Henry Thomas Riley - The Metamorphoses of Ovid, Book VII (Fable. 8) lyrics

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Henry Thomas Riley - The Metamorphoses of Ovid, Book VII (Fable. 8) lyrics

Procris, jealous of Cephalus, in her turn, goes to the forest, which she supposes to be the scene of his infidelity, to surprise him. Hearing the rustling noise which she makes in the thicket, where she lies concealed, he imagines it is a wild beast, and, hurling the javelin, which she has formerly given to him, he k**s her. Thus far did he speak; and then he was silent. “But,” said Phocus, “what fault is there in that javelin?” whereupon he thus informed him of the demerits of the javelin. “Let my joys, Phocus, be the first portion of my sorrowful story. These will I first relate. O son of Æacus, I delight to remember the happy time, during which, for the first years after my marriage, I was completely blessed in my wife, and she was happy in her husband. A mutual kindness and social love possessed us both. Neither would she have preferred the bed of Jupiter before my love; nor was there any woman that could have captivated me, not even if Venus herself had come. Equal flames fired the breasts of us both. The Sun striking the tops of the mountains with his early rays, I was won't generally to go with youthful ardor into the woods, to hunt; but I neither suffered my servants, nor my horses, nor my quick-scented hounds to go with me, nor the knotty nets to attend me; I was safe with my javelin. But when my right hand was satiated with the slaughter of wild beasts, I betook myself to the cool spots and the shade, and the breeze which was breathing forth from the cool valleys. The gentle breeze was sought by me, in the midst of the heat. For the breeze was I awaiting; that was a refreshment after my toils: ‘Come, breeze,' I was won't to sing, for I remember it full well, ‘and, most grateful, refresh me, and enter my breast; and, as thou art won't, be willing to a**uage the heat with which I am parched.' Perhaps I may have added (for so my destiny prompted me) many words of endearment, and I may have been accustomed to say, ‘Thou art my great delight; thou dost refresh and cherish me; thou makest me to love the woods and lonely haunts, and thy breath is ever courted by my face.' I was not aware that some one was giving an ear, deceived by these ambiguous words; and thinking the name of the breeze, so often called upon by me, to be that of a Nymph, he believed some Nymph was beloved by me. “The rash informer of an imaginary crime immediately went to Procris, and with his whispering tongue related what he had heard. Love is a credulous thing. When it was told her, she fell down fainting, with sudden grief; and coming to, after a long time, she declared that she was wretched, and born to a cruel destiny; and she complained about my constancy. Excited by a groundless charge,117 she dreads that which, indeed, is nothing; and fears a name without a body; and, in her wretchedness, grieves as though about a real rival. Yet she is often in doubt, and, in her extreme wretchedness, hopes she may be deceived, and denies credit to the information; and unless she beholds it herself, will not pa** sentence upon the criminality of her husband. The following light of the morning had banished the night, when I sallied forth, and sought the woods; and being victorious in the fields, I said, ‘Come, breeze, and relieve my pain;' and suddenly I seemed to hear I know not what groans in the midst of my words; yet I said, ‘Come hither, most delightful breeze.' Again, the falling leaves making a gentle noise, I thought it was a wild beast, and I discharged my flying weapon. It was Procris; and receiving the wound in the middle of her breast, she cried out, ‘Ah, wretched me!' When the voice of my attached wife was heard, headlong and distracted, I ran towards that voice. I found her dying, and staining her scattered vestments with blood, and drawing her own present (ah, wretched me!) from out of her wound; I lifted up her body, dearer to me than my own, in my guilty arms, and I bound up her cruel wounds with the garments torn from my bosom; and I endeavored to stanch the blood, and besought her that she would not forsake me, thus criminal, by her d**h. She, wanting strength, and now expiring, forced herself to utter these few words: “‘I suppliantly beseech thee, by the ties of our marriage, and by the Gods above, and my own Gods, and if I have deserved anything well of thee, by that as well, and by the cause of my d**h, my love even now enduring, while I am perishing, do not allow the Nymph Aura [breeze] to share with thee my marriage ties.' She thus spoke; and then, at last, I perceived the mistake of the name, and informed her of it. But what avails informing her? She sinks; and her little strength flies, together with her blood. And so long as she can look on anything, she gazes on me, and breathes out upon me, on my face,118 her unhappy life; but she seems to die free from care, and with a more contented look.” In tears, the hero is relating these things to them, as they weep, and, lo! Æacus enters, with his two sons,119 and his soldiers newly levied; which Cephalus received, furnished with valorous arms. Footnotes: 117. Groundless charge.]—Ver. 829. Possibly, Ovid may intend to imply that her jealousy received an additional stimulus from the similarity of the name ‘Aura' to that of her former rival, Aurora. 118. On my face.]—Ver. 861. He alludes to the prevalent custom of catching the breath of the dying person in the mouth. 119. His two sons.]—Ver. 864. These were Telamon and Peleus, who had levied these troops.