Momus - lyrics

Nicholas Currie (born 11 February 1960), more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter, author, blogger and former journalist for Wired. For nearly thirty years he has been releasing, to marginal commercial and critical success, albums on labels in the United Kingdom, the United States, and Japan. In his lyrics and his other writing he makes seemingly random use of decontextualized pieces of continental (mostly French) philosophy, and has built up a personal world he says is "dominated by values like diversity, orientalism, and a respect for otherness." He is fascinated by identity, Japan, Rome, the avant-garde, time travel, and s**. Momus began by recording post-punk material with ex-members of Josef K in a group called The Happy Family in the early 1980s and was a**ociated with the musicians around Postcard Records (although he never recorded for that label). His debut solo album Circus Maximus (1986, él records) explored biblical themes in dark, almost Gothic acoustic style. His debt to the influence of Gallic pop was clear from a subsequent, sardonically self-referencing cover of Jacques Brel's "Jacky" and portraits of himself in the style of early 1960s Serge Gainsbourg. In 1987, when he lived in London, he signed to Creation Records and began to record the hyper-literate, quirky pop songs for which he is best known. A trio of albums, The Poison Boyfriend, Tender Pervert and Don't Stop The Night, blended accessible dance-pop with such heavy lyrical themes as paedophilia, necrophilia and adultery. The latter album almost yielded a hit in the UK with "The Hairstyle of the Devil" which peaked at No. 94 in the UK Singles Charts in May 1989. Subsequent albums on Creation included Hippopotamomus, a scatological tribute to Gainsbourg, as Momus continued to push boundaries of acceptability within accessible pop structures. By 1994, however, when Creation signed Oasis, his music began to seem wildly out of place on the newer, more 'laddish' and commercial sounds Creation started to produce. He moved to Paris and signed to Cherry Red Records. Since then he has lived in other countries and, while less popular in Britain, has had a reasonable level of commercial success, especially Japan, where he wrote and produced records for successful singer Kahimi Karie, including the hit single "Good Morning World." He has been sued twice. The first time was from Michelin UK, for the song "Michelin Man", which compared the mascot to a blow-up doll, on Hippopotamomus (1991). He was sued by Wendy Carlos for the song "Walter Carlos" (which postulated that the post-s**ual rea**ignment surgery Wendy could travel back in time to marry her pre-surgery self, Walter) on The Little Red Songbook (1998). The case was settled out of court for a fee of $30,000, withdrawal of the song, agreement not to use Carlos' name for any purpose, and payment of damages and attorney's fees to Carlos. To pay off the debt, Momus wrote 30 songs, one about each person or group who commissioned a song for $1,000, compiling Stars Forever (1999). Patrons included artist Jeff Koons, Japanese musician Cornelius, and three-year-old animator/superhero Noah Brill. Stars Forever also features the winners of a karaoke contest started on The Little Red Songbook (1998). In 2000, he performed "As You Turn to Go" (written by Stephin Merritt) on The 6ths' album Hyacinths and Thistles and "Mnemorex" (his own lyrics) on Kreidler's self-titled third album. He has continued to release Momus albums, as well as contribute to other artists' records since. show less