A. A. Brill - Totem and Taboo (Chap. 4.6) lyrics

Published

0 195 0

A. A. Brill - Totem and Taboo (Chap. 4.6) lyrics

I am under the influence of many strong motives which restrain me from the attempt to discuss the further development of religions from their beginning in totemism up to their present state. I shall follow out only two threads as I see them appearing in the weft with especial distinctness: the motive of the totem sacrifice and the relation of the son to the father[213]. Robertson Smith has shown us that the old totem feast returns in the original form of sacrifice. The meaning of the rite is the same: sanctification through participation in the common meal. The sense of guilt, which can only be allayed through the solidarity of all the participants, has also been retained. In addition to this there is the tribal deity in whose supposed presence the sacrifice takes place, who takes part in the meal like a member of the tribe, and with whom identification is effected by the act of eating the sacrifice. How does the god come into this situation which originally was foreign to him? The answer might be that the idea of god had meanwhile appeared,—no one knows whence—and had dominated the whole religious life, and that the totem feast, like everything else that wished to survive, had been forced to fit itself into the new system. However, psychoan*lytic investigation of the individual teaches with especial emphasis that god is in every case modelled after the father and that our personal relation to god is dependent upon our relation to our physical, fluctuating and changing with him, and that god at bottom is nothing but an exalted father. Here also, as in the case of totemism, psychoan*lysis advises us to believe the faithful, who call god father just as they called the totem their ancestor. If psychoan*lysis deserves any consideration at all, then the share of the father in the idea of a god must be very important, quite aside from all the other origins and meanings of god upon which psychoan*lysis can throw no light. But then the father would be represented twice in primitive sacrifice, first as god, and secondly as the totem-animalsacrifice, and we must ask, with all due regard for the limited number of solutions which psychoan*lysis offers, whether this is possible and what the meaning of it may be. We know that there are a number of relations of the god to the holy animal (the totem and the sacrificial animal): 1. Usually one animal is sacred to every god, sometimes even several animals. 2. In certain, especially holy, sacrifices, the so-called ‘mystical' sacrifices, the very animal which had been sanctified through the god was sacrificed to him[214]. 3. The god was often revered in the form of an animal, or from another point of view, animals enjoyed a godlike reverence long after the period of totemism. 4. In myths the god is frequently transformed into an animal, often into the animal that is sacred to him. From this the a**umption was obvious that the god himself was the animal, and that he had evolved from the totem animal at a later stage of religious feeling. But the reflection that the totem itself is nothing but a substitute for the father relieves us of all further discussion. Thus the totem may have been the first form of the father substitute and the god a later one in which the father regained his human form. Such a new creation from the root of all religious evolution, namely, the longing for the father, might become possible if in the course of time an essential change had taken place in the relation to the father and perhaps also to the animal. Such changes are easily divined even if we disregard the beginning of a psychic estrangement from the animal as well as the disintegration of totemism through animal domestication[215]. The situation created by the removal of the father contained an element which in the course of time must have brought about an extraordinary increase of longing for the father. For the brothers who had joined forces to k** the father had each been animated by the wish to become like the father and had given expression to this wish by incorporating parts of the substitute for him in the totem feast. In consequence of the pressure which the bonds of the brother clan exercised upon each member, this wish had to remain unfulfilled. No one could or was allowed to attain the father's perfection of power, which was the thing they had all sought. Thus the bitter feeling against the father which had incited to the deed could subside in the course of time, while the longing for him grew, and an ideal could arise having as a content the fullness of power and the freedom from restriction of the conquered primal father, as well as the willingness to subject themselves to him. The original democratic equality of each member of the tribe could no longer be retained on account of the interference of cultural changes; in consequence of which there arose a tendency to revive the old father ideal in the creation of gods through the veneration of those individuals who had distinguished themselves above the rest. That a man should become a god and that a god should die, which to-day seems to us an outrageous presumption, was still by no means offensive to the conceptions of cla**ical antiquity[216]. But the deification of the murdered father from whom the tribe now derived its origin, was a much more serious attempt at expiation than the former covenant with the totem. In this evolution I am at a loss to indicate the place of the great maternal deities who perhaps everywhere preceded the paternal deities. But it seems certain that the change in the relation to the father was not restricted to religion but logically extended to the other side of human life influenced by the removal of the father, namely, the social organization. With the institution of paternal deities the fatherless society gradually changed into a patriarchal one. The family was a reconstruction of the former primal horde and also restored a great part of their former rights to the fathers. Now there were patriarchs again but the social achievements of the brother clan had not been given up and the actual difference between the new family patriarchs and the unrestricted primal father was great enough to ensure the continuation of the religious need, the preservation of the unsatisfied longing for the father. The father therefore really appears twice in the scene of sacrifice before the tribal god, once as the god and again as the totem-sacrificial-animal. But in attempting to understand this situation we must beware of interpretations which superficially seek to translate it as an allegory, and which forget the historical stages in the process. The twofold presence of the father corresponds to the two successive meanings of the scene. The ambivalent attitude towards the father as well as the victory of the son's tender emotional feelings over his hostile ones, have here found plastic expression. The scene of vanquishing the father, his greatest degradation, furnishes here the material to represent his highest triumph. The meaning which sacrifice has quite generally acquired is found in the fact that in the very same action which continues the memory of this misdeed it offers satisfaction to the father for the ignominy put upon him. In the further development the animal loses its sacredness and the sacrifice its relation to the celebration of the totem; the rite becomes a simple offering to the deity, a self-deprivation in favour of the god. God himself is now so exalted above man that he can be communicated with only through a priest as intermediary. At the same time the social order produces godlike kings who transfer the patriarchal system to the state. It must be said that the revenge of the deposed and reinstated father has been very cruel; it culminated in the dominance of authority. The subjugated sons have used the new relation to disburden themselves still more of their sense of guilt. Sacrifice, as it is now constituted, is entirely beyond their responsibility. God himself has demanded and ordained it. Myths in which the god himself k**s the animal that is sacred to him, which he himself really is, belong to this phase. This is the greatest possible denial of the great misdeed with which society and the sense of guilt began. There is an unmistakable second meaning in this sacrificial demonstration. It expresses satisfaction at the fact that the earlier father substitute has been abandoned in favour of the higher conception of god. The superficial allegorical translation of the scene here roughly corresponds with its psychoan*lytic interpretation by saying that god is represented as overcoming the animal part of his nature[217]. But it would be erroneous to believe that in this period of renewed patriarchal authority the hostile impulses which belong to the father complex had entirely subsided. On the contrary, the first phases in the domination of the two new substitutive formations for the father, those of gods and kings, plainly show the most energetic expression of that ambivalence which is characteristic of religion. In his great work, The Golden Bough, Frazer has expressed the conjecture that the first kings of the Latin tribes were strangers who played the part of a deity and were solemnly sacrificed in this rôle on specified holidays. The yearly sacrifice (self-sacrifice is a variant) of a god seems to have been an important feature of Semitic religions. The ceremony of human sacrifice in various parts of the inhabited world makes it certain that these human beings ended their lives as representatives of the deity. This sacrificial custom can still be traced in later times in the substitution of an inanimate imitation (doll) for the living person. The theanthropic god sacrifice into which unfortunately I cannot enter with the same thoroughness with which the animal sacrifice has been treated throws the clearest light upon the meaning of the older forms of sacrifice. It acknowledges with unsurpa**able candour that the object of the sacrificial action has always been the same, being identical with what is now revered as a god, namely with the father. The question as to the relation of animal to human sacrifice can now be easily solved. The original animal sacrifice was already a substitute for a human sacrifice, for the solemn k**ing of the father, and when the father substitute regained its human form, the animal substitute could also be retransformed into a human sacrifice. Thus the memory of that first great act of sacrifice had proved to be indestructible despite all attempts to forget it, and just at the moment when men strove to get as far away as possible from its motives, the undistorted repetition of it had to appear in the form of the god sacrifice. I need not fully indicate here the developments of religious thought which made this return possible in the form of rationalizations. Robertson Smith who is, of course, far removed from the idea of tracing sacrifice back to this great event of man's primal history, says that the ceremony of the festivals in which the old Semites celebrated the d**h of a deity were interpreted as “a commemoration of a mythical tragedy” and that the attendant lament was not characterized by spontaneous sympathy, but displayed a compulsive character, something that was imposed by the fear of a divine wrath[218]. We are in a position to acknowledge that this interpretation was correct, the feelings of the celebrants being well explained by the basic situation. We may now accept it as a fact that in the further development of religions these two inciting factors, the son's sense of guilt and his defiance, were never again extinguished. Every attempted solution of the religious problem and every kind of reconciliation of the two opposing psychic forces gradually falls to the ground, probably under the combined influence of cultural changes, historical events, and inner psychic transformations. The endeavour of the son to put himself in place of the father god, appeared with greater and greater distinctness. With the introduction of agriculture the importance of the son in the patriarchal family increased. He was emboldened to give new expression to his incestuous libido which found symbolic satisfaction in labouring over mother earth. There came into existence figures of gods like Attis, Adonis, Tammuz, and others, spirits of vegetation as well as youthful divinities who enjoyed the favours of maternal deities and committed incest with the mother in defiance of the father. But the sense of guilt which was not allayed through these creations, was expressed in myths which visited these youthful lovers of the maternal goddesses with short life and punishment through castration or through the wrath of the father god appearing in animal form. Adonis was k**ed by the boar, the sacred animal of Aphrodite; Attis, the lover of Kybele, died of castration[219]. The lamentation for these gods and the joy at their resurrection have gone over into the ritual of another son which divinity was destined to survive long. When Christianity began its entry into the ancient world it met with the competition of the religion of Mithras and for a long time it was doubtful which deity was to be the victor. The bright figure of the youthful Persian god has eluded our understanding. Perhaps we may conclude from the illustrations of Mithras slaying the steers that he represented the son who carried out the sacrifice of the father by himself and thus released the brothers from their oppressing complicity in the deed. There was another way of allaying this sense of guilt and this is the one that Christ took. He sacrificed his own life and thereby redeemed the brothers from primal sin. The theory of primal sin is of Orphic origin; it was preserved in the mysteries and thence penetrated into the philosophic schools of Greek antiquity[220]. Men were the descendants of Titans, who had k**ed and dismembered the young Dionysos-Zagreus; the weight of this crime oppressed them. A fragment of Anaximander says that the unity of the world was destroyed by a primordial crime and everything that issued from it must carry on the punishment for this crime[221]. Although the features of banding together, k**ing, and dismembering as expressed in the deed of the Titans very clearly recall the totem sacrifice described by St Nilus—as also many other myths of antiquity, for example, the d**h of Orpheus himself—we are nevertheless disturbed here by the variation according to which a youthful god was murdered. In the Christian myth man's original sin is undoubtedly an offence against God the Father, and if Christ redeems mankind from the weight of original sin by sacrificing his own life, he forces us to the conclusion that this sin was murder. According to the law of retaliation which is deeply rooted in human feeling, a murder can be atoned only by the sacrifice of another life; the self-sacrifice points to a blood-guilt[222]. And if this sacrifice of one's own life brings about a reconciliation with god, the father, then the crime which must be expiated can only have been the murder of the father. Thus in the Christian doctrine mankind most unreservedly acknowledges the guilty deed of primordial times because it now has found the most complete expiation for this deed in the sacrificial d**h of the son. The reconciliation with the father is the more thorough because simultaneously with this sacrifice there follows the complete renunciation of woman, for whose sake mankind rebelled against the father. But now also the psychological fatality of ambivalence demands its rights. In the same deed which offers the greatest possible expiation to the father, the son also attains the goal of his wishes against the father. He becomes a god himself beside or rather in place of his father. The religion of the son succeeds the religion of the father. As a sign of this substitution the old totem feast is revived again in the form of communion in which the band of brothers now eats the flesh and blood of the son and no longer that of the father, the sons thereby identifying themselves with him and becoming holy themselves. Thus through the ages we see the identity of the totem feast with the animal sacrifice, the theanthropic human sacrifice, and the Christian eucharist, and in all these solemn occasions we recognize the after-effects of that crime which so oppressed men but of which they must have been so proud. At bottom, however, the Christian communion is a new setting aside of the father, a repetition of the crime that must be expiated. We see how well justified is Frazer's dictum that “the Christian communion has absorbed within itself a sacrament which is doubtless far older than Christianity”[223]. Footnotes: [213] Compare Transformations and Symbols of the Libido, by C. G. Jung, in which some dissenting points of view are represented. [214] Robertson Smith, Religion of the Semites, Second Edition, 1907. [215] See above, p. 128. [216] “To us moderns, for whom the breach which divides the human and divine has deepened into an impa**able gulf, such mimicry may appear impious, but it was otherwise with the ancients. To their thinking gods and men were akin, for many families traced their descent from a divinity, and the deification of a man probably seemed as little extraordinary to them as the canonization of a saint seems to a modern Catholic.” Frazer, The Golden Bough, I; The Magic Art and the Evolution of Kings, II, p. 177. [217] It is known that the overcoming of one generation of gods by another in mythology represents the historical process of the substitution of one religious system by another, either as the result of conquest by a strange race or by means of a psychological development. In the latter case the myth approaches the “functional phenomena” in H. Silberer's sense. That the god who k**s the animal is a symbol of the libido, as a**erted by C. G. Jung (l.c.), presupposes a different conception of the libido from that hitherto held, and at any rate seems to me questionable. [218] Religion of the Semites, pp. 412-413. “The mourning is not a spontaneous expression of sympathy with the divine tragedy, but obligatory and enforced by fear of supernatural anger. And a chief object of the mourners is to disclaim responsibility for the god's d**h—a point which has already come before us in connexion with theanthropic sacrifices, such as the ‘ox-murder at Athens.'” [219] The fear of castration plays an extraordinarily big rôle in disturbing the relations to the father in the case of our youthful neurotics. In Ferenczi's excellent study we have seen how the boy recognized his totem in the animal which snaps at his little penis. When children learn about ritual circumcision they identify it with castration. To my knowledge the parallel in the psychology of races to this attitude of our children has not yet been drawn. The circumcision which was so frequent in primordial times among primitive races belongs to the period of initiation in which its meaning is to be found; it has only secondarily been relegated to an earlier time of life. It is very interesting that among primitive men circumcision is combined with or replaced by the cutting off of the hair and the drawing of teeth, and that our children, who cannot know anything about this, really treat these two operations as equivalents to castration when they display their fear of them. [220] Reinach, Cultes, Mythes, et Religions, II, p. 75. [221] “Une sorte de péché proethnique,” l.c., p. 76. [222] The suicidal impulses of our neurotics regularly prove to be self-punishments for d**h wishes directed against others. [223] Eating the God, p. 51.... Nobody familiar with the literature on this subject will a**ume that the tracing back of the Christian communion to the totem feast is an idea of the author of this book.