Uh.
Check, check one, two.
(Check one, two)
Check, check
(Check, is this?)
Check, check one, two.
(Come one)
Uhm, [?] my mic's little hot. [?]
No, no. That's little hot coutu-ure.
[?]
(Check mic two, mic two)
Mix it on point.
Turn me up little, turn me up.
[Clearing throat]
La, la, la, la, la, la, la, la, la, la.
(Mi, mi, mi, mi, mi, mi)
I sound terrible, I sound like a, a to-, uh like a, like a man.
[Clearing throat again]
I know there's like a, a bu*ton we can press,
to make me sound like a woman.
[Woman singing]
No. That's, that's [?] that's too much woman,
that's too much woman.
Thank you.
Just make me sound like Rosie the Robot,
or something.
No. I want, I wanna sound like Will.I.Am.
[Playing Manila's robotically auto-tuned voice]
Yeah, no.
[Manila's robotically auto-tuned voice keeps playing]
That... it just sounded like Cher's, Believe.
[Manila's robotically auto-tuned voice keeps playing]
One, two.
Oh.
[Manila's robotically auto-tuned voice keeps playing]
Could I just sing it a monotone?
Try just, try just talk the whole thing
And do the whole ovah.
[Manila's robotically auto-tuned voice keeps playing]
Let's just, yeah. Imma tryna,
Yeah, I'm gonna sing the whole thing
in just like my regular voice
and you just do the
a-auto-tu-u-u-u-u-u-ne.
This is why microphones at a gay bar
always think I'm the top.
Is this what it feels like to be Ke$ha?
Oh, yeah. It's, it's on honey, it's.
This mic is turn on, honey.