David Hume - A Treatise of Human Nature (Chap. 2.1.5) lyrics

Of The Influence Of These Relations On Pride And Humility. These principles being established on unquestionable experience, I begin to consider how we shall apply them, by revolving over all the causes of pride and humility, whether these causes be regarded, as the qualities, that operate, or as the subjects, on which the qualities are placed. In examining these qualities I immediately find many of them to concur in producing the sensation of pain and pleasure, independent of those affections, which I here endeavour to explain. Thus the beauty of our person, of itself, and by its very appearance, gives pleasure, as well as pride; and its deformity, pain as well as humility. A magnificent feast delights us, and a sordid one displeases. What I discover to be true in some instances, I suppose to be so in all; and take it for granted at present, without any farther proof, that every cause of pride, by its peculiar qualities, produces a separate pleasure, and of humility a separate uneasiness. Again, in considering the subjects, to which these qualities adhere, I make a new supposition, which also appears probable from many obvious instances, viz, that these subjects are either parts of ourselves, or something nearly related to us. Thus the good and bad qualities of our actions and manners constitute virtue and vice, and determine our personal character, than which nothing operates more strongly on these pa**ions. In like manner, it is the beauty or deformity of our person, houses, equipage, or furniture, by which we are rendered either vain or humble. The same qualities, when transfered to subjects, which bear us no relation, influence not in the smallest degree either of these affections. Having thus in a manner supposed two properties of the causes of these affections, viz, that the qualities produce a separate pain or pleasure, and that the subjects, on which the qualities are placed, are related to self; I proceed to examine the pa**ions themselves, in order to find something in them, correspondent to the supposed properties of their causes. First, I find, that the peculiar object of pride and humility is determined by an original and natural instinct, and that it is absolutely impossible, from the primary constitution of the mind, that these pa**ions should ever look beyond self, or that individual person. of whose actions and sentiments each of us is intimately conscious. Here at last the view always rests, when we are actuated by either of these pa**ions; nor can we, in that situation of mind, ever lose sight of this object. For this I pretend not to give any reason; but consider such a peculiar direction of the thought as an original quality. The SECOND quality, which I discover in these pa**ions, and which I likewise consider an an original quality, is their sensations, or the peculiar emotions they excite in the soul, and which constitute their very being and essence. Thus pride is a pleasant sensation, and humility a painful; and upon the removal of the pleasure and pain, there is in reality no pride nor humility. Of this our very feeling convinces us; and beyond our feeling, it is here in vain to reason or dispute. If I compare, therefore, these two established properties of the pa**ions, viz, their object, which is self, and their sensation, which is either pleasant or painful, to the two supposed properties of the causes, viz, their relation to self, and their tendency to produce a pain or pleasure, independent of the pa**ion; I immediately find, that taking these suppositions to be just, the true system breaks in upon me with an irresistible evidence. That cause, which excites the pa**ion, is related to the object, which nature has attributed to the pa**ion; the sensation, which the cause separately produces, is related to the sensation of the pa**ion: From this double relation of ideas and impressions, the pa**ion is derived. The one idea is easily converted into its correlative; and the one impression into that, which resembles and corresponds to it: With how much greater facility must this transition be made, where these movements mutually a**ist each other, and the mind receives a double impulse from the relations both of its impressions and ideas? That we may comprehend this the better, we must suppose, that nature has given to the organs of the human mind, a certain disposition fitted to produce a peculiar impression or emotion, which we call pride: To this emotion she has a**igned a certain idea, viz, that of self, which it never fails to produce. This contrivance of nature is easily conceived. We have many instances of such a situation of affairs. The nerves of the nose and palate are so disposed, as in certain circumstances to convey such peculiar sensations to the mind: The sensations of lust and hunger always produce in us the idea of those peculiar objects, which are suitable to each appetite. These two circumstances are united in pride. The organs are so disposed as to produce the pa**ion; and the pa**ion, after its production, naturally produces a certain idea. All this needs no proof. It is evident we never should be possest of that pa**ion, were there not a disposition of mind proper for it; and it is as evident, that the pa**ion always turns our view to ourselves, and makes us think of our own qualities and circumstances. This being fully comprehended, it may now be asked, WHETHER NATURE PRODUCES THE PASSION IMMEDIATELY, OF HERSELF; OR WHETHER SHE MUST BE ASSISTED BY THE CO-OPERATION OF OTHER CAUSES? For it is observable, that in this particular her conduct is different in the different pa**ions and sensations. The palate must be excited by an external object, in order to produce any relish: But hunger arises internally, without the concurrence of any external object. But however the case may stand with other pa**ions and impressions, it is certain, that pride requires the a**istance of some foreign object, and that the organs, which produce it, exert not themselves like the heart and arteries, by an original internal movement. For first, daily experience convinces us, that pride requires certain causes to excite it, and languishes when unsupported by some excellency in the character, in bodily accomplishments, in cloaths, equipage or fortune. SECONDLY, it is evident pride would be perpetual, if it arose immediately from nature; since the object is always the same, and there is no disposition of body peculiar to pride, as there is to thirst and hunger. Thirdly, Humility is in the very same situation with pride; and therefore, either must, upon this supposition, be perpetual likewise, or must destroy the contrary pa**ion from, the very first moment; so that none of them coued ever make its appearance. Upon the whole, we may rest satisfyed with the foregoing conclusion, that pride must have a cause, as well as an object, and that the one has no influence without the other. The difficulty, then, is only to discover this cause, and find what it is that gives the first motion to pride, and sets those organs in action, which are naturally fitted to produce that emotion. Upon my consulting experience, in order to resolve this difficulty, I immediately find a hundred different causes, that produce pride; and upon examining these causes, I suppose, what at first I perceive to be probable, that all of them concur in two circumstances; which are, that of themselves they produce an impression, allyed to the pa**ion, and are placed on a subject, allyed to the object of the pa**ion. When I consider after this the nature of relation, and its effects both on the pa**ions and ideas, I can no longer doubt, upon these suppositions, that it is the very principle, which gives rise to pride, and bestows motion on those organs, which being naturally disposed to produce that affection, require only a first impulse or beginning to their action. Any thing, that gives a pleasant sensation, and is related to self, excites the pa**ion of pride, which is also agreeable, and has self for its object. What I have said of pride is equally true of humility. The sensation of humility is uneasy, as that of pride is agreeable; for which reason the separate sensation, arising from the causes, must be reversed, while the relation to self continues the same. Though pride and humility are directly contrary in their effects, and in their sensations, they have notwithstanding the same object; so that it is requisite only to change the relation of impressions, without making any change upon that of ideas. Accordingly we find, that a beautiful house, belonging to ourselves, produces pride; and that the same house, still belonging to ourselves, produces humility, when by any accident its beauty is changed into deformity, and thereby the sensation of pleasure, which corresponded to pride, is transformed into pain, which is related to humility. The double relation between the ideas and impressions subsists in both cases, and produces an easy transition from the one emotion to the other. In a word, nature has bestowed a kind of attraction on certain impressions and ideas, by which one of them, upon its appearance, naturally introduces its correlative. If these two attractions or a**ociations of impressions and ideas concur on the same object, they mutually a**ist each other, and the transition of the affections and of the imagination is made with the greatest ease and facility. When an idea produces an impression, related to an impression, which is connected with an idea, related to the first idea, these two impressions must be in a manner inseparable, nor will the one in any case be unattended with the other. It is after this manner, that the particular causes of pride and humility are determined. The quality, which operates on the pa**ion, produces separately an impression resembling it; the subject, to which the quality adheres, is related to self, the object of the pa**ion: No wonder the whole cause, consisting of a quality and of a subject, does so unavoidably give rise to the pa** on. To illustrate this hypothesis we may compare it to that, by which I have already explained the belief attending the judgments, which we form from causation. I have observed, that in all judgments of this kind, there is always a present impression and a related idea; and that the present impression gives a vivacity to the fancy, and the relation conveys this vivacity, by an easy transition, to the related idea. Without the present impression, the attention is not fixed, nor the spirits excited. Without the relation, this attention rests on its first object, and has no farther consequence. There is evidently a great an*logy betwixt that hypothesis and our present one of an impression and idea, that transfuse themselves into another impression and idea by means of their double relation: Which an*logy must be allowed to be no despicable proof of both hypotheses.