Op.20, Act III: 18. Scene (Allegro - Allegro giusto) |
-
|
| Swan Lake, Op.20, Act III: 20. Hungarian Dance: Csárdás (Moderato a**ai - Allegro moderato - Vivace) |
-
|
| Swan Lake, Op.20, Act III: 22. Neapolitan Dance (Allegro moderato - Andantino quasi moderato) |
-
|
| Swan Lake, Op.20, Act III: 23. Mazurka |
-
|
| Swan Lake, Op.20, Act III: Russian Dance (Cadenza - Andante semplice - Allegro vivo) (Ida Haendel, violin) (additional number) |
-
|
| Swan Lake, Op.20, Act IV: 26. Scene (Allegro ma non troppo) |
-
|
| Swan Lake, Op.20, Act IV: 28. Scene (Allegro agitato - Allegro vivace) |
-
|
| Swan Lake, Op.20, Act IV: 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso) |
-
|
| Tchaikovsky: Sleeping Beauty, Op. 66: Introduction (Allegro vivo - Andantino) |
-
|
| Tchaikovsky: Swan Lake, Op. 20, Act 2: 10. Scène - Moderato |
-
|
| Tchaikovsky: Swan Lake, Op. 20, Act I, 5. Pas de deux: IV. Coda (Allegro molto vivace) |
-
|
| Tchaikovsky: Swan Lake, Op. 20, Act II, 13. Dances of the Swans: IV. Dance of the Cygnets (Allegro moderato) |
-
|
| Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene (Moderato) |
-
|
| Tchaikovsky: Swan Lake, Op. 20, Act III: 21. Spanish Dance (Allegro non troppo: tempo di bolero) |
-
|
| Tchaikovsky: Swan Lake, Op.20, Act II: 14. Scene (Moderato) |
-
|
| Thanks a Lot, But No Thanks |
It's Always Fair Weather
|
| That Old Blue Magic * |
Previn at Sunset
|
| The Emba**y Waltz - Instrumental |
-
|
| The Flowermarket* - Instrumental |
-
|
| The Second Time Around * |
Andre Previn in Hollywood
|
| Theme From 'The Best Years of Our Lives' * |
Andre Previn in Hollywood
|
| Theme From "Irma La Douce" (Look Again) * |
Andre Previn in Hollywood
|
| Variations on a Theme * |
Previn at Sunset
|
| We Got It Good & That Ain't Bad: An Ellington Songbook (1999) * |
We Got It Good & That Ain't Bad: An Ellington Songbook
|
| We Kiss in a Shadow * |
Andre Previn in Hollywood
|
| You're Gonna Hear From Me |
Inside Daisy Clover
|
| You're Gonna Hear From Me (reprise) |
Inside Daisy Clover
|